Cleo Laine, On Her Own

Born in a London suburb, Cleo Laine showed early singing talent, which was nurtured by her Jamaican father and English mother. She gained recognition in both jazz and pop, becoming known for her scat singing, evidenced here in Crazy Rhythm.

In Don’t Talk about me When I’m Gone Cleo uses her more than 3 octave vocal range to subtle advantage. Her big break came when she met composer, saxophonist  Sir John Dankworth in the 50s … they remained a team for most of her career..

September Song / 2:19 Blues – Wynton Marsalis & Sarah Vaughan

To open we have three musical icons, Wynton Marsalis and Sarah Vaughn teaming up to present the classic September Song The third legendary artist is John Williams conducting the Boston Pops Orchestra … or is that four musical icons? 

Next Wynton is in Marciac France with his Septet in another live performance.  2:19 Blues was recorded in 2015 and features Marsalis doubling on trumpet and handling vocals … together with Walter Blanding and Victor Goines playing saxophones, Sam Chess on trombone, Dan Nimmer at the piano, Carlos Henriquez with his bass, and Jason Marsalis on drums.  It’s down and dirty blues at its best!

Minnie The Moocher – Cab Calloway & ‘Betty Boop’

Cab Calloway was one of the most colorful and popular entertainers of the 30s and 40s.  Calloway hit the big time with “Minnie the Moocher” (1931) … a number one song that sold more than a million copies. The tune’s famous call-and-response “hi-de-hi-de-ho” chorus was first improvised when Cab couldn’t remember a lyric and it became his signature phrase for the rest of his career.  His abundant scat-singing was perfected with coaching from none other than Louis Armstrong, the master of non-lyric lyrics.

Move over Michael Jackson because Cab Calloway was more than just a singer and bandleader.  His ‘dance’ moves, including early moonwalking, were so popular with the crowd that he became a regular at Harlem’s Cotton Club.  Cab’s moves were accurately captured on film for a 1932 ‘Betty Boop’ cartoon, as demonstrated in the video below!  Michael J. may have popularized such gyrations during the 60s and 70s but Calloway came first!

Frank and Ella Perfect Together

Frank Sinatra said Ella Fitzgerald was the best singer (male or female) he ever heard and the only one who made him nervous to sing with, because he had to be up to her standards. Two legends and only one word to describe them:  Respect!   Frank even lets Ella dominate their performances to showcase her greatness.  He was always the gentleman. Talent like Frank and Ella are extinct now and nobody comes close to them … not then, not now. 

It was 1967 and both singers were in their prime on That’s Why The Lady Is A Tramp!  At one point they respectfully bow to each other, since hugging was not yet a public possibility … still they managed it, lyrically.

Frank may have met his match on Moonlight In Vermont and he knew it.  You can tell by the way he looks at her while they’re singing.  They sound so perfect, I wish they had made an album together.

What Are You Doing New Years Eve – Diana Krall & Seth MacFarlane

When you find two people who ask the eternal question with such passion, with such tenderness and longing, is it fair to keep them apart?  Rather than posting two videos, I thought I would at least join them lyrically as best I could into one … and ask Diana Krall and Seth MacFarlane to convey my sincerest wishes for a most healthy, happy and prosperous New Year!  By the way, What Are You Doing New Years Eve?

A Frank, Bing and Kenny Christmas

It’s classic upon classic!  First, Kenny G. takes a walk down memory lane with scenes from classic Christmas movies and his lush arrangement of Have Yourself A Merry Little Christmas.  Then a classic clip from the 1967 Bing Crosby television special featuring a duet of White Christmas with Frank Sinatra, as the magic of the holiday season unfolds.

After that, the only thing left to say is MERRY CHRISTMAS!  I wish you and yours Christmas rainbows all through the new year!

Winter Wonderland / My Favorite Things – Tony Bennett

Tony Bennett makes you want to slip on your galoshes and follow him into the snow with this rendition of Winter Wonderland.  It features the Count Basie Orchestra and is certain to add Holiday spring to anyone’s step!

My Favorite Things is a classic song swung by a classic performer with a classic band.  While the tune was written for a Broadway play, not as a Christmas song, the season wouldn’t be complete without it.

The Fabulous Baker Boys

The Fabulous Baker Boys is a movie about two guys and a girl, that play against one incredible jazz-based soundtrack!  Toss in some sibling rivalry and you have a motion picture that feels good no matter how many times you see it.

Michelle Pfeiffer does all of her own singing … and is quite a nice surprise, considering we previously only knew her as a most enjoyable actress.   Jeff and Beau Bridges play some of their own piano, although Dave Grusin does most of the keyboard work with the Bridges brothers very convincingly miming it.

Music flows from one end of the story to the other and the plot is a sound one, especially if you happen to have grown up with an obverse brother or sister … or just had a really close best friend.  Here’s a small sample.

Diana Ross Sings Billie Holiday

Her true versatility is on full display as Diana Ross moves seamlessly from R&B to jazz in the 1972 motion picture Lady Sings The Blues … the life story of the legendary Billie Holiday. My Man is one of the featured songs.

Riding atop the power of a big band, with All Of Me Diana shows she can swing with the best of them, in addition to melting your heart with her poignant approach to a ballad.

Give Me A Pig Foot And A Bottle Of Beer is a familiar Billie Holiday song that unquestionably distances Diana Ross far from her original Motown days with The Supremes.

God Bless The Child (That’s Got His Own) has been recorded by several top artists but NOBODY ever did it like Billie Holiday … although Diana comes pretty darn close.  Another tune featured in Lady Sings The Blues.

That Ain’t Right – Fats Waller & Ada Brown

In a scene from the 1943 film “Stormy Weather” Fats Waller and Ada Brown perform with legendary dancer Bill “Bojangles” Robinson, drummer Zutty Singleton, bassist Slam Stewart, Trumpeter Benny Carter and singer Lena Horne, just to mention a few.  The film is considered one of the best Hollywood musicals with an African-American cast. It was viewed as a primary showcase of some of the top Black performers of the time, during an era when actors and singers of color rarely appeared in lead roles in mainstream movie productions,