The Softer Side of Earl Klugh

Generally know for his ability to play beautiful melodies and spin soft solos, Take It From The Top is one of Earl Klug’s more up-tempo arrangements –– swinging quietly and still maintaining his trademark mellow sound.  It was originally recorded for BET on Jazz on The Jazz Channel which launched in 1996 with the emphasis on smooth jazz, and has undergone several metamorphoses since.

Wishful Thinking, recorded in 2018 during a weekend of jazz at the Broadmoor, features Earl on guitar, Al Turner on bass, Tom Braxton playing sax, David Lee at the keyboards, and Ron Otis on drums.

Since You’re Gone adds the amazing George Benson to an already mellow mix of musicians –– the way smooth jazz ought to be played. Arguably, two of the greatest guitarists of the modern era in a rare appearance together.

Like Someone In Love / Red Suede Shoes – Chuck Loeb

Like Someone In Love is a jazz standard.  Chuck Loeb was a guitarist with one foot anchored in traditional jazz and the other tap dancing its way around the [so called] smooth jazz genre. John Patitucci is an award winning bassist and composer, who was inspired by the likes of Ray Brown and Ron Carter … but who frequently likes to dance to the beat of his own drummer.  Put all three together and you have a couple of old friends just noodling on a familiar tune that makes everyone within earshot feel like “dis must be da place!”

As a sort of bonus, I’m including Red Suede Shoes as a sample of Chuck’s smooth jazz virtuosity.  Notice the orchestration reaches beyond the usual “death by saxophone” or “death by guitar” sound that seems to dominate the genre.

Wesbound – Lee Ritenour

Wesbound was written by Lee Ritenour as a tribute to the late, great guitarist Wes Montgomery.  Lee is joined in this video by the very versatile Patrice Rushen playing keyboards and Terry Crews delivering a driving bass.

Ritenour’s guitar stylings are usually considered to be acid or club jazz, which for the uninitiated is a musical genre that combines elements of jazz, soul, funk, and even a smattering of disco.  While it is a bit of a departure from our emphasis on more traditional, straight ahead jazz, I think you’re gonna like what you hear.  Listen for an ear-popping solo by Patrice!

Some Smooth Jazz

While the Mark of Jazz usually features more traditional jazz, I believe it is important to understand as many aspects of the genre as possible, and, after all, by any other name good music is still good music!.  Smooth jazz is one of the more recent iterations of the idiom and is represented most ably by award winning composer, producer, music publisher Dimitri K. Born in Sofia, Bulgaria, Dimitri has written more than 250 songs which can be heard on over 300 radio stations on five continents!  His recorded music is part of the Golden Music Library of the National Radio in Sofia.  His use of instruments not often found in jazz provides a unique musical experience.

Even though he plays violin, as well as some guitar and piano himself, Dimitri prefers to use only top flight soloists when recording his music.  “I Saw Her” features  Alvin L. Guile’s on piano and Jamie Strefeler on oboe; “You’ve Got Me” spotlights Harry Hall playing sax and John Valeri with the guitar; finally, on “A Day In Paris”  we have Konstantin Dimitrov with the violin, Rob Mullins on piano and John Valeri playing guitar.

Satin Doll – Joe Pass

You know a musician is truly great when you can literally listen to him play all day long and still want more. Joe Pass was one of those musicians … arguably the finest jazz guitarist of the Twentieth Century and one of the best jazz guitarists of all time!  Even his imperfections were so enjoyable that nobody cared.  He was a most serious musician who felt deeply about his music but liked to have fun with it at the same time.  Here, he performs the Ellington-Strayhorn classic Satin Doll with Bob Magnusson on bass and Joe Porcaro playing drums.

Hear my interview with Joe on our Jazz Scene PODCAST page.

Three Great Guitars – Burrell, Kessel & Green

Here’s some rare footage of 3 of the top jazz guitarists of all time, Kenny Burrell, Barney Kessel and Grant Green.  The videos were recorded in 1969 for a French TV show that never aired … along with Burrell, Kessel and Green, are Larry Ridley on bass and Don Lamond on drums.  The video TO THE RIGHT features all 3 guitarists with an easy swinging tune of “Rhythm Changes”.  

BELOW on the upper left all 3 men again collaborate on the familiar blues theme “Blue Mist”.  Although the performance is incomplete, I included it because of some great guitar licks that’ll make you glad you have ears!  Upper right Kenny steps forward with “Imagination.”  Lower left offers Barney with “I’m Glad There Is You”, while at the lower right Grant dazzles with his virtuosity on “I Wish You Love.”

Blues in “F” – Wes Montgomery

Did you know that Wes played with his thumb rather than using a pick … and that his thumb was double jointed?  This is Wes in 1965 performing a free swinging blues, before his trademark ‘pop’ sound caught on.  He is accompanied by a group of young Dutch musicians, probably all still in their early twenties.

Satin Doll / Windsong – Mundell Lowe

Mundell Lowe and Louis Stewart perform Satin Doll together with a string quartet.  It’s a unique treatment of the Ellington / Strayhorn classic, with the tender touch of one of jazz’s guitar icons.

Wind Song is a rhythmic, medium-up tempo tune featuring Mundell Lowe and Louis Stewart on guitars, Jim Doherty piano, Dave Gausden bass, Peter Ainscough on drums, augmented by a classical string quartet just to keep things interesting.

Tangerine / In A Mellow Tone – The Great Guitars

The Great Guitars are Bucky Pizzarelli, Mundell Lowe, and John Pisano.  Here they prove that, for the great ones, groovin’ on a guitar is just like riding a bike … the ability stays with you and never gets old.  These are live performances of “Tangerine” (Top) and “In A Mellow Tone” (Bottom) at the KPLU studios in Seattle.  There may be snow on the roof but there is still a fire in the fingers!