‘A’ Midnight Special – Michel Petrucciani

by | Feb 4, 2024 | Sextet, Solo/Duo

(Above) The classic Take the ‘A’ Train is given a highly kinetic treatment by Petrucciani at the 1998 Nice Jazz Festival. He is joined by Anthony Jackson (b), Steve Gadd (d), Stefano DiBattista (ts), Flavio Boltro (tr), & Denis Leloup (tb)

(Left) In 1993, Michel took the stage at the Stuttgart Jazz Festival and captured the audience with a powerful solo performance of Monk’s ‘Round Midnight.  He had everyone checking their watches … waiting for ‘last call!’

Don’t Blame Me / Bolivar Blues – Thelonious Monk

by | Nov 14, 2020 | Quartet/Quintet, Solo/Duo

Thelonious Monk is something of an acquired taste.  As Monk himself has said, “The piano ain’t got no wrong notes” … but once that taste is acquired, the listening experience is singular and thoroughly enjoyable!  The impression is one of almost hitting the note by playing around it, implying the expected note by actually creating a new version of it.  Monk is the very definition of avant-garde … half pianist, half painter.  As for Charlie Rouse adding his tenor to the mix, Charlie rents space inside Monk’s head.  Together they are musical twins joined at the hip!

Recorded in 1966 in Denmark, Don’t Blame Me puts Monk’s quartet on hold for a solo performance of the time-tested classic.

Monk’s Bolivar Blues was recorded in Japan in 1963.  The quartet is Thelonious at the piano, Charlie Rouse on tenor saxophone, Frankie Dunlop playing drums and Butch Warren on bass.

My Favorite Things – Joey Alexander, Encore!

by | Nov 21, 2018 | Solo/Duo

Do you realize there is no Thanksgiving jazz?  The only Thanksgiving song I could  even think of was “Over The River and Through the Woods” but I couldn’t find a jazz rendition.  The closest I could come was “My Favorite Things” but what a find it was, holiday or not.  None other than Joey Alexander, that kid prodigy from Indonesia, once again dazzles us with his piano prowess.

To have reached this level of technical proficiency and have such a sophisticated harmonic understanding at the tender age of 12 is nothing short of astonishing!  I couldn’t decide which of these performances to share and the contrast between the two is most outstanding when heard side-by-side.  So here are both … and Happy Thanksgiving.  What is going on inside this young man’s head is enough to make many established jazz pianists blush!.

Joey Alexander performs the title track from his debut album “My Favorite Things” in studio, along with the intricate bass work of Larry Grenadier.  

Joey plays jazz piano like old timer, but he’s only 11-years-old for this solo performance.  They say he started playing at six … then “got serious” at seven.  

Parker’s Mood – James Moody

by | May 11, 2018 | Orchestral, Solo/Duo

James Moody was a jazz saxophonist and flutist from Newark, New Jersey, celebrated for his virtuosity, his versatility and his onstage ebullience. This is a gentle solo with strings, from Eastwood After Hours, recorded at Carnegie Hall in NYC on October 17, 1996.

The Great Drum Solo – Joe Morello

by | Apr 6, 2018 | Stuff

Wanna’ hear a guy play the hide off some drums?  Bassist Gene Wright really got into his solo and apparently overstayed his welcome.  Joe Morello seems to have become just a bit perturbed and, after providing some increasingly not so gentle hints, he launched into the most awesome drum solo never seen!  This is some rare footage provided to Drummerworld from the archives of Andy Lüscher.  Notice the one handed action early on and how easy Joe makes it all look.

The Third Eye / Drum Conversation – Max Roach

by | Sep 1, 2017 | Solo/Duo, Video

The Third Eye

When it came to mastering his domain, Max Roach took a back seat to no one!  His smooth, energetic style placed him in the constant company of jazz icons like Charlie Parker, Dizzy Gillespie, Coleman Hawkins, Miles Davis, Duke Ellington, Charles Mingus, Thelonious Monk, and Sonny Rollins, to name just a few.

Drum Conversation

This is a Max Roach drum solo from “Jazz At Massey Hall” recorded live in Toronto, Canada.   A pioneer of bebop, Max worked comfortably in many other styles of music as well, and is generally considered to be one of the most important drummers in history.