‘A’ Midnight Special – Michel Petrucciani

(Above) The classic Take the ‘A’ Train is given a highly kinetic treatment by Petrucciani at the 1998 Nice Jazz Festival. He is joined by Anthony Jackson (b), Steve Gadd (d), Stefano DiBattista (ts), Flavio Boltro (tr), & Denis Leloup (tb)

(Left) In 1993, Michel took the stage at the Stuttgart Jazz Festival and captured the audience with a powerful solo performance of Monk’s ‘Round Midnight.  He had everyone checking their watches … waiting for ‘last call!’

The Joy of Samara

I have only two words for you … Samara Joy.  Samara is a marvelous young jazz singer from a musical family in the Bronx New York, who has an incredibly bright future and might even out-Ella Ella one of these days!  Samara’s album “Linger Awhile,” was released in September 2022, winning the award for Best Jazz Vocal Album, and she also won Best New Artist at the 2023 Grammy Awards.

The first tune (top) is the Billy Strayhorn tune Lush life … one of my perennial favorites.  Next (middle left) listen to her impeccable phrasing on Can’t Get Out of This Mood, followed by Lady Be Good (middle right) as she channels Ella and adds a few ear-popping twists of her own.  Finally Samara’s poignant video of Guess Who I Saw Today (bottom), a song originally composed for the Broadway musical revue New Faces of 1952She was a new face on the jazz scene in 2021, now at the tender age of 24, if she stays on the straight-and-narrow this chanteuse is going places!  Currently, she is touring the globe.

The Softer Side of Earl Klugh

Generally know for his ability to play beautiful melodies and spin soft solos, Take It From The Top is one of Earl Klug’s more up-tempo arrangements –– swinging quietly and still maintaining his trademark mellow sound.  It was originally recorded for BET on Jazz on The Jazz Channel which launched in 1996 with the emphasis on smooth jazz, and has undergone several metamorphoses since.

Wishful Thinking, recorded in 2018 during a weekend of jazz at the Broadmoor, features Earl on guitar, Al Turner on bass, Tom Braxton playing sax, David Lee at the keyboards, and Ron Otis on drums.

Since You’re Gone adds the amazing George Benson to an already mellow mix of musicians –– the way smooth jazz ought to be played. Arguably, two of the greatest guitarists of the modern era in a rare appearance together.

Newport ’71 – Thelonious Monk Et Al

Thelonious Monk is the first stellar name we know … el al is the rest of the who’s who of Bop live on stage. It was Newport ’71 in De Doelen Rotterdam, The Netherlands, and Monk was joined by the likes of Art Blakey, Kai Winding, Dizzy Gillespie, and Sonny Stitt, with Al McKibbon bringing up the bass. As you would expect, the solos are out of sight, as the Monk standard, Straight No Chaser takes on a larger-than-life richness that can only be described as very delicious jazz!

Sonny Rollins In Tokyo

On March 30, 1988 Sonny Rollins and a quintet consisting of Clifton Anderson (tb), Jerome Harris (g), Mark Soskin (p), Bob Cranshaw (b), Al Foster (d) gave a live concert in Tokyo that resulted in an album called Dancing In The Dark.  Here are two Rollins originals … the familiar Alfie’s Theme is the top video and Promise, the lower video, became part of that album.

NOTE: I’m sorry to say that this will be the last Mark Of Jazz weekly post until sometime around the middle of May. Thanks for being here and, please, don’t go away … we won’t!

Houston: A Person Worth Listening To

Silk and cement … that’s the way I would describe Houston Person’s tenor voice.  After more than half-a-century, he can still touch you or growl at you during the same musical passage and I’ve always liked what he had to say.  In 2017 Houston appeared in Spain at the San Javier International Jazz Festival with his sextet, Jim Rotondi (t), Dena DeRose (p), D.J. Foster (b) Marc Miralta (dr).  The two videos are from that performance:  The topmost cooks comfortably with the popular 1966 tune Sunny, while the video below it is a wonderfully soulful treatment of the familiar standard Since I Fell For You.  Finally, Person treats our ears and our hearts to the wonderfully gentle But Beautiful, audio from his album The Art And Soul Of Houston Person.

But Beautiful

by Houston Person | The Art And Soul Of Houston Person

Workin’ With The Miles Davis Quintet

Green Dolphin Street is from the landmark album Kind of Blue, which has been regarded by many critics as Davis’s masterpiece and one of the greatest jazz albums of all time.  It is a studio recording cut in 1959 featuring saxophonists John Coltrane and Julian “Cannonball” Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb.

The Dave Brubeck composition In Your Own Sweet Way is part of the album Workin’ With The Miles Davis Quintet.  Although recorded in 1956, it wasn’t released until January 1960.  Miles, of course, played trumpet, John Coltrane was on tenor sax, Paul Chambers on base, and Philly Joe Jones played drums.  To my ear, these were Miles Davis’ finest years.

On Green Dolphin Street

by Mies Davis | Kind Of Blue

In Your Own Sweet Way

by Miles Davis | Workin' With The Miles Davis Quintet

The Final Concert – Stan Getz

The Amorous Cat and the other two videos are from Stan Getz Final Concert in 1990, at the Munich Philharmonic Hall in Germany.  The entire live recording is available on Eagle Records

As on all 3 videos, Miles Davis’ Seven Steps To Heaven has Stan on tenor, Kenny Barron playing piano, Terri Lyne Carrington on drums, Alex Blake bass, with Eddie DelBarrio & Frank Scottili on synthesizers.

Yours And Mine features the warm, lyrical sound Getz fans will mostly remember. In June of 1991 cancer finally silenced Stan’s tenor but his extensive and varied legacy is eternal.

Whisper Not – Milt Jackson, Benny Golson & Art Farmer

This is a reunion of sorts, because it’s the first time that Milt Jackson, Benny Golson and Art Farmer have played together since 1958.  Whisper Not was recorded at Jazzbaltica, Salzau, Germany in June, 1997.  The trio is joined by Ulf Wakenius 0n guitar, Niels-Henning Orsted Pedersen on bass and Jonas Johansen playing drums.  Listen for NHOP’s jaw-dropping bass solo.  You just don’t hear bigger or better than these giants, who once again prove that music truly is the international language!

Along Came Betty – Art Blakey

In 1958 Benny Golson was inspired by the woman he was dating to write “Along Came Betty”.  It has since become a favorite of saxophonists, guitarists and piano players.  Eventually, Jon Hendricks wrote some lyrics. The first recording of “Along Came Betty” was on the seminal hard bop album “Moanin’” by Art Blakey and the Jazz Messengers.  It featured an all-Philadelphia cast of Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Jymie Merritt (bass) and Bobby Timmons (piano).

The ensemble for this updated performance consists of Javon Jackson (Tenor), Phill Harper (trumpet), Benny Green (piano), Robin Eubanks (trombone), Peter Washington (bass) and of course Art Blakey (drums).