Mary Lou Williams

One of the greatest jazz pianists, composers, and arrangers of all time, Mary Lou Williams was a swing and bebop icon with few equals. A musical prodigy, at the age of two she was able to pick out simple tunes, and by the age of three she was given piano lessons by her mother.  Mary Lou Williams played piano out of necessity at a very young age … when only six, she supported her ten half-brothers and sisters by playing at neighborhood parties. She began performing publicly at the age of seven, when she became known admiringly in Pittsburgh as “The Little Piano Girl” of East Liberty. She became a professional musician at the age of 15, and recorded more that one-hundred records (78s,45s, and 33-1/3 LPs) throughout her lifetime. She was a friend, mentor, and teacher to many of the greats, including the likes of Thelonious Monk, Charlie Parker, Miles Davis, Bud Powell, and Dizzy Gillespie.

Above is a performance of an original Williams composition, Medition II, recorded for a popular 1974 television program.  It features Sy Oliver on trumpet, Milton Suggs on bass, and Walter Perkins playing drums. Below left, she partners with Stan Getz in 1978 with the familiar My Blue Heaven … and below right Mary Lou ‘noodles’ Some Blues.  The video quality is poor but her brief solo was so classically blues, I had to include it!

Below is a track from her landmark 1975 album, “Live at the Cookery.”  It’s Mary Lou Williams rendition of the Miles Davis tune, All Blues, with bassist Brian Torff.  The album is a series of duets, essentially taking listeners on a trip through the history of jazz … from hymns and blues to stride, swing, and bop (including “All Blues”).

Big Boss Tenor – Houston Person

In Texas they have a town they call “Houston.”  New York has a street named “Houston” but they pronounce it “Howstin.”  In jazz, there’s a particularly noteworthy Person, and no matter how you say Houston, he’s been playing his big boss tenor both hot and cool for more than half-a-century!  Houston Person’s musical role seems to be as a show stopper and spotlight stealer, no matter who he plays with … he can touch you and growl at you, equally well, during the same electrifying passage.  I have described his style as silk and cement, and you’ll find examples of both––and everything inbetween––in the three videos below.

Topmost is a 1998 performance of Blues Up and Down with David “Fathead” Newman and the Rein deGraaff Trio.  Below that is a tune who’s name is not listed, and which I can’t seem to identify, but Houston’s duo with John Clayton is comfortably energetic nonetheless.  Finally, At Last is a tune with Emmet Cohen (p), Kyle Poole (d), and Russell Hall (b) that has just enough silk and just enough cement to prove my point.

Recorded live in June of 2023 at the Caffe Lena in Saratoga Springs, NY.  Person and Clayton … a unique duo with a combined swinging sound will find a place in the heart of any jazz fan.

Recorded in 2021 at Emmet’s Place, in Harlem, NYC. The weekly performances are by invitation only … and they entertain only around 8 guests per show.

Symphony In Black – Duke Ellington

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.