Now You’ve Met Mr. Jones

The marvelous, and often overlooked, Hank Jones closes out nine years here at Mark of Jazz.com … after nearly a decade of weekly posts, this will be our last. Both videos were recorded live at the Blue Note in Tokyo in 2009 and feature Hank at the piano, David Wong on bass, and Billy Kilson playing drums. At the top is Blue Minor, written in 1958 by Sonny Clark and covered by more than 21 other major artists since. Below that, Thelonious Monk’s timeless 1943 composition ‘Round Midnight, which became a jazz standard even more quickly than I can say thanks for listening all these years … and for more than 500 of you who shared my website with friends and other enthusiasts, who also understand that jazz is truly “America’s Classical Music!”

–– Fred Masey

Sentimental Journey

When you think of jazz vocalists, Doris Day isn’t usually at the top of the list. But, in 1945 she hooked up with Les Brown [and his band of renown] to record their massive hit Sentimental Journey … a song written by Brown himself, composer Ben Homer, and lyricist Bud Green. Despite some less than perfect sound and picture, I had to share Les and Doris’ 1985 reunion performance––along with several original band members––of the tune that put Doris Day on the map for good and brought Les Brown to the forefront of dance bands from the mid-forties forward.

Jazz by George

George Benson has been described as one of the greatest guitarists in jazz history. He started out as a singer, and quickly added the strings of guitarist and songwriter to his musical bow, making an indelible mark in soul, pop, and R&B genres as well as jazz. George first came to prominence during the 1960s, playing with organist Brother Jack McDuff and other prominent musicians before beginning his solo career. Here, at the age of only 21, he joins McDuff at the Antibes Jazz Festival in 1964 … along with Red Holloway on tenor sax and Joe Dukes on drums in their rendition of It Ain’t Necessarily So. Quite a departure from the later, more familiar Benson sound (like “This Masquerade” and “Give Me the Night”). Altogether, He collected no fewer that 10 Grammy Awards during his illustrious career!

Three’s a Charm!

Ella, Ray, and Pete have the blues! Pete Kelly’s Blues may just be the greatest jazz motion picture of all time … featuring appearances by the likes of Ella Fitzgerald and Peggy Lee (who received an Academy Award nomination as best supporting actress), with much of the music played by Matty Matlock. Pete Kelly’s Blues‘ main title is performed here by Ray Anthony, who accompanies Ella’s vocal with a trumpet that captures the essence of the film. Fitzgerald follows with her rendition of Hard Hearted Hannah –– hear and see her original clip from the movie in our June 9, 2017 post.

Maiden Voyage – Herbie Hancock

The history of jazz is often told through the exploits of its firestarters, outsized personalities like Charlie Parker, Miles Davis, and pianist/composer Herbie Hancock … one of the most adept and creative of the sound-sculpting facilitators.  Maiden Voyage is the product of both his genius and his willingness to experiment with fresh, new sound ideas.  It is, arguably, his peak solo statement from the 1960s, some would say along with his compositions of Dolphin Dance and Watermelon Man, (our June 1, 2018 post) two tunes which have also become jazz classics. Herbie is joined here by Brian Blade on drums, Randy Brecker playing trumpet, Ravi Coltrane on tenor saxophone, James Genus on bass and Zakir Hussain playing tabla, as part of the “International Jazz Day 2022” All-Star Global Concert.

It’s June in February

Although she was the epitome of the vocal cool movement of the 1950s, June Christy was a hypnotically warm vocalist, whose audiences either loved her or were confused by her unusual, sometimes off-key phrasing. She was able to stretch out her impressive voice on uptempo swing tunes, as well as on laid back ballads, and set herself apart from other vocalists with her deceptively simple enunciation. Midnight Sun originally an instrumental composed by Lionel Hampton and Sonny Burke in 1947 –– now considered a jazz standard –– receives a very gentle yet powerful interpretation by June when she was with the Stan Kenton Orchestra. For more June Christy and further examples of the versatility that made her one of the top jazz vocalists of the 50’s era, see our post of September 19, 2019, “June Christy and Friends.”

String Along with Lowe

Mundell Lowe is, arguably, the most successful jazz guitarist of his era. He routinely performed with such luminaries as Charlie Parker, Lester Young, Billie Holiday, Dizzy Gillespie, Bill Evans, Sarah Vaughn, and many others. For more than seven decades, he was a major name on the jazz circuit, not only as a much in demand side man, but with his own group as well … in addition to composing scores and soundtracks for a myriad of films and television shows!

Mundy was a quietly elegant guitarist, easy to listen to, with a cool but surging swing. That quality is particularly evident on Nancy with the Laughing Face, a tune popularized by the great Frank Sinatra, where he is joined by his good friend Irish guitarist Louis Stewart.

The Art of Van Damme

Usually, the accordion takes about as much heat as a Christmas fruitcake … and, as a jazz instrument, may be reminiscent of the first guy who looked at a lobster and thought, “Food!” But Art Van Damme changed all that. He dared go where no man had gone before, and became known as “the hippest cat ever to swing an accordion.” Evidence his treatment of Durham and Battle’s Topsy, with his quintet in 2004 during the annual TIM Festival. With Art playing accordion, Steve Homan on guitar, Jon Ericksen on vibes, Rich DeLabio playing drums, and John Witalla on bass, they dazzled the Brazilian audience with their gentle, yet swinging sound.

For Bud

“Bud” Powell was a pioneer in the development of bebop and its associated contributions to jazz theory, as well as a major influence on pianist Chick Corea. Chick salutes that influence with his composition simply called Bud Powell. It features Kenny Garrett (as), Christian McBride (b), and Roy Haynes (d), as well as Corea, who made his own contributions to the jazz idiom with his considerable participation in the birth of fusion, particularly during the 1970s with the formation of his group Return to Forever.

E-e-e-gadd!

Music not only cuts across lines of language and transcends boundaries of nations, but timelessly conquers barriers of age as well. Here, in the twilight of their careers, are some of the greatest jazz musicians of all time and they haven’t lost a step … or a lip, or a note! Steve Gadd (d), Eddie Gomez (b), and Ronnie Cuber (bs) join Michael Abene conducting the WDR Big Band for Che Ore So, a tune written by Pino Daniele. The song is from their “Center Stage” album, which was nominated for the 2023 Grammy in the category “Best Large Jazz Ensemble”.