Symphony In Black – Duke Ellington

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.

3 Shades of Blue

3 Shades of Blue

by Dion Graham, Nar. | Book - Print and Audio

“3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool” is a superb book by renowned biographer James Kaplan. It chronicles the story of how jazz arrived at the pinnacle of American culture in 1959 … following the sometimes difficult paths of three legendary artists––Davis, Coltrane, and Evans––who came together to create the most iconic jazz album of all time, Kind of Blue.  It’s a book about music, business, the towns that gave jazz a place to call home, and the challenges faced during the journeys of three musical giants as they climbed to the mountaintop of 1959 and beyond.

Above is an excerpt from the “3 Shades of Blue” audio book. Below are a pair of tunes in their entirety, So What and All Blues, from the historic Kind of Blue Album … featuring Miles Davis (t), Cannonball Adderley (as), Paul Chambers (b), Jimmy Cobb (d), John Coltrane (ts), and Bill Evans (p) alternating with Wynton Kelly (p).

The Very Classic Carmen

With her behind-the-beat phrasing and ironic interpretation of lyrics, Carmen McRae is considered one of the most influential jazz vocalists of the 20th century.  Her heartfelt rendition of Monk’s ‘Round Midnight in 1962 (above) was only a precursor of the greatness to come.  Carmen is joined here by pianist Norman Simmons, bassist Victor Sproles, and drummer Walter Perkins. 

Nearing the end of her career in 1990, she performed one of my personal favorites –– On Green Dolphin Street –– in Tokyo (below left) at the Good Day Club, together with Eric Gunnison (p), Scott Colley (b), and Mark Pulice (d). 

In 1980, during what some say was her “prime” (never figured how anyone can determine that, especially with the great ones), McRae paints some vivid word pictures (below right) with Miss Otis Regrets; she makes you feel like you personally missed a lunch date, but fortunately, we don’t have to miss Carmen’s impassioned performance of the Cole Porter tune.

Another Auld Lang Syne

Since our first posts back in 2017, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and more than a little hectic, I thought we could all use a few gentler moments to ring in 2023.

In the video, Diana Krall quietly wonders What Are You Doing New Years Eve … while you can close your eyes and see the snowy evening and crackling fire as Ray Charles tries to make the case for Betty Carter to stick around because, Baby It’s Cold Outside

Baby It's Cold Outside

by Ray Charles & Betty Carter | Ray Charles and Betty Carter

Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  It’s a jazzy adventure that answers questions about the tune that has played with people’s heads for generations.  Speaking of generations, we even have a nostalgic visit with Fay Wray … the lady who monkeyed around with that big ape in the ORIGINAL 1933 classic King Kong!

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS NEW YEAR … and hoping that you thoroughly enjoy our little MOJ celebration!

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

Dreams Of Christmas

Arguably, the greatest Christmas movie ever made is Irving Berlin’s star-studded White Christmas.  The topmost video is the grand finale from that motion picture, guaranteed to catapult you into the Christmas spirit … in case you’re not already there.  Below that are performances by young Joey Alexander and The Swingle Singers in a medley from one of their two spirit-inspiring Christmas albums.  Finally I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

Joey Alexander was already an accomplished piano genius at the tender age of 14 in this performance of My Favorite Things.  Clearly, jazz is one of his favorite things … and his music is one of mine! 

The Incredible Swingle Singers take a step back from their usual jazz interpretations of classical music to perform a Christmas Medley in a more traditional fashion.

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Hot House – Charlie Parker & Dizzy Gillespie

This performance of Hot House is from a February 24, 1952 broadcast on the pioneering DuMont Television Network.  Broadcasting on the Earl Wilson Show ‘Stage Entrance’, Charlie Parker plays with Dizzy Gillespie in the only footage capturing “Bird” in a true live performance … a historic TV broadcast of the founding fathers of bebop playing together.  It is one of only two known sound films of Parker playing and the only one of him playing live, rather than synching to a prerecorded track.

The quintet playing on this rare video includes Parker on alto saxophone, Gillespie on trumpet, Sandy Block playing bass, Charlie Smith on drums and Dick Hyman at the piano.

A Day With Lady Day

God Bless The Child was written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded in May 1941 by Billie and released in 1942. Her version of the song was honored with the Grammy Hall of Fame Award in 1976.

After being heard by producer John Hammond, who liked her voice, Holiday signed a contract with Brunswick Records in 1935. Collaborations with Teddy Wilson produced the standard What a Little Moonlight Can Do.

Billie Holiday’s best-selling record Strange Fruit was a sombre blues account of racism in the South. In 1939 Time Magazine derided the song as propaganda for the NAACP. ironically, 60 years later Time selected it as ‘song of the century’!

Steppin’ Out With My Baby – Fred Astaire

Here’s a scene from the 1948 movie Easter Parade that is guaranteed to please any Fred Astaire fan and make a fan out of anyone who isn’t already!  Astaire was unquestionably one of the greatest entertainers of all time, but as you watch him perform you realize that, as a dancer, he also had to be an extremely well conditioned athlete. Along with Easter eggs, chocolate bunnies and marshmallow Peeps … Easter Parade, Fred Astaire and Judy Garland are musts for your Easter Holiday basket.  Though loosely defined as jazz, this bit of cinema magic demands that we toss away the dictionary, at least for one day every year!

The Wonderful World of Satchmo

If the world ends someday, this song will be the credits.  What A Wonderful World was first recorded and popularized by Louis Armstrong in 1967.  Although there have been many recordings by other significant performers, Satchmo’s rendition continues to stand above the others.  This arrangement is a mellow jazz instrumentation rather than the more common version with strings.  While it isn’t really a jazz tune, I defy anyone to tell me it shouldn’t be included here.

In 1965 The Cold War was raging and the Berlin Wall stood strong, not to keep people out, but to keep people in!  On March 22nd, despite the political tensions and human oppression, the ambassador of jazz Louis Armstrong, gave a legendary concert in East Berlin at the Friedrichsstadt Palast.  The bottom two videos, Mack The Knife and When The Saints Go Marching In are just two of the powerful performances from that evening.