Sun Valley Serenade

The Glenn Miller Orchestra appeared in only two movies, the first of which was “Sun Valley Serenade” in 1941.  Chatanooga Choo-Choo (top) and a colorized version of In The Mood (lower) are both from that film.  “Chattanooga Choo-Choo” features a lot more than just the band, with performances by the Nicholas Brothers, The ModernairesDorothy Dandridge, and skating star Sonja Henie.  The song, which was nominated for a best song Oscar, was inducted into the Grammy Hall of Fame in 1996, and was awarded the first Gold Record for sales of 1.2 million.

“In The Mood” was one of the best known tunes of the 1940s and was the biggest hit of Glenn Miller’s career … helping to make him the top bandleader in the world!  By the way, the other movie that featured the Miller Band was called “Orchestra Wives” the following year, in 1942.

Transitions – Jon Hendricks/LH&R

Vocalese is a technique by which a jazz singer adapts the human voice to an instrument. In 1957, Dave Lambert, Jon Hendricks and Annie Ross –– LH&R –– applied the style beyond the usual intimacy of a small combo, to full big band arrangements … with special emphasis on music of the Count Basie Orchestra. Lambert, Hendricks and Ross’ 1961 treatment of Four (Above) is a classic example.

From 1962 to 1964, Yolande Bavan replaced Ross and they became Lambert, Hendricks and Bavan. After the group disbanded in 1966, Jon Hendricks continued to perform into the mid-1980s, with the ultimate incarnation of Jon Hendricks and Company, consisting of his wife Michele, Daughter Judith and vocalist Bob Gurland. Their 1982 rendition of Count Basie’s Jumpin’ At The Woodside (Below) testifies to Hendricks’ enduring excellence and dedication to this unique musical genre.

Rat Pack Rides Again!

It was 1965 in St. Louis and The Rat Pack performed Birth Of The Blues live as only Frank Sinatra, Dean Martin and Sammy Davis Jr. could.  However, you may notice one new member of the group for this particular performance … Johnny Carson!  Actually, he held up his end pretty well and his voice wasn’t terrible either.  Great song, fast company and some unforgettable shtick.

We Need A Little Christmas

‘Tis the season to be snowy!  New York Voices is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that came before, such as Lambert, Hendricks and Ross, Singers Unlimited, Manhattan Transfer and, of course, The Four Freshmen, they have learned from the best and taken their musical form to new levels.  I couldn’t resist adding some visuals to their marvelous rendition of the Sammy Cahn – Jule Styne tune, Let It Snow … written in July 1945!

Marshmallow World may not be jazz, but it is definitely Christmas … and these two characters are definitely Dean Martin and Frank Sinatra (in a 1967 TV special).

Finally, I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Days Of Auld Lang Syne

Since our first posts five years ago, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and somewhat confusing, I thought we could all use a few lighter moments, maybe even a grin or two. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  Where did they come from?

The Peanuts Gang is always great fun and we launch into the New Year by partying with them, even though this performance doesn’t feature jazz.  Then, an a capella rendition of the tune by the original Straight No Chaser in a live 2009 concert at the Angel Orensanz Theatre in New York.  Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page.  Yes … it IS jazz and answers the who, what when, where and why of the song that has played with people’s heads for generations and beyond.

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS 2022 … and hoping that you enjoy our little MOJ celebration!

Straight No Chaser was a group of college guys singing just for fun back in the 90s.  Their career skyrocked and, as often happens, personnel changed … but these are the 10 who started it all.

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

My Way – The Three Tenors

The Three Tenors?  Jazz?  Well, when you add Frank Sinatra to the mix and understand the musical reverence they have for him, it begins to make sense.  In July 1994, José Carreras, Plàcido Domingo, and Luciano Pavarotti, together with conductor Zubin Mehta and The L.A. Philhrmonic, performed “A Tribute to Hollywood” medley at their legendary concert at the Los Angeles Dodger Stadium.  Old Blue Eyes was in attendance and his reaction to the trio’s uniquely tender rendition of My Way demands that I share this with you.

The Nutty Squirrels Got Jazz

Wel-l-l, it’s not exactly your everyday sound, although they do swing a sort of traditional scat.  No, they’re not exactly Mel Torme or Ella Fitzgerald — or even Barry Fitzgerald — but the unique jazz stylings of The Nutty Squirrels are guaranteed to bring a smile to your face and provide a slightly skewed break from the everyday pressures and tensions of life. I thought an adventure into the bazaar might be just the ticket to tickle your silly hormones … and these guys can actually be addictive in a ‘kids of all ages’ kind of way.

The video, Uh-Oh is a kicky little tune to which I added some visuals just for the fun of it.  You’ll hear Charlie Parker’s familiar Yardbird Suite just below that. Both selections feature Don Elliott on vocals, trumpet, vibes and other instruments, plus Alexander “Sascha” Burland on vocals. Among the New York based session musicians are Cannonball Adderley on alto sax, Bobby Jaspar on flute and Sam Most playing clarinet.

 

Yardbird Suite

by The Nutty Squirrels | Bird Watching

The Glenn Miller Orchestra Scandinavia

The Glenn Miller Orchestra Scandinavia, based in Stockholm Sweden, began operations July 1st 2010 with permission and authorization from Glenn Miller Productions in New York.  The band is led by Jan Slottenäs and, arguably, offers the finest reproduction of the original Glenn Miller sound anywhere.

Moonlight Serenade (The video above) became Glenn Miller’s signature song … opening and closing each performance of the band.  Below, Perfidia (Spanish for “perfidy”, meaning faithlessness, treachery or betrayal) is a throwback to the 1940s, replete with a vocal group that does The Modernaires proud.  In The Mood (Just below that) is a familiar tune for anyone who has ever seen a World War II movie!  While a frequently requested dance number for the Miller Band, it became closely associated with the war and the 40s era itself.    GMO Scandinavia primarily performs in Sweden, Norway, Denmark and Finland.  These videos were recorded at the Vasterås Concert Hall in Sweden, during 2015.

Doodlin’ / Airegin – Lambert, Hendricks & Ross

It’s no mystery why The Doodlin’ Song is so infectious when sung by Dave Lambert, Jon Hendricks and Annie Ross.  Many have performed it, but Lambert, Hendricks & Ross (Later Lambert, Hendricks & Bavan) own the franchise!

What do you get when you spell “Nigeria” backwards?  Would you believe Airegin, with some incredible scat singing by Dave and Jon!  Annie lays back here but discretely chimes in to round out the rich sound of these masters of Vocalese.

WNEW Radio – A New York Institution

Once upon a time there was a Pop-Jazz radio station in New York City.  It was the station that invented the music and news format as well as the very concept of “DJ” personalities.  This iconic station was called WNEW-AM.  During its 58 year history it developed a nearly cult-like following, becoming the radio home for millions of listeners, entertaining them with air talent that were the very essence of class and decorum … personalities who redefined the image of what a Disc Jockey was supposed to be.

I wish I could say that legacy WNEW went on to live happily ever after, but in 1992 the music died.  The station jingles below were only some that were used on a regular basis between 1958 and 1966 to reinforce the station sound.

Metropolitan Radio Jingle

In the style of Count Basie

In the style of Dave Brubeck

In the style of Charlie Barnet

In the style of Erroll Garner

In the style of Stan Kenton