The Shearing Sound – Pt. 1

George Shearing was a British born pianist who led a popular jazz group that took the country by storm for many years.  Born blind, the youngest of nine children, he started learning to play at the age of three … and went on to compose more than 300 titles during his illustrious career, including the jazz standard Lullaby of Birdland (Uppermost video).  He had multiple albums on the Billboard charts during the 1950s, 60s, 80s, and even the 1990s.

Shearing emigrated to the U.S. and founded the first George Shearing Quintet in 1949, which saw a number of permutations over the years and finally led to solo and trio performances later in his career.  He drew upon classical music and the records of Teddy Wilson and Fats Waller for his influences, eventually developing a harmonically complex style––mixing swing, bop and modern classical into his playing.  His technique became known as Shearing’s Voicing … a type of double melody block chord, with an additional fifth part that doubles the melody an octave lower.  This style of playing is also known as Locked Hands.

Henry Mancini’s Dreamsville, like the video above, was recorded in 1992 at the Munich Philharmonie … with Neil Swainson on bass.

George goes solo with John Williams at the Boston Pops with his performance of Look At That Face.  The picture quality is a bit compromised, but the music is near perfect!

 

Her Honey-Coated Voice

Nancy Wilson was a singer and occasional actress whose career spanned over five decades, from the mid-1950s until her retirement in early 2010.  During her performing career, she was called a singer, a consummate actress and “the complete entertainer.”  The title she preferred, however, was “song stylist”.  She received many nicknames including “Sweet Nancy”, “The Baby”, “Fancy Miss Nancy” and “The Girl With the Honey-Coated Voice.”  Proof positive of those laurels can be found in the performances below, as you listen to Nancy’s tender rendition of For Once In My Life and her energetic 1998 serenade of Quincy Jones at his 50th birthday tribute with the Ellington/Russell tune Do Nothin’ ‘Til You Hear From Me.

She walked into my studio wearing a floor length, white ermine coat.  It was real.  So was she.  Nancy Wilson was known as a singer’s singer, boasting more than 70 albums and 3 Grammy Awards.  While she has been recognized for her excellence in blues, jazz, R&B, pop and soul, for my money her greatest strength lies with jazz.  Nancy is “the complete entertainer”.  Here’s an interview from a few years back you can also find, along with many others, on our Jazz Scene Podcast page.

Meet Nancy Wilson

by Fred Masey | Podcast 005

A Tony Bennett Christmas

After Tony Bennett’s recent retirement form a stellar career spanning more than half-a-century, here are two Christmas-themed performances I’d like to share with you from one of his three or four ‘primes’ … as well as an interview with Tony from my Jazz Scene Podcast page.  In 1989 I had the pleasure of peeling back a couple of outer layers and speaking with him about more than just his music.

The first video is a typically smooth Bennett blend of I Love The Winter Weather and I’ve Got My Love To Keep Me Warm from A Family Christmas.  Then Santa Claus Is Coming To Town, together with the Count Basie Orchestra, from A Swingin’ Christmas, moves us just a bit closer to the big day when the jolly old elf himself makes his rounds.

Locksley Wellington ‘Slide’ Hampton

If some of the video images look as though they were reversed, they weren’t.  It’s only that Slide Hampton has the trombone slung over his right shoulder instead of his left.  As a child, he acquired a trombone set up for left handed musicians and continued to play it for the rest of his life … even though he was right handed!  In 1971, Slide was invited to Italy by Franco Cerri, one of the greatest Italian jazz guitarists of the time.  He was featured on an episode of the Italian TV variety show “No Network” and the result was the topmost video Night Never Come, which also appeared on his 1975 album Jazz From Italy with the Slide Hampton Quartet.

The Lower video is Side’s Blues.  It’s part of an 85th birthday celebration for Slide on April 22, 2017 at Dizzy’s Club Coca-Cola.  It’s a Slide Hampton Original featuring Slide Hampton (trombone) with: Sam Dillon (tenor saxophone); Frank Basile (baritone saxophone); Marshall Gilkes & Ryan Keberle (trombones); Tony Kadleck & Fabien Mary (trumpets); David Wong (bass) and Charles Ruggiero (drums).

The two audio cuts below are both from Hampton’s album “Something Sanctified” recorded in 1960. His Octet was comprised of Slide Hampton (tb, b-horn, arr), Charles Greenlee (tb, b-horn), Richard Williams & Hobart Dotson (tp), George Coleman (ts), Jay Cameron (bs,b-cl), Larry Ridley (b) and Pete La Roca (ds).  In 1962 a revised ensemble, maintaining the same full-throated sound, toured the U.S. and Europe featuring the horns of Booker Little, George Coleman and Freddie Hubbard.

On The Street Where You Live

by Slide Hampton Octet | Somethin' Sanctified

Milestones

by Slide Hampton Octet | Somethin' Sanctified

Bossa Nova – Francis Albert Sinatra & Antonio Carlos Jobim

In 1967 Frank Sinatra and Antonio Carlos Jobim recorded a spectacular album together that was nominated for an album of the year Grammy, best male pop vocal and best vocal performance.  The music was arranged and conducted by Claus Ogerman, accompanied by a studio orchestra.  Here is a medley from that album by the two artists in a wonderfully relaxed setting … exactly the way Bossa Nova is most naturally presented:  Corcovado, Change Partners, I Concentrate On You, and Jobim’s own The Girl From Ipanema.

Moonglow And Theme From Picnic – (Soundtrack)

Take the 1933 song “Moonglow”, popularized by The Benny Goodman Quartet, blend it carefully with the theme from a 1955 Academy Award winning movie … then add Kim Novak and William Holden, and you have the recipe for a genuine box office blockbuster!  This is the famous dance scene from “Picnic” that was considered so daring and erotic for a movie of that day.

While not strictly a jazz tune, the music [written by George Dunning and scored by Morris Stoloff] became highly popular, and to this day remains one of my favorite songs … and the movie one of my favorite films.. By merging the two songs a truly unique sound was achieved and the combination was successfully recorded by a variety of artists from both the pop and jazz idioms.

Tribute To Benny Goodman

The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture.  In 1982, Lionel Hampton and Peggy Lee paid tribute to that year’s honoree Benny Goodman.  Lionel performed “Air Mail Special” and “Sing, Sing, Sing” while Peggy performed “Where or When” in a star-studded gala at the Kennedy Center Opera House in Washington, D.C.  Master of ceremonies Andre Previn introduces the segment.

Chopin Meets The Blues

The Peter Beets trio performs Waltz in C#m with the world famous Residentie Orkest The Hague (The Hague Philharmonic) at Paard (The Hague).  Jazz improvisations on Chopin music were arranged for trio and symphony orchestra by Rob Horsting and Marijn van Prooijen.  The trio consists of Peter on piano, Marius Beets playing double bass and Gijs Dijkhuizen on drums.

Bird’s Centennial: Celebration Pt. 2

The first video is one of only two existing pieces of footage of Charlie Parker in performance. This session was recorded in October 1950 in an effort to add video to some previously recorded audio tracks. Bird was smiling because Hawkins, Rich and company were trying to mime their own improvised solos and it wasn’t working out so well. Bird had a good time with it until he got into “trouble” with the producer for laughing at Hawkins. I believe the tune they are attempting to re-dress is called Celebrity.

The second video is the other piece of performance footage and is entitled Hot House.  It was recorded in 1951 and ‘co-features’ Dizzy Gillespie in the days before his trumpet developed its trade mark distinctive ‘curve’.  The two audio selections, Lover Man and They Can’t Take That Away From Me are simply more ‘Bird’ at his best, including a cut from his album with strings.

In this session Bird was, of course, on alto, Coleman Hawkins on tenor, Hank Jones played piano, the great Ray Brown played bass, and you’re sure to recognize Buddy Rich on drums.

When Parker got together with Dizzy Gillespie to jam, you knew the music had to be hot, so the tune was bound to be a few degrees above normal, too!  If you look closely toward the end, you’ll spot Dick Hyman at the piano.

Lover Man

by Charlie Parker | Original Recordings of Charlie Parker

They Can't Take That Away From Me

by Charlie Parker | Charlie Parker With Strings

Unsquare Dance – Dave Brubeck

Unsquare Dance is a song written by Dave Brubeck in 7/4 time … a most unusual time signature that seems to be as much fun to play as it is to hear!  Brubeck recorded the video for PBS broadcast in 2001, live with the London Symphony Orchestra.  His son Chris appears at the piano as well.  Below that is the original 1961 recording of Unsquare Dance by Dave and his quartet.  If you listen closely at the end, drummer Joe Morello sighs relief from the intensity of the tune with a quiet laugh and a “Yaaa!”

Unsquare Dance

by Dave Brubeck Quartet | Time Further Out