A Day With Lady Day

by | May 30, 2021 | Vocal

God Bless The Child was written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded in May 1941 by Billie and released in 1942. Her version of the song was honored with the Grammy Hall of Fame Award in 1976.

After being heard by producer John Hammond, who liked her voice, Holiday signed a contract with Brunswick Records in 1935. Collaborations with Teddy Wilson produced the standard What a Little Moonlight Can Do.

Billie Holiday’s best-selling record Strange Fruit was a sombre blues account of racism in the South. In 1939 Time Magazine derided the song as propaganda for the NAACP. ironically, 60 years later Time selected it as ‘song of the century’!

The Incomparable Joe Williams

by | Apr 17, 2021 | Big Band, Vocal

Above, Joe Williams sings Alright, Okay, You Win, an old chestnut from his Count Basie days at the Ella Awards in December of 1990.  Then, at the end of the evening in a wonderful mayhem, all the singers plus honoree Frank Sinatra join in a reprise of the tune … more fun than anyone ought to be allowed to have.  It sure must have been a blast to be in that room, that night!  Below, simply some down and dirty blues as Count Basie’s “number one son” Joe Williams [here in his prime] sings Five O’Clock In The Morning on television’s Judy Garland Show.

Now’s The Time – J.J. Johnson & The All Stars

by | Feb 27, 2021 | Big Band, Vocal

Many performances feature what they call All Stars but this 1994 Carnegie Hall Concert actually had the proof in the pudding … jazz legends one and all!  Imagine J.J. Johnson, Roy Hargrove, Jackie McLean, Joe Henderson, Kenny Burrell, Herbie Hancock, Hank Jones, Ray Brown, Christian McBride, Kenny Washington, Betty Carter and Dee Dee Bridgewater all in the same place, at the same time, on the same stage!  Charlie Parker’s Now’s The Time was the perfect vehicle to deliver standout moments like Betty Carter trading fours with J.J. Johnson, Roy Hargrove, Jackie McLean and Joe Henderson!  Actually, you don’t have to imagine it.  Here is the grand slam finale of that concert!

You can hear the concert in its entirety on YouTube at https://youtu.be/PTPuhLp8fWM

Baby It’s Cold Outside – Ray Charles & Betty Carter

by | Jan 1, 2021 | Big Band, Vocal

“Baby, It’s Cold Outside” is a popular song written by Frank Loesser in 1944 and introduced to the public in the 1949 film Neptune’s Daughter. While the lyrics make no mention of a holiday, it is popularly regarded as a Christmas song owing to its winter theme. The song was released in no fewer than eight recordings in 1949 and was originally an invitation to leave, not to stay. 

Baby It's Cold Outside

by Ray Charles & Betty Carter | Jazz After Midnight

Some on the fringe say the lyrics are ‘sexist’ … I say they seem near-perfect for welcoming in the New Year, especially in places like the bone-chilling northeast where January brings more than just cold and fireplaces are more than just atmospheric!

Freddie Freeloader

by | Dec 11, 2020 | Quartet/Quintet, Trio

Freddie Freeloader

by Miles Davis | Kind Of Blue

Landmark album, stellar players … Miles Davis on trumpet, “Cannonball” Adderley on alto sax, Jimmy Cobb plays drums, John Coltrane on tenor sax, Wynton Kelly at the piano and Paul Chambers bass.

Freddie Freeloader

by Wes Montgomery | Profiles

Freddie gets a more uptempo treatment here with a trio consisting of Wes Montgomery on guitar, Melvin Rhyne playing organ and George Brown on drums.

Freddie Freeloader

by Bill Evans | You Must Believe In Spring

Here is a more intimate version of the Miles Davis tune, featuring Bill Evans on Piano, the amazing Eddie Gomez playing bass and Elliott Zigmund at the drums.

Freddie Freeloader

by Jon Hendricks and Friends | Freddie Freeloader

It’s Miles Davis’ classic tune with lyrics by Hendricks, featuring Bobby McFerrin singing Wynton Kelly’s piano solo, Al Jarreau singing Davis’ solo, Hendricks singing Coltrane’s tenor solo and George Benson singing Cannonball Adderley’s alto solo. One amazing track.

Just Call Her Deedles

by | Dec 4, 2020 | Quartet/Quintet, Vocal

You’d Be So Nice To Come Home To is from a live 2005 Seattle (DVD) concert entitled “Deedles Is My Name”.  Diane Schuur is backed by Maynard Ferguson and his powerful Big Bop Nouveau Band, although many of the songs feature the more intimate setting of a quartet.  It’s fascinating to hear Diane trade riffs with Maynard, mimicking his exuberant, high-flying sound.

Billy Joel’s New York State Of Mind, featuring Diane together with the sensuous sax of Stan Getz, was first released as a 45 RPM single and on her “Deedles” album with Dave Grusin in 1984… then again on her “Best Of” album in 1995.  Below you’ll hear the original 45 release, nostalgic clicks, pops and all.  By the way if you ever wondered where Diane Schuur’s nickname “Deedles” came from, it was an affectionate name her mother called her as a child and it just sort of stuck!

New York State Of Mind

by Diane Schuur | Original 45 RPM Single

The Wonderful World of Satchmo

by | Nov 23, 2020 | Quartet/Quintet, Vocal

If the world ends someday, this song will be the credits.  What A Wonderful World was first recorded and popularized by Louis Armstrong in 1967.  Although there have been many recordings by other significant performers, Satchmo’s rendition continues to stand above the others.  This arrangement is a mellow jazz instrumentation rather than the more common version with strings.  While it isn’t really a jazz tune, I defy anyone to tell me it shouldn’t be included here.

In 1965 The Cold War was raging and the Berlin Wall stood strong, not to keep people out, but to keep people in!  On March 22nd, despite the political tensions and human oppression, the ambassador of jazz Louis Armstrong, gave a legendary concert in East Berlin at the Friedrichsstadt Palast.  The bottom two videos, Mack The Knife and When The Saints Go Marching In are just two of the powerful performances from that evening.

Tribute To Benny Goodman

by | Oct 10, 2020 | Big Band, Orchestral

The Kennedy Center Honors is an annual honor given to those in the performing arts for their lifetime of contributions to American culture.  In 1982, Lionel Hampton and Peggy Lee paid tribute to that year’s honoree Benny Goodman.  Lionel performed “Air Mail Special” and “Sing, Sing, Sing” while Peggy performed “Where or When” in a star-studded gala at the Kennedy Center Opera House in Washington, D.C.  Master of ceremonies Andre Previn introduces the segment.

In A Mellow Mood – Dianne Reeves

by | Sep 18, 2020 | Quartet/Quintet, Vocal

Through the years, the definitive version of One For My Baby (And One More For The Road) has been associated with Frank Sinatra … but Dianne Reeves gives ‘Old Blue Eyes’ a run for his money on this one.  It’s from her 2008 appearance at the Jazzopen Music Festival in Stuttgart, Germany.  Her band is comprised of Peter Martin on piano, Peter Sprague playing guitar, James Genus on bass, and Kendrick Scott on drums.  Even with all of the energy Reeves typically puts into her performances, she has a lower, slower gear … and I’ve selected two of my more mellow favorites from her live concerts.

Stormy Weather was taken from Dianne’s 2012 performance at Jazzwoche Burghausen, also Germany.  It’s a jazz/pop standard that she infuses with anything but a standard feeling … featuring Peter Martin at the piano, Romero Lubambo on guitar, Reginald Veal on bass, and Terreon Gully playing drums behind the vocal instrumentation of Ms. Reeves.

Sharky’s Machine

by | Jun 14, 2020 | Soundtrack, Video

Sharky’s Machine is a brutal, hard-boiled crime drama starring Burt Reynolds as a burned-out Atlanta cop transferred to the absolute slime hole of Atlanta’s vice department, after a drug deal turns sour.  It’s a very different role for Reynolds from the more lovable, buffoonish roles we have come to know.  The soundtrack that drives the movie is superb, featuring Randy Crawford, Manhattan Transfer, The Crusaders, Sarah Vaughan, Joe Williams, Chet Baker, Peggy Lee and more!

In the top video I’ve combined the opening title sequence for the movie (1981) with a live performance of Street Life, by singer Randy Crawford and The Crusaders in 2003 at Montreux … including founder Joe Sample on piano and Ray Parker, Jr. on guitar.  This is followed by two tunes from the soundtrack album, 8 To 5 I Lose by Joe Wiliams and My Funny Valentine by the very sultry Julie London.  Topping things off is The Manhattan Transfer with, arguably, the most outstanding version they’ve recorded of Route 66.  So, take a listen and get your kicks!

8 To 5 I lose

by Joe Williams | Soundtrack From Sharky's Machine

My Funny Valentine

by Julie London | Soundtrack From Sharky's Machine