Fred

by | Dec 6, 2024 | Big Band, Stuff

Although not a jazz musician himself, jazz musicians dug Fred Astaire and the feeling was mutual.  His instruments were his feet and his voice … and his performances encompassed every type of music, from Vivaldi to Fats Waller. During his seven decades as dancer, actor, singer, musician, and choreographer, Fred was everything people wanted to be: smooth, suave, dapper, debonair, intelligent, witty, and wise. He worked with jazz bands whenever he could; with this mutual love affair in mind, plus his limitless talent and creativity, we felt Fred Astaire had to be included among the greats at Mark of Jazz.

For openers, here he is in 1940 with Eleanor Powell, one of his many dance partners during the Golden Age of Hollywood.

From the 1951 movie “Royal Wedding” here is Astaire dancing with a hat rack! It’s amazing how this great dancer can take the simplest prop and do something magical with it. Well before that, in 1937, he dazzled movie goers with his drum scene in “A Damsel in Distress.”

Finally, one of the more fun-loving routines called Too Hot To Handle … with his most frequent dance partner, Ginger Rogers. This is Fred and Ginger flirting a bit as they grace the stage in the 1935 film “Roberta.”

The Grasso’s Always Greener

by | Nov 9, 2024 | Quartet/Quintet, Trio, Vocal

Pasquale Grasso is an Italian-born jazz guitarist now based in New York City. He is known for a pianistic approach to jazz guitar, largely influenced by Bud Powell’s style; he has somehow managed to transfer the essence of piano language onto guitar. Grasso’s innovative blend of classical-guitar and bebop influences have helped him create a sound that’s completely his own, setting him apart as a one-of-a-kind jazz guitarist … in 2016 Pat Metheny told Vintage Guitar magazine that Grasso was “the best guitar player I’ve heard in maybe my entire life.” Recently, he has been getting more public exposure with several of his own recordings released by Sony Masterworks, and teaming up with super-vocalist Samara Joy on two of her recent hit albums.

(Below upper left) Pasquale Grasso adds his personal touch to the American Songbook Standard, Just One of Those Things, live at The Cutting Room in NYC. Pasquale is on guitar, Phil Stewart plays drums, and Ari Roland is on double bass. Charlie Christian’s Seven Come Eleven (Below upper right) was recorded at Birdland,also in NYC, and features the guitars of Pasquale Grasso, Frank Vignola, and Olli Soikkeli … with Gary Mazzaroppi on bass, and Vince Cherico playing drums. Finally a video (Bottom) with Grasso’s guitar and Samara Joy singing Ellington’s In My Solitude, from his Pasquale Plays Duke album.

Swift Jazz

by | Jul 21, 2024 | Big Band, Orchestral, Vocal

Veronica Swift (no relation to the popular diva) is an amazing 23-year-old jazz and bebop chanteuse, who has already appeared with some of the biggest names in the idiom.  From a family of musicians, she cut her first album, Veronica’s House of Jazz, at the age of 9 and her second at 13! She has a most amazing voice and exciting style … as evidenced by the topmost video with Chris Botti and the Dallas Symphony Orchestra, There Will Never Be Another You.  Bottom left, she appears with the Steven Feifke Big Band, rehearsing an unusual treatment of On The Street Where You Live, while bottom right Veronica stretches out with the Feifke band on the time honored standard, Until the Real Thing Comes Along.

Shades of Mahogany

by | Jul 14, 2024 | Trio, Vocal

Since I Fell For You

by Kevin Mahogany | Double Rainbow

Kevin Mahogany became prominent in the 1990s and became particularly known for his scat singing. His singing style has sometimes been compared with that of Billy Eckstine, and Joe Williams, with many of his more mellow tones containing a touch of Johnny Hartman. Since I Fell For You (above) is from Kevin’s first album Double Rainbow in 1993, where his vocals were paired with the piano of Kenny Barron, sax of Ralph Moore, drums of Lewis Nash and bass from Ray Drummond.

[On] Green Dolphin Street features Kevin Mahogany with the vocal chores, Larry Fuller playing piano, Ray Brown on bass, and George Fludas on drums.

Like Green Dolphin Street, My Foolish Heart was recorded with The Ray Brown Trio at Internationale Jazzwoche Burghausen 2001 in Germany.

A Horn Named Shirley

by | Jun 15, 2024 | Orchestral, Quartet/Quintet, Trio

Shirley Horn was both a jazz singer and pianist.  She formed her first jazz trio at the age of 20, and collaborated with many legendary musicians, including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis, and others. She was most noted for her ability to accompany herself with near-incomparable musical independence on the piano as she sang.  This was an ability described by arranger Johnny Mandel as “like having two heads.”  Her rich, lush voice, a smoky contralto, was once described by noted producer and arranger Quincy Jones as “like clothing, as she seduces you with her voice.”

The video above is Nice and Easy, recorded in concert at the 1990 International Bern Jazz Festival in Switzerland … and, as the title indicates, it swings comfortably.  Below [left] Shirley  performs an uptempo Just In Time, at the 1992 Newport Jazz Festival in Newport, Rhode Island … while below [right] she eases back with a haunting rendition of How Insensitive.

Finally, [bottom-most] Shirley Horn reaches for your heartstrings and tugs a bit with a quiet look at life, as she performs Here’s to Life at the 1994 North Sea Jazz Festival in the Netherlands.  She is backed by the Metropole Orchestra and a sea of lush strings.

Billie’s Blues

by | Jun 1, 2024 | Big Band, Vocal

The perfect musical storm descended upon at CBS Studio 58 in New York City, on December 8, 1957. The chemistry among the musicians––between each other and with the vocalist––radiated a rare magic that occurs only when the stars are in utopian alignment. And the incredible Billie Holiday was at her bluesy best!

She was backed by a band featuring such legends as Doc Cheatham, Roy Eldridge, and Joe Newman on trumpets; Bob Brookmeyer on trombone; Jimmy Giuffre playing clarinet; Earle Warren on alto; Coleman Hawkins, Ben Webster, Lester Young playing tenors; Gerry Mulligan was on baritone; Freddie Green and Jim Hall played guitars; Count Basie, Thelonious Monk, Nat Pierce, and Mal Waldron played pianos for the session; Milt Hinton, was on bass; Papa Jo Jones and Osie Johnson alternated on drums.

Billie Holiday was Fine and Mellow (My Man Don’t Love Me).

Symphony In Black – Duke Ellington

by | Apr 5, 2024 | Big Band, Video

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.

The Hot Sardines

by | Feb 23, 2024 | Septet/Octet, Vocal

The Hot Sardines is not a typical name for a serious jazz group so, even though they’ve been around since 2007, I’ve overlooked them until recently when a friend strongly suggested I check them out. My mistake. A bit glitzy, and more than a little offbeat, their main musical mission is to make old sounds new again … and whether recording on a moving New York City subway or adding a tap dancer to their rhythm section, they’re succeeding.

There have been several permutations of The Sardines, with band members too numerous to mention here, but their music remains timeless and their performances always a feast for your soul as well as your senses.  Take the topmost video rendition of Bei Mir Bist Du Schoen –– the group’s official video –– or the bottom-most video of After You’ve Gone as examples: refreshing and energetic in “let your hair down” settings, bound to bring together people with a common love for just plain good music!

With a hint of nostalgia and a touch of New Orleans jazz in their sound, The Hot Sardines add their own flavor to Duke Ellington’s 1936, Caravan … recorded at WFUV (Fordham Univ).

The sound is infectious, the tune is After You’ve Gone, recorded at The Shanghai Mermaid in Brooklyn, New York. It features Elizabeth Bougerol with vocals and Evan Palazzo on piano.

The Irresistible Peggy Lee – Pt. 2

by | Feb 16, 2024 | Big Band, Vocal

(Upper left) is an early Peggy Lee, in 1943 with the Benny Goodman Orchestra offering a classic rendition of Why Don’t You Do Right? She joined the Goodman band in August 1941 and made her first recording, singing “Elmer’s Tune.”  Peggy stayed with Benny for two years, having replaced Helen Forrest … she left in ’43 to become a housewife and mother, but fate and her talent told her the best was yet to come. (Upper right) finds Peggy Lee on the Frank Sinatra Show in 1957, singing a duet with Frank … Nice Work If You Can Get It. See if you notice a little ‘spark’ between them, just a touch beyond mere performance.

(Below) Peggy’s eventual trademark –– the original 1958 version of –– Fever.  I took the liberty of adding some video from several of her incarnations as a legendary performer … singer, songwriter, actress, and composer.

The Irresistible Peggy Lee – PT. 1

by | Feb 11, 2024 | Vocal

Born Norma Deloris Engstrom, Peggy Lee recorded over 1,100 masters and composed over 270 songs during her career, which spanned seven decades as a jazz and pop singer, songwriter, composer, and actress.  Once they’ve heard it, her gentle yet compelling voice and inimitable style, will forever be instantly recognizable to any music fan.

(Upper left) Peggy flexes her womanly muscles with I’m A Woman on The Ed Sullivan Show in 1962.  In 1973 (Upper right) she’s on a man-hunt with I’m Gonna Go Fishin’.  Finally (Below), she demonstrates a rather blasé attitude toward life’s rollercoaster in a captivating 1969 performance of Is That All There Is?