Fiddlin’ Around with the MJQ

The Modern Jazz Quartet began in 1952, performing music influenced by classical, cool jazz, blues, and bebop. They carved out their own special niche playing elegant, restrained music, that utilized sophisticated counterpoint, while retaining a strong blues feel. They performed and recorded jazz, off and on, for some 45 years between 1952 and 1997.  As with any group of musicians there were occasional personnel changes but the core group remained for most of that time.  The personnel probably most frequently identified with MJQ are John Lewis at the piano, Milt Jackson on vibes, Percy Heath playing bass and Connie Kay on drums.

A Day in Dubrovnik (top) is a John Lewis composition, and adds strings to The Quartet for a slightly classical, European flavor. Meanwhile (below) Itzhak Perlman lends his talented ‘fiddle’ to the MJQ mix in a most delightful arrangement of Summertime that would capture even George Gershwin’s attention … recorded at the New York Marriott Marquis Hotel in 1987.

Bill Evans – Three for One

Legendary jazz pianist Bill Evans was one of those people who, tragically, left us all too soon … but left behind a body of work that has become a benchmark for future generations of young pianists. When you say the word “piano” you might as well just say “Bill Evans” because they are synonymous. The only criticism I’ve heard of Bill is that he didn’t have “chops” … obviously uttered by someone who may have heard him play, but didn’t really listen.  Forming the trio on Miles Davis’ Nardis (top), as well as on How My Heart Sings (middle), and Gershwin’s classic Summertime (bottom) is Bill Evans playing piano, Larry Bunker on drums and Chuck Israels on bass.

The Genius of Gil Evans

Gil Evans (no relation to Bill) was a Canadian-born composer, arranger, and band leader who is considered to be one of the greatest orchestrators in jazz history. Evans had a long and productive career, but remains best known for his celebrated collaborations with trumpeter Miles Davis. Two prime examples of that collaboration can be heard in the videos below, recorded at the 1991 Montreux Jazz Festival. These performances also combined the talents of Gil and his orchestra with Quincy Jones, in addition to featuring Miles brooding solos.

The topmost video, My Ship is a popular tune written for the 1941 Broadway musical Lady in the Dark, with music by Kurt Weill and lyrics by Ira Gershwin. The second video is Evans’ brilliant arrangement of Gershwin’s ever popular jazz standard, Summertime, from Porgy and Bess. Miles Davis soulful solo captures the essence of the song and the mood of the 1935 opera. The audio below, La Nevada, is from Gil Evans’ 1960 album Out of the Cool … one of Impulse!’s first four albums, released together.

La Nevada

by Gil Evans | Out of the Cool

Hank Mobley – The Middle Man

Hank Mobley has been described as “the middleweight champion of the tenor saxophone” … a metaphor used to describe his tone, which was neither as aggressive as John Coltrane nor as mellow as Lester Young.  His style was laid-back, subtle and melodic, especially in contrast with players like John Coltrane and Sonny Rollins.  At the risk of sounding like a name-dropper, I’ll also point out that, like Charlie “Bird” Parker, any video of Hank is extremely rare.  Mobley’s 1968 performance of Summertime at the Jazzhus Montmartre in Copenhagen is the only one I could find.  His tenor is joined by Kenny Drew on piano, Niels-Henning Orsted Pedersen (NHOP) on bass and Albert “Tootie” Heath playing drums.

The two tunes just below that are Remember where Hank is joined by Art Blakey on drums, Wynton Kelly playing piano, and Paul Chambers on bass … and Flirty Gerty with Blue Mitchell on trumpet, Jackie McLean on alto, Bob Cranshaw playing bass, Billy Higgins at the drums, John Hicks on piano and, of course, Hank Mobley out front with his tenor.

A Touch Of Burrell

In A Mellow Tone is a Duke Ellington classic performed by the incomparable guitarist Kenny Burrell, bassist Marcus McLaurine and drummer Sherman Ferguson.  The tune was recorded in 1990 at The Subway Musikbar in Cologne, to the delight of a packed house of German jazz fans.

Lower left, George and Ira Gershwin’s Summertime was recorded live at the Town Hall in New York City on February 22, 1985.  Grover Washington Jr. added his soprano sax sounds to Kenny’s trio, which included Reggie Workman (b) and Grady Tate (d).  Lower right, the uniquely uptempo Jennine was performed in 1990 at a Japanese Club Date for TV … with Kenny Burrell on guitar, Bob Magnuson on bass and Sherman Ferguson playing drums.

Summertime – Sir Roland Hanna / Bob Brookmeyer

To celebrate the arrival of summer, here are not one but two unique treatments of the Gershwin classic.  Summertime was originally an aria composed by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose and Dorothy Heyward, and Ira Gershwin. Through the years, the song has became a truly solid jazz standard.

Summertime

by Sir Roland Hanna | Quartet Plays Gershwin

Summertime

by Bob Brookmeyer | Out Of This World