Mary Lou Williams

One of the greatest jazz pianists, composers, and arrangers of all time, Mary Lou Williams was a swing and bebop icon with few equals. A musical prodigy, at the age of two she was able to pick out simple tunes, and by the age of three she was given piano lessons by her mother.  Mary Lou Williams played piano out of necessity at a very young age … when only six, she supported her ten half-brothers and sisters by playing at neighborhood parties. She began performing publicly at the age of seven, when she became known admiringly in Pittsburgh as “The Little Piano Girl” of East Liberty. She became a professional musician at the age of 15, and recorded more that one-hundred records (78s,45s, and 33-1/3 LPs) throughout her lifetime. She was a friend, mentor, and teacher to many of the greats, including the likes of Thelonious Monk, Charlie Parker, Miles Davis, Bud Powell, and Dizzy Gillespie.

Above is a performance of an original Williams composition, Medition II, recorded for a popular 1974 television program.  It features Sy Oliver on trumpet, Milton Suggs on bass, and Walter Perkins playing drums. Below left, she partners with Stan Getz in 1978 with the familiar My Blue Heaven … and below right Mary Lou ‘noodles’ Some Blues.  The video quality is poor but her brief solo was so classically blues, I had to include it!

Below is a track from her landmark 1975 album, “Live at the Cookery.”  It’s Mary Lou Williams rendition of the Miles Davis tune, All Blues, with bassist Brian Torff.  The album is a series of duets, essentially taking listeners on a trip through the history of jazz … from hymns and blues to stride, swing, and bop (including “All Blues”).

‘A’ Midnight Special – Michel Petrucciani

(Above) The classic Take the ‘A’ Train is given a highly kinetic treatment by Petrucciani at the 1998 Nice Jazz Festival. He is joined by Anthony Jackson (b), Steve Gadd (d), Stefano DiBattista (ts), Flavio Boltro (tr), & Denis Leloup (tb)

(Left) In 1993, Michel took the stage at the Stuttgart Jazz Festival and captured the audience with a powerful solo performance of Monk’s ‘Round Midnight.  He had everyone checking their watches … waiting for ‘last call!’

Don’t Blame Me / Bolivar Blues – Thelonious Monk

Thelonious Monk is something of an acquired taste.  As Monk himself has said, “The piano ain’t got no wrong notes” … but once that taste is acquired, the listening experience is singular and thoroughly enjoyable!  The impression is one of almost hitting the note by playing around it, implying the expected note by actually creating a new version of it.  Monk is the very definition of avant-garde … half pianist, half painter.  As for Charlie Rouse adding his tenor to the mix, Charlie rents space inside Monk’s head.  Together they are musical twins joined at the hip!

Recorded in 1966 in Denmark, Don’t Blame Me puts Monk’s quartet on hold for a solo performance of the time-tested classic.

Monk’s Bolivar Blues was recorded in Japan in 1963.  The quartet is Thelonious at the piano, Charlie Rouse on tenor saxophone, Frankie Dunlop playing drums and Butch Warren on bass.

My Favorite Things – Joey Alexander, Encore!

Do you realize there is no Thanksgiving jazz?  The only Thanksgiving song I could  even think of was “Over The River and Through the Woods” but I couldn’t find a jazz rendition.  The closest I could come was “My Favorite Things” but what a find it was, holiday or not.  None other than Joey Alexander, that kid prodigy from Indonesia, once again dazzles us with his piano prowess.

To have reached this level of technical proficiency and have such a sophisticated harmonic understanding at the tender age of 12 is nothing short of astonishing!  I couldn’t decide which of these performances to share and the contrast between the two is most outstanding when heard side-by-side.  So here are both … and Happy Thanksgiving.  What is going on inside this young man’s head is enough to make many established jazz pianists blush!.

Joey Alexander performs the title track from his debut album “My Favorite Things” in studio, along with the intricate bass work of Larry Grenadier.  

Joey plays jazz piano like old timer, but he’s only 11-years-old for this solo performance.  They say he started playing at six … then “got serious” at seven.  

Parker’s Mood – James Moody

James Moody was a jazz saxophonist and flutist from Newark, New Jersey, celebrated for his virtuosity, his versatility and his onstage ebullience. This is a gentle solo with strings, from Eastwood After Hours, recorded at Carnegie Hall in NYC on October 17, 1996.

The Great Drum Solo – Joe Morello

Wanna’ hear a guy play the hide off some drums?  Bassist Gene Wright really got into his solo and apparently overstayed his welcome.  Joe Morello seems to have become just a bit perturbed and, after providing some increasingly not so gentle hints, he launched into the most awesome drum solo never seen!  This is some rare footage provided to Drummerworld from the archives of Andy Lüscher.  Notice the one handed action early on and how easy Joe makes it all look.

The Third Eye / Drum Conversation – Max Roach

The Third Eye

When it came to mastering his domain, Max Roach took a back seat to no one!  His smooth, energetic style placed him in the constant company of jazz icons like Charlie Parker, Dizzy Gillespie, Coleman HawkinsMiles DavisDuke EllingtonCharles MingusThelonious Monk, and Sonny Rollins, to name just a few.

Drum Conversation

This is a Max Roach drum solo from “Jazz At Massey Hall” recorded live in Toronto, Canada.   A pioneer of bebop, Max worked comfortably in many other styles of music as well, and is generally considered to be one of the most important drummers in history.