Mr. Pastorius / Eighty One – Miles Davis

Miles Davis and his band recorded Mr. Pastorius on October 18, 1989 at Chelsea Studios in New York City.  The tune was written by Marcus Miller as a tribute to bassist Jaco Pastorius and features Miles on trumpet, Marcus Miller on bass, Kenny Garret playing alto sax, Ricky Wellman drums and Adam Holzman on Keyboards.

Eighty-One is from the 1965 Miles Davis album E.S.P.  Call it hard bop, post bop or modal jazz … by any other name, it still features the solid sound of Miles’ trumpet and some of the top musicians in jazz. Wayne Shorter plays tenor, Herbie Hancock is at the piano, Ron Carter is on double bass and Tony Williams plays drums.  It was recorded during one of my favorite periods of Davis’ several evolutions. 

Harlem Nocturne – Sam “The Man” Taylor

Three weeks ago, I posted Five Faces of Harlem Nocturne and had several inquiries as to why I left out the original 1955 hit recording by Sam “The Man” Taylor. Sam was a jazz and blues player who set the standard for tenor sax solos in both rock ‘n roll and rhythm and blues … and became one of the most requested session sax players in New York during the 1950s.  Since I’ve always considered this to be the definitive version in the first place, I have no excuse.  None whatsoever.  Here to bail me out is Sam “The Man” with The Sixth Face of Harlem Nocturne.

Gettin’ Dizzy With Sonny Stitt

Sunny Side of the Street is an easy, swinging piece recorded in Belgium in 1958, as were all three selections.  After solos by Sonny Stitt and Dizzy Gillespie, they cap it with a rare vocal duet … in fact, this may be a first!

Lover Man [Oh Where Can You Be] has become a standard.  Laid back and mellow, Sonny’s solo on this one shows why his playing has frequently been compared with Charlie Parker.

Blues Walk is an uptempo tune that seems to completely absorb Stitt.  Everyone is clearly having fun here … watch, particularly, the drummer’s face as Sonny soars and Dizzy patiently waits his turn!

Hackensack – John Coltrane & Stan Getz

John Coltrane and Stan Getz together is a rare find … especially when performing with a who’s who on the other instruments.  Recorded in Germany in 1960, here is just such a combo with Oscar Peterson on piano, Paul Chambers on bass and Jimmy Cobb rounding out the rhythm section on drums.  The tune Hackensack is a Thelonious Monk composition, as if you couldn’t tell from the note structure.

Three Great Guitars – Burrell, Kessel & Green

Here’s some rare footage of 3 of the top jazz guitarists of all time, Kenny Burrell, Barney Kessel and Grant Green.  The videos were recorded in 1969 for a French TV show that never aired … along with Burrell, Kessel and Green, are Larry Ridley on bass and Don Lamond on drums.  The video TO THE RIGHT features all 3 guitarists with an easy swinging tune of “Rhythm Changes”.  

BELOW on the upper left all 3 men again collaborate on the familiar blues theme “Blue Mist”.  Although the performance is incomplete, I included it because of some great guitar licks that’ll make you glad you have ears!  Upper right Kenny steps forward with “Imagination.”  Lower left offers Barney with “I’m Glad There Is You”, while at the lower right Grant dazzles with his virtuosity on “I Wish You Love.”

Swingin’ Day In The Neighborhood

It’s always a beautiful day in this neighborhood when Wynton Marsalis is in town.  A young Wynton lends his trumpet to the mix as he joins the great jazz pianist Johnny Costa, guitarist Joe Negri and drummer Bobby Rawsthone for a memorable rendition of a Mister Rogers classic tune, “Its You I Like,” plus a straight ahead trumpet rendition of “Blue Monk” Few people realize that Fred Rogers was a hard core jazz buff, composer and actually played the drums quite well!

Have You Met Mr. Jones?

Henry Jones Jr.(You probably know him as Hank) was an American jazz pianist, bandleader, arranger and composer. He has been described by critics and musicians alike as eloquent, lyrical, and impeccable. Hank recorded more than 60 albums under his own name and countless others as a sideman. Few realize that he was the pianist on May 19, 1962 who played as actress Marilyn Monroe sang her famous Happy Birthday, Mr. President song to President John F. Kennedy.

At the Tokyo Jazz Festival in 2006, he featured fantastic live performances of both old and new stars, including Sadao Watanabe, Chick Corea, Hiromi Uehara, and Austin Peralta, who joined Hank’s trio in a ‘perfect storm’ of past, present and potential future legends of jazz.

On Some Day My Prince Will Come, The Hank Jones Trio consists of John Patitucci on bass and Omar Hakim on drums, with Hank, of course, coaxing the warmth of the piano’s tones from the keyboard.

The addition of Hiromi Uehara, Austin Peralta, Chick Corea and Sadao Watanabe provides a new dimension to Blue Monk, one of Thelonious Monk’s most popular and enduring tunes.

A Dynamic Duo from Charles Mingus

Charles Mingus was an American jazz double bassist, pianist, composer and bandleader, and truly one of the most creative musicians in the business, right down to the titles of his tunes!  Who else could have come up with names like “Don’t Be Afraid, The Clown’s Afraid Too” or “The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers”?  The latter composition is featured in this post.  A major proponent of collective improvisation, Mingus was a man ahead of his time.  Whether big band or small, one listen to his orchestrations and arrangements is all the proof anyone needs.

Celia is a Mingus original from his quintet’s live 1972 performance in Berlin.  It features Charles Mingus on bass, Joe Gardner on trumpet, Hamiet Bluiett playing barry, John Foster at the piano, and Roy Brooks on drums.

The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers

by Charles Mingus | Let My Children Hear Music

Fantan – Shelly Manne and His Men

Fantan is a Russ Freeman composition … light ‘n easy bebop for lovers of “The West Coast Sound” during the1950s and early 60s. When talking about creative drummers, you have to put Shelly Manne at the top of the list. He was born in New York but after honing his chops with jazz giants from Stan Kenton to Charlie Parker and Dizzy Gillespie, in 1952 Shelly left the New York scene for Los Angeles. It was there that he really came into his own, as a pioneer and lynchpin of the West Coast “cool jazz” sound. Here he is featured with Russ Freeman on piano, Conte Candoli on trumpet, Ritchie Kamuca doing tenor sax duty and Monte Budwig keeping time on bass.

I Remember Clifford – Art Blakey & The Jazz Messengers

When it comes to talent, it just doesn’t get any better than this.  Recorded in Belgium in 1958, this Benny Golson tribute to Clifford Brown features Lee Morgan (trumpet), Benny Golson (tenor sax), Bobby Timmons (piano), Jymie Merritt (bass), and of course Art Blakey (drums).  It was almost prophetic that Lee Morgan would perish only four years later at a very young age, like Brownie, with a dazzling career cut all too short by tragedy.  Still, both men left behind musical legacies that will live forever in the annals of jazz history.