Whisper Not / No Problem – Art Blakey & The Jazz Messengers

In 1956, while performing with the Dizzy Gillespie Big Band, Benny Golson wrote “Whisper Not”. The band recorded it in November of that year and in 1957 Golson recorded it with his own group. It’s a wonderfully mellow tune, performed here by Art Blakey and The Jazz Messengers in 1958 … with Benny on tenor, Lee Morgan on trumpet, Bobby Timmons at the piano, Jymie Merritt on bass and of course Blakey, himself, playing drums.

By contrast, the Duke Jordan composition “No Problem” unleashes a more typical Messenger sound … and the message is “HOT!” It’s 1959 at the Théâtre des Champs-Élysées in Paris and the personnel are the same, except Wayne Shorter is on tenor and Walter Davis, Jr. plays piano.

All Blues / Joshua – Miles Davis

In October 1964, Miles Davis appeared in concert at the Teatro dell’Arte in Milan Italy with a dream quintet including himself on trumpet, Wayne Shorter on sax, Herbie Hancock at the piano, Ron Carter playing bass and Tony Williams on drums. It doesn’t get better than that!  This was the era of Miles I have always preferred … when he was still innovating and not just experimenting.  Even as he evolved, one thing that never changed was his adherence to his statement, “Don’t play the notes that are there.  Play the notes that are not there.”  The two cuts below are from that live 1964 concert … a Miles Davis original All Blues (upper) and a Miles Davis-Victor Feldman tune called Joshua (bottom).

The Virtuosity of Eddie Daniels

Eddie Daniels recorded Slipped Disc during a “Benny Rides Again” tribute to Benny Goodman in 1992. The group was made up of Gary Burton (vb),  Makoto Ozone (p), Marc Johnson (b), Martin Richards (d) and of course Eddie Daniels (c).

Stompin’ At The Savoy was recorded in October of 2012 ‘upstairs’ at Vitello’s in LA.  Joe La Barbera (d), Tom Warrington (b) and Tom Ranier (p) provided a familiar rhythm section since they often head East to perform with Daniels in NY.

Hot House – Charlie Parker & Dizzy Gillespie

This performance of Hot House is from a February 24, 1952 broadcast on the pioneering DuMont Television Network.  Broadcasting on the Earl Wilson Show ‘Stage Entrance’, Charlie Parker plays with Dizzy Gillespie in the only footage capturing “Bird” in a true live performance … a historic TV broadcast of the founding fathers of bebop playing together.  It is one of only two known sound films of Parker playing and the only one of him playing live, rather than synching to a prerecorded track.

The quintet playing on this rare video includes Parker on alto saxophone, Gillespie on trumpet, Sandy Block playing bass, Charlie Smith on drums and Dick Hyman at the piano.

Killer Joe / Autumn Leaves – Benny Golson

Born in 1929, saxophonist Benny Golson is one of the last surviving links to the Golden Age of modern jazz, ushered in by the likes of Charlie Parker, Dizzy Gillespie, Bud Powell, Kenny Clarke and others in the early 1940s. Benny is a multi-talented, internationally famous jazz legend whose talents include composer, arranger, lyricist, producer and world renowned tenor saxophonist.

The video is from the Ramsey Lewis Legends of Jazz T.V. series and features Benny Golson on sax, Willie Pickens at the piano, Larry Gray on bass and Leon Joyce Jr. on the drums playing Killer Joe, a jazz standard written by Golson himself.  The audio track is another standard that is perfect for the season … Autumn Leaves.  It features another quintet with Benny on tenor, Curtis Fuller on trombone, Ray Bryant at the piano, Tommy Bryant playing bass, and Al Harewood on drums.

The Enduring Freddie Hubbard

God Bless The Child has been interpreted a thousand ways … but I’ll bet you never heard it quite like this (Above)!  In 1991, at Internationale Jazzwoche Burghausen in Germany,  Freddie Hubbard and his quintet dazzled the audience with an arrangement that was both reverent and softly-swinging.  Freddie was joined by Don Braden on tenor, Benny Green at the piano, Jeff Chambers on base and Louis Hayes playing drums.  Earlier, in 1967 (Below), Hubbard teamed up with Kenny Drew (piano), Niels-Henning Ørsted Pedersen (bass), and Alex Riel (drums) to perform an original tune named Birdlike at the Molde Jazz Festival in Norway.  You can bet the ‘Bird’ referenced here had a horn but no feathers!

John Pizzarelli Live!

Like so many great musicians, John Pizzarelli is a New Jersey Guy.  The son of swing guitarist Bucky Pizzarelli, John was born in Paterson, began playing guitar at the age of six and has been performing ever since.  The topmost video, If I Had You, was recorded in 1992 during the Montreal Jazz Festival at the Club Soda Concert Hall and Music Venue in Canada, as was the lower-right video All Of Me.  Pizzarelli’s consistent excellence through the years is obvious as you listen to the lower-left video of Baby All The Time recorded in 2007 at the Festival Internacional de Jazz San Javier in Spain.  On Baby, he is joined by Larry Fuller at the piano, Martin Pizzarelli on bass, Tony Tedesco playing drums and Harry Allen on tenor sax.

Jitterbug Waltz / Old Folks – Bobby Hutcherson

In 2007 at Jazz Baltica, Bobby Hutcherson and his quartet introduced their exciting arrangement of Fats Waller’s Jitterbug Waltz to the audience in Salzau, Germany.  The players were Bobby on vibes, Joe Gilman playing piano, Dwayne Burno on bass and Eddie Marshall at the drums.  The complete 1 hour 25 minute concert is available on YouTube.

On Old Folks, Hutcherson added Joe Locke, also on vibes … rounding out a quintet with Don Friedman on piano, Martin Wind on bass, and Andi Haberl playing drums.

More Flute By Laws

Dat Dere is from the 2016 Zipper Hall Concert.  Hubert Laws plays piccolo on this one with David Budway (p), Rob Mullins (kb), John Leftwich (b) and Clayton Cameron (d).

At Jazzwoche Burghausen in 2010, Laws gently combines Duke’s Sophisticated Lady with Corcovado, to create a wonderfully comfortable, laid back feeling.  Russell Malone is featured on guitar with Lan Doky on piano.

Hubert Laws – The Rite Of Spring

Igor Stravinsky’s controversial ballet “The Rite Of Spring” caused a near riot with its introduction in 1913. More recently, Hubert Laws’ jazz interpretation of the score has become synonymous with Laws himself and his willingness to innovate with classical music as well as more traditional jazz and even pop..  This performance was recorded at Zipper Hall in Los Angeles during November of 2016.  The players were Hubert Laws on flute, David Budway at the piano, Rob Mullins on keyboards, John Leftwich on bass and Clayton Cameron playing drums.  Next week we’ll feature a pair of more traditional tunes that also demonstrate Hubert’s ability to move around comfortably within the jazz idiom.