Transitions – Jon Hendricks/LH&R

by | May 14, 2023 | Vocal Group

Vocalese is a technique by which a jazz singer adapts the human voice to an instrument. In 1957, Dave Lambert, Jon Hendricks and Annie Ross –– LH&R –– applied the style beyond the usual intimacy of a small combo, to full big band arrangements … with special emphasis on music of the Count Basie Orchestra. Lambert, Hendricks and Ross’ 1961 treatment of Four (Above) is a classic example.

From 1962 to 1964, Yolande Bavan replaced Ross and they became Lambert, Hendricks and Bavan. After the group disbanded in 1966, Jon Hendricks continued to perform into the mid-1980s, with the ultimate incarnation of Jon Hendricks and Company, consisting of his wife Michele, Daughter Judith and vocalist Bob Gurland. Their 1982 rendition of Count Basie’s Jumpin’ At The Woodside (Below) testifies to Hendricks’ enduring excellence and dedication to this unique musical genre.

Hank Mobley – The Middle Man

by | Apr 14, 2023 | Quartet/Quintet

Hank Mobley has been described as “the middleweight champion of the tenor saxophone” … a metaphor used to describe his tone, which was neither as aggressive as John Coltrane nor as mellow as Lester Young.  His style was laid-back, subtle and melodic, especially in contrast with players like John Coltrane and Sonny Rollins.  At the risk of sounding like a name-dropper, I’ll also point out that, like Charlie “Bird” Parker, any video of Hank is extremely rare.  Mobley’s 1968 performance of Summertime at the Jazzhus Montmartre in Copenhagen is the only one I could find.  His tenor is joined by Kenny Drew on piano, Niels-Henning Orsted Pedersen (NHOP) on bass and Albert “Tootie” Heath playing drums.

The two tunes just below that are Remember where Hank is joined by Art Blakey on drums, Wynton Kelly playing piano, and Paul Chambers on bass … and Flirty Gerty with Blue Mitchell on trumpet, Jackie McLean on alto, Bob Cranshaw playing bass, Billy Higgins at the drums, John Hicks on piano and, of course, Hank Mobley out front with his tenor.

Remember

by Hank Mobley | Soul Station

Flirty Gerty

by Hank Mobley | High Voltage

Joseph Anthony Pass & Edward Kennedy Ellington

by | Feb 27, 2022 | Quartet/Quintet

Hearing Joe Pass and Duke Ellington together would normally be a rare treat in itself, but put them together in a small group setting and you have reason to celebrate!  Ellington was always an underrated piano player, probably because he is usually lost among 15 or 16 other incredibly talented musicians in his own band and you don’t really hear him.  After all, as the leader Duke is often buried in plain sight.  Now add bassist Ray Brown and drummer Louie Bellson to the mix, and what you have is the amazing quartet performing Cottontail in the video above and Love You Madly below on a cut from Duke’s 1974 “Big 4” album. Joe Pass?  Well, he sets fire to any group of fine musicians … large or small, slow or fast!

Love You Madly

by Joe Pass & Duke Elliington | Duke's Big 4

Lee Ritenour And Fourplay

by | Feb 5, 2022 | Quartet/Quintet

Above, Lee Ritenour, Dave Grusin & Andreas Varady, perform Oliver Nelson’s  “Stolen Moments” at the 47th Montreux Jazz Festival in 2013. Tom Kennedy played bass and Chris Coleman was on drums.  Below, Lee adds Eric Marienthal’s tenor to his quartet for an infectious “Night Rhythms” … a Ritenour original recorded in 1988. Lee started as a session player when he was just 16 years old, and recorded his first solo album, First Course, in 1976.  By the way, Fourplay was the ‘supergroup’ that Lee Ritenour formed and performed with during the Smooth Jazz ’90s.

Carmen McRae In Montreal

by | Nov 27, 2021 | Vocal

Carmen McRae is considered one of the most influential jazz vocalists of the 20th century, mostly remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. In other words, when she sang a song, she owned it. The videos below were recorded in 1988 at the International Jazz Festival in Montreal, reputed to be the largest jazz festival on the planet.

 

Of all the songs composed by Thelonious Monk, ‘Round Midnight may be the prettiest melody Monk ever wrote. Carmen sings both the original Jon Hendricks and later Bernie Hanighen lyrics … accompanied by Eric Gunnison on piano, Scott Collie bass, Marc Police playing drums and Clifford Jordan [“Blowing his brains out”] on tenor sax. The Warren & Dubin standard I only Have Eyes For You features the same group but with McRae accompanying herself on piano.

The Virtuosity of Eddie Daniels

by | Nov 19, 2021 | Quartet/Quintet

Eddie Daniels recorded Slipped Disc during a “Benny Rides Again” tribute to Benny Goodman in 1992. The group was made up of Gary Burton (vb),  Makoto Ozone (p), Marc Johnson (b), Martin Richards (d) and of course Eddie Daniels (c).

Stompin’ At The Savoy was recorded in October of 2012 ‘upstairs’ at Vitello’s in LA.  Joe La Barbera (d), Tom Warrington (b) and Tom Ranier (p) provided a familiar rhythm section since they often head East to perform with Daniels in NY.

Killer Joe / Autumn Leaves – Benny Golson

by | Nov 7, 2021 | Quartet/Quintet

Born in 1929, saxophonist Benny Golson is one of the last surviving links to the Golden Age of modern jazz, ushered in by the likes of Charlie Parker, Dizzy Gillespie, Bud Powell, Kenny Clarke and others in the early 1940s. Benny is a multi-talented, internationally famous jazz legend whose talents include composer, arranger, lyricist, producer and world renowned tenor saxophonist.

The video is from the Ramsey Lewis Legends of Jazz T.V. series and features Benny Golson on sax, Willie Pickens at the piano, Larry Gray on bass and Leon Joyce Jr. on the drums playing Killer Joe, a jazz standard written by Golson himself.  The audio track is another standard that is perfect for the season … Autumn Leaves.  It features another quintet with Benny on tenor, Curtis Fuller on trombone, Ray Bryant at the piano, Tommy Bryant playing bass, and Al Harewood on drums.

Autumn Leaves

by Benny Golson | Gone With Golson

Locksley Wellington ‘Slide’ Hampton

by | Oct 30, 2021 | Big Band, Orchestral, Septet/Octet

If some of the video images look as though they were reversed, they weren’t.  It’s only that Slide Hampton has the trombone slung over his right shoulder instead of his left.  As a child, he acquired a trombone set up for left handed musicians and continued to play it for the rest of his life … even though he was right handed!  In 1971, Slide was invited to Italy by Franco Cerri, one of the greatest Italian jazz guitarists of the time.  He was featured on an episode of the Italian TV variety show “No Network” and the result was the topmost video Night Never Come, which also appeared on his 1975 album Jazz From Italy with the Slide Hampton Quartet.

The Lower video is Side’s Blues.  It’s part of an 85th birthday celebration for Slide on April 22, 2017 at Dizzy’s Club Coca-Cola.  It’s a Slide Hampton Original featuring Slide Hampton (trombone) with: Sam Dillon (tenor saxophone); Frank Basile (baritone saxophone); Marshall Gilkes & Ryan Keberle (trombones); Tony Kadleck & Fabien Mary (trumpets); David Wong (bass) and Charles Ruggiero (drums).

The two audio cuts below are both from Hampton’s album “Something Sanctified” recorded in 1960. His Octet was comprised of Slide Hampton (tb, b-horn, arr), Charles Greenlee (tb, b-horn), Richard Williams & Hobart Dotson (tp), George Coleman (ts), Jay Cameron (bs,b-cl), Larry Ridley (b) and Pete La Roca (ds).  In 1962 a revised ensemble, maintaining the same full-throated sound, toured the U.S. and Europe featuring the horns of Booker Little, George Coleman and Freddie Hubbard.

On The Street Where You Live

by Slide Hampton Octet | Somethin' Sanctified

Milestones

by Slide Hampton Octet | Somethin' Sanctified

The Enduring Freddie Hubbard

by | Oct 22, 2021 | Quartet/Quintet

God Bless The Child has been interpreted a thousand ways … but I’ll bet you never heard it quite like this (Above)!  In 1991, at Internationale Jazzwoche Burghausen in Germany,  Freddie Hubbard and his quintet dazzled the audience with an arrangement that was both reverent and softly-swinging.  Freddie was joined by Don Braden on tenor, Benny Green at the piano, Jeff Chambers on base and Louis Hayes playing drums.  Earlier, in 1967 (Below), Hubbard teamed up with Kenny Drew (piano), Niels-Henning Ørsted Pedersen (bass), and Alex Riel (drums) to perform an original tune named Birdlike at the Molde Jazz Festival in Norway.  You can bet the ‘Bird’ referenced here had a horn but no feathers!