Teacher, Musician, Legend – Barry Harris

by | May 27, 2023 | Trio

Barry Harris is part of an exceptional group of Detroit-bred jazz musicians, including Tommy Flanagan and Donald Byrd, who rose through the extraordinary arts education program in the public school system during the 1930s and 1940s.  He took piano lessons from his mother at the age of four––a church pianist, she asked him if he was interested in playing church music or jazz.  Fortunately for us, he chose jazz.

In his teens, he learned bebop largely by ear, imitating solos by Bud Powell, who along with Thelonious Monk was a strong influence on his playing.  Early on, he developed an interest in passing the torch through education.  Barry began teaching his musical theories as early as 1956, tutoring young, promising talent––all the while performing professionally with the likes of Miles Davis, Max Roach, and Lee Konitz. He has carried on the teaching tradition throughout his life.

Still going strong in 2017 at the age of 88, his arrangement of A Nightingale Sang In Berkeley Square at Dizzy’s in New York is as unique as Barry Harris himself.

Also at Dizzy’s, Blues In Bb features the trio of Barry on piano, Leroy Williams on drums and Ray Drummond playing bass.

Betty Carter Unplugged

by | Apr 8, 2023 | Trio, Vocal

Versatility abounds at The 1982 Montreal Jazz Festival with “What A Little Moonlight Can Do.”  As Carmen McRae once said, “”There’s really only one jazz singer—only one: Betty Carter.”

Betty Carter is something of an acquired taste, largely owing to her fondness for ‘scat singing’ … which is also an acquired taste.  Most folks either end up loving scat or hating it, but if you love it no one did it better, not even Ella.  Well-l-l, maybe it’s a tie because each is so unique.  Where Ella scat sings like a horn player, Carter thinks like a rhythm section and scats more like a bass player.  (Below left)  “Blue Moon” takes us back to France in 1968 and a younger Betty heading up The Betty Carter Trio with The Boy Edgar Orchestra.  Cees Slinger played piano, Jacques Schols bass, and John Engels was on drums.  (Below right) “What’s New” is another stellar performance from The 1982 Montreal Jazz Festival, featuring a most memorable Betty Carter bringing the lyrics to life, Khalid Moss on piano, Lewis Nash playing drums and Curtis Lundy on the bass.

In 1998, Betty Carter wowed The Nice Jazz Festival with her inimitable style and the Rodgers and Hart standard, “Isn’t It Romantic.”  The festival was held in July and she left us merely two months later in September.

Whisper Not / No Problem – Art Blakey & The Jazz Messengers

by | Mar 24, 2023 | Quartet/Quintet

In 1956, while performing with the Dizzy Gillespie Big Band, Benny Golson wrote “Whisper Not”. The band recorded it in November of that year and in 1957 Golson recorded it with his own group. It’s a wonderfully mellow tune, performed here by Art Blakey and The Jazz Messengers in 1958 … with Benny on tenor, Lee Morgan on trumpet, Bobby Timmons at the piano, Jymie Merritt on bass and of course Blakey, himself, playing drums.

By contrast, the Duke Jordan composition “No Problem” unleashes a more typical Messenger sound … and the message is “HOT!” It’s 1959 at the Théâtre des Champs-Élysées in Paris and the personnel are the same, except Wayne Shorter is on tenor and Walter Davis, Jr. plays piano.

Newport ’71 – Thelonious Monk Et Al

by | Mar 18, 2023 | Sextet

Thelonious Monk is the first stellar name we know … el al is the rest of the who’s who of Bop live on stage. It was Newport ’71 in De Doelen Rotterdam, The Netherlands, and Monk was joined by the likes of Art Blakey, Kai Winding, Dizzy Gillespie, and Sonny Stitt, with Al McKibbon bringing up the bass. As you would expect, the solos are out of sight, as the Monk standard, Straight No Chaser takes on a larger-than-life richness that can only be described as very delicious jazz!

Her Honey-Coated Voice

by | Mar 3, 2023 | Orchestral, Trio, Vocal

Nancy Wilson was a singer and occasional actress whose career spanned over five decades, from the mid-1950s until her retirement in early 2010.  During her performing career, she was called a singer, a consummate actress and “the complete entertainer.”  The title she preferred, however, was “song stylist”.  She received many nicknames including “Sweet Nancy”, “The Baby”, “Fancy Miss Nancy” and “The Girl With the Honey-Coated Voice.”  Proof positive of those laurels can be found in the performances below, as you listen to Nancy’s tender rendition of For Once In My Life and her energetic 1998 serenade of Quincy Jones at his 50th birthday tribute with the Ellington/Russell tune Do Nothin’ ‘Til You Hear From Me.

She walked into my studio wearing a floor length, white ermine coat.  It was real.  So was she.  Nancy Wilson was known as a singer’s singer, boasting more than 70 albums and 3 Grammy Awards.  While she has been recognized for her excellence in blues, jazz, R&B, pop and soul, for my money her greatest strength lies with jazz.  Nancy is “the complete entertainer”.  Here’s an interview from a few years back you can also find, along with many others, on our Jazz Scene Podcast page.

Meet Nancy Wilson

by Fred Masey | Podcast 005

Rat Pack Rides Again!

by | Feb 23, 2023 | Big Band, Vocal Group

It was 1965 in St. Louis and The Rat Pack performed Birth Of The Blues live as only Frank Sinatra, Dean Martin and Sammy Davis Jr. could.  However, you may notice one new member of the group for this particular performance … Johnny Carson!  Actually, he held up his end pretty well and his voice wasn’t terrible either.  Great song, fast company and some unforgettable shtick.

We Need A Little Christmas

by | Dec 23, 2022 | Big Band, Vocal, Vocal Group

‘Tis the season to be snowy!  New York Voices is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that came before, such as Lambert, Hendricks and Ross, Singers Unlimited, Manhattan Transfer and, of course, The Four Freshmen, they have learned from the best and taken their musical form to new levels.  I couldn’t resist adding some visuals to their marvelous rendition of the Sammy Cahn – Jule Styne tune, Let It Snow … written in July 1945!

Marshmallow World may not be jazz, but it is definitely Christmas … and these two characters are definitely Dean Martin and Frank Sinatra (in a 1967 TV special).

Finally, I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Sonny Rollins In Tokyo

by | Mar 7, 2022 | Sextet

On March 30, 1988 Sonny Rollins and a quintet consisting of Clifton Anderson (tb), Jerome Harris (g), Mark Soskin (p), Bob Cranshaw (b), Al Foster (d) gave a live concert in Tokyo that resulted in an album called Dancing In The Dark.  Here are two Rollins originals … the familiar Alfie’s Theme is the top video and Promise, the lower video, became part of that album.

NOTE: I’m sorry to say that this will be the last Mark Of Jazz weekly post until sometime around the middle of May. Thanks for being here and, please, don’t go away … we won’t!

Joe Williams and Count Basie Together

by | Feb 11, 2022 | Big Band, Vocal

On March 20, 1981 the great Joe Williams joined the Count Basie Orchestra for a star-studded concert in New York at Carnegie Hall, celebrating the fiftieth anniversary of Basie’s illustrious career.  Also on board were Sarah Vaughan, Tony Bennett and George Benson.  The concert later became a television special and eventually a performance DVD … Going To Chicago Blues is one of three songs Joe contributed to the performance that evening.  Posting the audio cut of Smack Dab In The Middle from his album The Greatest – Count Basie Plays, Joe Williams Sings Standards, was irresistible.  I double dog dare you to keep your feet still!

Smack Dab In The Middle

by Joe Williams & Count Basie | The Greatest

Lee Ritenour And Fourplay

by | Feb 5, 2022 | Quartet/Quintet

Above, Lee Ritenour, Dave Grusin & Andreas Varady, perform Oliver Nelson’s  “Stolen Moments” at the 47th Montreux Jazz Festival in 2013. Tom Kennedy played bass and Chris Coleman was on drums.  Below, Lee adds Eric Marienthal’s tenor to his quartet for an infectious “Night Rhythms” … a Ritenour original recorded in 1988. Lee started as a session player when he was just 16 years old, and recorded his first solo album, First Course, in 1976.  By the way, Fourplay was the ‘supergroup’ that Lee Ritenour formed and performed with during the Smooth Jazz ’90s.