String Along With Turtle Island

by | Oct 18, 2019 | Quartet/Quintet

The Turtle Island String Quartet is an unconventional musical ensemble which plays jazz standards and original compositions that cross several styles, including blues, classical, jazz, and world music. Violinist David Balakrishnan got the idea for a jazz string quartet in 1985.

As a child, David was inspired by Jimi Hendrix and later discovered jazz through the music of the David Grisman Quartet.  The group has performed with the likes of Billy Taylor, Manhattan Transfer, Modern Jazz Quartet, and the Detroit Symphony Orchestra and many others.  Since its founding, TIQ has had many members come and go, but their uniqueness, intensity and musical integrity has always remained.

Blue Rondo A La Turk is a jazz composition in 9/8 time written by Dave Brubeck. It first appeared on his classic Time Out album in 1959.  His choice of rhythm was inspired by the Turkish aksak time signatures.

Moment’s Notice, a John Coltrane composition, was recorded live in Brussels featuring David Balakrishnan playing violin, Mark Summer on cello,  Mateusz Smoczynski also on violin and Benjamin von Gutzeit on viola.

Angels / I Remember Clifford – Roy Hargrove

by | Oct 11, 2019 | Big Band, Quartet/Quintet

Roy Hargrove is known as one of the top trumpet players in jazz for the past quarter-century.  As an incisive trumpeter, doubling on flugelhorn, Roy was discovered by Wynton Marsalis in the 1980s.  He embodied the brightest promise of his jazz generation, both as a young steward of the hard bop tradition and a savvy bridge to both hip-hop and R&B.  His assertive sound embodied a tone that could evoke either burnished steel or a soft, golden glow.  Here we have both.

 

Angels (Above), features the quintet with Roy Hargrove on trumpet, Justin Robinson on alto sax,  Tadataka Unno playing piano,  Ameen Saleem on bass, and Quincy Phillips playing drums.

I Remember Clifford (Below) displays Hargrove’s softer side, with the flugelhorn as a contrast to his big band backing.

Blues On Sunday / Let It Be – Joshua Redman

by | Oct 5, 2019 | Quartet/Quintet

Blues On Sunday was recorded at the Philharmonic Hall in Munich during the Munich Piano Summer 1994.  Joshua Redman is on saxophone, Brad Mehldau at the piano, Christian McBride on bass and Brian Blade plays drums.

The 1970 Beatles tune Let It Be was performed by the Joshua Redman Quartet in 2013 at Jazz In Marciac.  It features Joshua Redman, saxophone; Aaron Goldberg, piano; Reuben Rogers, contrabass; and Gregory Hutchinson, drums.

June Christy and Friends

by | Sep 19, 2019 | Big Band, Vocal

How High The Moon is the top video in more than one way.  Besides the fabulous June Christy doing the vocal, two other legendary singers don’t utter a solitary note!  Instead, Mel Torme is on drums and Nat ‘King’ Cole plays piano, which of course was his original musical calling.  Lower left is June in her prime with That Old Feeling and on the lower right she is featured with the Stan Kenton Orchestra Just A-Sittin’ And A-Rockin’.  Christy, of course, was the replacement chanteuse for the incredible Anita O’Day after she left the Kenton band … one of the few singers who could have filled O’Day’s stylish ‘pumps’ fronting that powerful, creative Orchestra.

Movin’ Wess

by | Sep 13, 2019 | Big Band, Quartet/Quintet

While most often listed as a saxophonist, I prefer the sound of Frank Wess on the flute. Though the tune is nameless, Flauta Jazz uses the same chords as Ellington/Strayhorn Take The ‘A’ Train.  Sound Familiar?

The Very Thought Of You is a jazz and pop standard, first recorded and published in 1934 with music and lyrics by Ray Noble. Frank Wess applies his own magic touch along with big band backing.

Shelly Is The Manne!

by | Sep 6, 2019 | Quartet/Quintet

The first song is from Shelly Manne’s Check Mate album, based upon the T.V. show (1960-1962) of the same name …  it’s called The Isolated Pawn.

Shelly Manne and his Men are comprised of Russ Freeman on piano, Richie Kamuca on tenor, Conte Candoli playing trumpet, Monte Budwig at the bass and, of course, Shelly Manne himself on drums.  Shelly has been called “the most musical drummer who ever lived” and virtually any of his solos will bear that out.

The second tune is Speak Low, from the 1943 Broadway play One Touch of Venus and features the same ensemble.  Both performances were recorded live in 1962 for Jazz Scene U.S.A. at Shelly’s Manne Hole in Los Angeles, CA.

Artistry In Rhythm / Tiare – Stan Kenton

by | Aug 31, 2019 | Big Band

Stan Kenton’s Artistry In Rhythm was first recorded and released in 1944. It is one of several songs closely associated with this prolific composer, arranger, bandleader and very underrated pianist.

Like Artistry, Tiare features the high powered Kenton Orchestra and is part of a 1972 London concert. Kenton preferred his bands to not swing, instead employing elements of the popular ballroom and classical concert hall.

Mary Lou Williams – Pianist’s Pianist

by | Aug 16, 2019 | Solo/Duo, Trio

Mary Lou Williams was one of the few female jazz pianists to achieve fame during the middle of the 20th Century.  She was also a much sought after composer, arranger and mentor. Mary Lou wrote hundreds of compositions and arrangements, and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for such bandleaders as Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, and Dizzy Gillespie. Three of her compositions were scored for a Carnegie Hall concert played by the New York Philharmonic Orchestra in 1946!

The top video, Willow Weep For Me, is a popular 1932 standard from The Mary Lou Williams Collection 1927-59 and features her trio. The bottom two offerings, The Man I Love (1978) on the left and Mary Lou Plays Some Blues (1980) on the right are live solo performances recorded toward the end of her fabulous career..

Late Lament / Rider – Keith Jarret

by | Aug 9, 2019 | Trio

Late Lament has become something of a standard that was first popularized by Paul Desmond.  The Jarret rendition isn’t quite as mellow as Desmond’s and features the gold standard of trios, with each member in clear communication with the other.  Keith Jarret is probably the most ‘athletic’ piano player ever to caress a keyboard. He gets a real workout with Rider, which also features Gary Peacock on bass and Jack Dejohnette on drums.  Sometimes I wonder how Keith can make so many moves and still maintain contact with the piano!

Autumn Leaves – Chet Baker & Paul Desmond

by | Aug 2, 2019 | Quartet/Quintet

Chet Baker and Paul Desmond are not a pairing you hear everyday, which is why I wanted to share them here even though the audio-video synchronization seems a bit off.  The addition of Bob James on keyboards, Ron Carter playing contrabass and Steve Gadd’s drums round out a combo with a sound that swirls the Autumn leaves to new heights … and is irresistible if your toes or fingers tend to tap!