Precision Piano By Drew

by | Oct 20, 2024 | Trio

America’s loss was Europe’s gain. Kenny Drew’s move to Paris in 1961, and then to Copenhagen in 1964 proved to be permanent. Although he sacrificed much of the interest of an American jazz audience, he gained a wide following across Europe. Drew was a well-known figure on the Copenhagen jazz scene, but always remained somewhat underrated as a jazz pianist in the USA because of his absence.

His touch was described in the Biographical Encyclopedia of Jazz as “precise,” and his playing as “a combination of bebop-influenced melodic improvisation and block chords, that included refreshingly subtle harmonizations”. You’ll hear typical examples of this (below) in Rodgers and Hammerstein’s It Might As Well Be Spring and (below that) in Sonny Rollins’ St. Thomas. Both were recorded in 1992 at the Brewhouse Theater in the UK. Kenny’s trio includes Alvin Queen on drums and Niels-Henning Orsted Pedersen (NHOP) playing the double bass.

 

Byrd In Hand

by | Oct 12, 2024 | Septet/Octet, Tentet, Vocal Group

Cristo Redentor

by Donald Byrd | A New Perspective

Donald Byrd was considered one of the finest hard bop trumpeters of the post-Clifford Brown era. He recorded prolifically as both a leader and sideman from the mid-’50s into the mid-’60s and established a reputation as a solid stylist, with a clean tone and clear articulation. Toward the end of the 1960s, Byrd experimented with funk, fusion, and even dipped a toe into the waters of gospel. Jazz purists utterly despised it, but enraptured fans regard it as some of the most innovative, enduring work of its kind.

Cristo Redentor is reflective of his father’s ministerial influence, and features Byrd on trumpet, Hank Mobley on tenor sax, Herbie Hancock playing piano, Lex Humphries at the drums, Butch Warren on bass, Donald Best on vibes, and Kenny Burrell playing guitar –– talk about a stellar lineup!  (Below) the video is Stevie Wonder’s You’ve Got It Bad Girl, with Donald Byrd playing flugelhorn and trumpet; Fonce Mizell, trumpet; Allan Barnes, tenor and flute; Nathan Davis, soprano sax; Kevin Toney, electric piano; Larry Mizell, synthesizers; Barney Perry, electric guitar; Henry Franklin, electric bass; Keith Killgo, drums, and Ray Armando, congas and percussion –– all recorded live at Montreux on July 5th, 1973.

 

Heeere’s Doc Severinsen

by | Oct 4, 2024 | Big Band

Most people know Doc Severinsen as a nightly fixture on The Johnny Carson Show … fewer realize he is a highly talented and proficient trumpet player, Grammy winner, and the principal pops conductor for several American orchestras both during and after his time with Carson.  Under Severinsen’s direction, The Tonight Show Band –– a re-styled NBC Orchestra –– became, arguably, the best known big band in America! Doc has recorded more than 30 albums, from big band to jazz-fusion to classical … and at 96 is retired, but reportedly still going strong!

The (top) video is Dizzy Gillespie’s Night in Tunisia, with Doc and the University of North Texas One O’Clock Lab Band, at the Morton H. Meyerson Symphony Center in 2015. At the (bottom), Doc Severinsen performs September Song with The United States Army Blues Jazz Ensemble, at the 2012 National Trumpet Competition at George Mason University. In the (middle), Doc takes a mellow but powerful page from Hoagy Carmichael’s Georgia On My Mind … which Ray Charles pushed to the top of The Billboard Hot 100 chart in 1960.

Georgia On My Mind

by Doc Severinsen | Best of Doc Severinsen

Emily, Wendy and Cassandra … The Girls

by | Sep 27, 2024 | Quartet/Quintet

Paul Desmond is usually associated with the Dave Brubeck Quartet, but he achieved quite a body of work of his own, including his composition of the classic “Take Five” for the Brubeck Quartet. He was a modest, retiring man, known to his friends for his wit and charm. For example, when asked why he changed his surname to Desmond, with a straight face, he replied that Breitenfeld sounded too “Irish.” Such witticisms were as typical of his demeanor, as “soft and liquid” were typical of his sound … a tone that Paul, himself, once described as imitating a “dry martini.”  (Above) he demonstrates that tender touch with a wonderfully gentle version of Johnny Mandel’s Emily, recorded in 1975 at the Monterey Jazz Festival. Mundell Lowe is on guitar, Richard Davis bass, Roy Burns playing drums, and John Lewis at the piano. (Below) are two more tunes based on the names of girls.

Cassandra proves that even when Desmond swings, it’s mellow. He is joined by The Quartet, with Dave Brubeck on piano, Joe Morello playing drums, and Eugene Wright on bass, in 1965 at the Newport in Paris festival.

Here, Paul romanticizes Wendy with his quartet around 1975. Ed Bickert plays guitar, Jerry Fuller is on drums, and Don Thompson is at the bass. Will that martini be straight up or on the rocks?

The Finest Phineas

by | Sep 21, 2024 | Trio

Phineas Newborn’s life story is as dizzying as his unique style of piano playing. He was born just outside of Memphis –– a city that birthed the careers of such household musical names as Elvis Presley, Otis Redding, Jerry Lee Lewis, Al Green, and countless others –– and was raised in a musical family that included his father, Phineas Newborn, Sr., a drummer in blues bands, and his equally talented jazz guitarist brother Calvin. By his early teenage years, Phineas was not only beginning to master the piano, but trumpet, tenor and baritone saxes, as well. Jazz critics have called him, “One of the three greatest jazz pianists of all time.”

Here are three tunes with his trio from 1962, that included Al McKibbon playing double bass and Kenny Dennis on drums. Upper most is a non-standard treatment of the Strayhorn standard Lush Life. Below that (left) New Blues, and (right) the familiar Oleo, written by Sonny Rollins … just to prove the critics right!

Edward Kennedy Ellington Part 2

by | Sep 13, 2024 | Audio, Big Band

On his first trip to Africa, Duke Ellington wrote a piece of African music for the First International Festival of Art in Senegal, entitled La Plus Belle Africaine. The video (above) was later recorded at the Ellington Orchestra’s Norwegian concert in 1969. My three part interview with Mercer Ellington (below) took place a few years ago … back in my radio days.

As son of one of the most important and prolific composers of the 20th Century, not to mention his prowess as an arranger, musician and bandleader, it now fell to Mercer to continue and enhance Duke’s legacy. While their relationship was sometimes contentious, Mercer’s love and respect are evident, even as he struggled to emerge from a giant shadow and establish his own identity. I was privileged to sit down for an extended interview with Mercer Ellington in his Manhattan apartment, with a big pot of coffee and a New York size platter of Danish pastries.  For two hours I received an intimate look at the father through the eyes of his son … revealing many of The Duke’s opinions, philosophies, and foibles. I hope you’ll find my visit with Mercer as fascinating and fun as I did.

Music Was Their Mistress Pt. 1

by Fred Masey | JS #019

Music Was Their Mistress Pt. 2

by Fred Masey | JS #20

Music Was Their Mistress Pt. 3

by Fred Masey | JS #21

Edward Kennedy Ellington Part 1

by | Sep 6, 2024 | Big Band

Edward Kennedy “Duke” Ellington was one of the most important creative forces in the music of the twentieth century. His influence on classical music, popular music and, of course, jazz can’t be overstated. His childhood friends noticed that his casual, offhand manner and dapper dress gave him the bearing of a young nobleman, so they began calling him “Duke.” Though Ellington took piano lessons as a child, he also loved playing outdoors. In his memoir, Ellington recounts playing baseball with his friends in Washington D.C., where he was sometimes visited by President Theodore Roosevelt on horseback!

On November 3rd 1969, Duke Ellington and his orchestra held a concert in Bergen Norway. Below are just three excerpts from that concert, which featured a band that was nearly a who’s who of jazz legends: Cootie Williams, Cat Anderson, Mercer Ellington, Harold “Money” Johnson (t); Lawrence Brown (tb); Chuck Connors (btb); Russell Procope (cl,as); Norris Turney (fl,cl,as,ts); Johnny Hodges (as); Harold Ashby (ts,cl); Paul Gonsalves (ts); Harry Carney (cl,bcl,as,bar); Duke Ellington (p); Wild Bill Davis (o); Victor Gaskin (b); Rufus Jones (d). The first tune is the Ellington/Strayhorn classic, Take the A-Train, with a trumpet solo by Cootie Williams.

Don’t Get Around Much Anymore, another Ellington composition which became a standard, features a sax solo by the great Johnny Hodges.

Rufus Jones was new with Ellington at the time, having earlier been the drumming force driving the Basie band. This brief solo, called Coming Off the Veldt, shows why he was also known as Speedy Jones!

The Count Basie Quartet

by | Aug 30, 2024 | Quartet/Quintet

Most of us are used to hearing the Count Basie big band, and when you’re a musician in an orchestra of that size, it’s easy to get lost in the power of the other 15 or so instruments … even if it’s your orchestra!  As a result, Basie himself became, arguably, one of the most underrated piano players in jazz.  In fact, few of his fans even realize that he has recorded with a trio, quartet, and even a septet. Twenty Minutes After Three (above), Untitled Blues (below left), and Squeeze Me (below right) are a testimonial to The Count’s actual keyboard prowess. His sidemen are drummer Sonny Payne, bassist Norman Keenan, and Freddie Green on guitar, retaining the trademark Basie sound even in a small combo. The recording was done in 1968 as part of the Jazz Casual series on National Educational Television (NET now PBS).

The Christian Thing

by | Aug 24, 2024 | Big Band, Trio

He blazed an extraordinary trail as one of the most preeminent jazz musicians of our time. As a dynamic musician, composer and arranger, as well as a dedicated educator and mentor, bassist Christian McBride has an exceedingly wide wingspan! He has appeared on more than 300 recordings as a sideman, and is an eight-time Grammy Award winner.

The upper video, Fried Pies, features pianist Christian Sands, drummer Ulysses Owens, Jr. and McBride, of course, on bass. It was recorded in 2012 at the KNKX performance studios in downtown Seattle, Washington. The lower video, Black Narcissus Part 2 recorded in 2019, represents a sequel to Black Narcissus Part 1 written in the early 70s by George Duke for Cannonball Adderley … and is something of a departure for McBride into big band territory.

The Genius of Gil Evans

by | Aug 18, 2024 | Big Band

Gil Evans (no relation to Bill) was a Canadian-born composer, arranger, and band leader who is considered to be one of the greatest orchestrators in jazz history. Evans had a long and productive career, but remains best known for his celebrated collaborations with trumpeter Miles Davis. Two prime examples of that collaboration can be heard in the videos below, recorded at the 1991 Montreux Jazz Festival. These performances also combined the talents of Gil and his orchestra with Quincy Jones, in addition to featuring Miles brooding solos.

The topmost video, My Ship is a popular tune written for the 1941 Broadway musical Lady in the Dark, with music by Kurt Weill and lyrics by Ira Gershwin. The second video is Evans’ brilliant arrangement of Gershwin’s ever popular jazz standard, Summertime, from Porgy and Bess. Miles Davis soulful solo captures the essence of the song and the mood of the 1935 opera. The audio below, La Nevada, is from Gil Evans’ 1960 album Out of the Cool … one of Impulse!’s first four albums, released together.

La Nevada

by Gil Evans | Out of the Cool