Joseph Anthony Pass & Edward Kennedy Ellington

by | Feb 27, 2022 | Quartet/Quintet

Hearing Joe Pass and Duke Ellington together would normally be a rare treat in itself, but put them together in a small group setting and you have reason to celebrate!  Ellington was always an underrated piano player, probably because he is usually lost among 15 or 16 other incredibly talented musicians in his own band and you don’t really hear him.  After all, as the leader Duke is often buried in plain sight.  Now add bassist Ray Brown and drummer Louie Bellson to the mix, and what you have is the amazing quartet performing Cottontail in the video above and Love You Madly below on a cut from Duke’s 1974 “Big 4” album. Joe Pass?  Well, he sets fire to any group of fine musicians … large or small, slow or fast!

Love You Madly

by Joe Pass & Duke Elliington | Duke's Big 4

Delilah / Beautiful Old Ladies – Ellis Marsalis

by | Feb 19, 2022 | Quartet/Quintet

The Marsalis family’s musical gifts all flow from the “headwaters’ … an internationally renowned piano player named Ellis.   Sons Wynton, Branford, Delfaeyo and Jason have all become famous in their own right, with Wynton and Branford each standing with one foot in jazz and the other in classical music.  In the video, Ellis Marsalis is joined by Andrew Baham on trumpet, Derek Douget on sax, Gerald Watkins at the drums and Jason Stewart playing bass.  The tune is Delilah, recorded in New Orleans at The Jazz and Heritage Center December 15, 2018.  Below that is Beautiful Old Ladies, a tribute to older women from Ellis’s Whistle Stop album, featuring Branford Marsalis on soprano sax, Robert Hurst playing bass, Jeff Watts on drums and, of course, Ellis at the piano.

Beautiful Old Ladies

by Ellis Marsalis | Whistle Stop

Joe Williams and Count Basie Together

by | Feb 11, 2022 | Big Band, Vocal

On March 20, 1981 the great Joe Williams joined the Count Basie Orchestra for a star-studded concert in New York at Carnegie Hall, celebrating the fiftieth anniversary of Basie’s illustrious career.  Also on board were Sarah Vaughan, Tony Bennett and George Benson.  The concert later became a television special and eventually a performance DVD … Going To Chicago Blues is one of three songs Joe contributed to the performance that evening.  Posting the audio cut of Smack Dab In The Middle from his album The Greatest – Count Basie Plays, Joe Williams Sings Standards, was irresistible.  I double dog dare you to keep your feet still!

Smack Dab In The Middle

by Joe Williams & Count Basie | The Greatest

Lee Ritenour And Fourplay

by | Feb 5, 2022 | Quartet/Quintet

Above, Lee Ritenour, Dave Grusin & Andreas Varady, perform Oliver Nelson’s  “Stolen Moments” at the 47th Montreux Jazz Festival in 2013. Tom Kennedy played bass and Chris Coleman was on drums.  Below, Lee adds Eric Marienthal’s tenor to his quartet for an infectious “Night Rhythms” … a Ritenour original recorded in 1988. Lee started as a session player when he was just 16 years old, and recorded his first solo album, First Course, in 1976.  By the way, Fourplay was the ‘supergroup’ that Lee Ritenour formed and performed with during the Smooth Jazz ’90s.

Not Easy Being Green

by | Jan 29, 2022 | Trio

I had never really listened to Benny Green until I came across some old Art Blakey Jazz Messenger’s recordings and focused my ears past the drums.  It has been said that that “those who can’t do teach” … well, Benny Green teaches but is equally gifted as a performer, evidenced by the videos below.  Topmost, Tempus Fugit is an uptempo Bud Powell composition, recorded at New York’s Lincoln Center, that features a trio of Green at the piano, David Wong on bass and Aaron Kimmel playing drums.  Lower left is Me And My Baby.   Lower right something called Cupcake.  Both offer the trio of Benny playing piano, Ben Wolfe on bass and Carl Allen on drums.

This is Me And My Baby, a comfortably toe-tapping tune that takes Benny Green’s trio out of the concert hall and into a more relaxed clublike atmosphere.

Cupcake is a more laidback piece than the first two, keeping you in that same easy going setting.  It’s a clever arrangement that is sure to capture your attention.

Houston: A Person Worth Listening To

by | Jan 23, 2022 | Sextet

Silk and cement … that’s the way I would describe Houston Person’s tenor voice.  After more than half-a-century, he can still touch you or growl at you during the same musical passage and I’ve always liked what he had to say.  In 2017 Houston appeared in Spain at the San Javier International Jazz Festival with his sextet, Jim Rotondi (t), Dena DeRose (p), D.J. Foster (b) Marc Miralta (dr).  The two videos are from that performance:  The topmost cooks comfortably with the popular 1966 tune Sunny, while the video below it is a wonderfully soulful treatment of the familiar standard Since I Fell For You.  Finally, Person treats our ears and our hearts to the wonderfully gentle But Beautiful, audio from his album The Art And Soul Of Houston Person.

But Beautiful

by Houston Person | The Art And Soul Of Houston Person

C-Jam Blues – Ella Fitzgerald & Duke Ellington

by | Jan 14, 2022 | Big Band, Vocal

Sometimes referred to as “The First Lady of Song,” Ella Fitzgerald was the most popular female jazz singer in the United States for more than half a century.  She first met Duke Ellington in the mid-1930’s, while she was performing at Harlem’s legendary Savoy Ballroom with Chick Webb and His Orchestra. The two would remain friends and collaborators for the rest of their lives.  Here, Duke and Ella team up to perform Ellington’s C-Jam Blues (also known as “Duke’s Place”) during their 1966 European tour.

The Genius Of Bill Evans

by | Jan 7, 2022 | Trio

The legendary pianist Bill Evans is a great way to begin any New Year!  “Re: Person I Knew” is an original composition, recorded at the Molde Jazz Festival in Norway during August 1980, and was Evans’ last performance before his passing only five weeks later. It was also his last trio, and consisted of Bill Evans (p) Marc Johnson (b) and Joe La Barbera (dr).

On March 19, 1965, a much earlier version of the Bill Evans Trio stopped by the BBC studios in London to play a couple of sets on Jazz 625, a popular TV program hosted by the British trumpeter Humphrey Lyttelton. From that performance, the second video features an obviously younger Evans along with Chuck Israels (b) and Larry Bunker (dr) playing the Victor Young standard “My Foolish Heart”.

Days Of Auld Lang Syne

by | Dec 31, 2021 | Holiday, Lighter Side

Since our first posts five years ago, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and somewhat confusing, I thought we could all use a few lighter moments, maybe even a grin or two. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  Where did they come from?

The Peanuts Gang is always great fun and we launch into the New Year by partying with them, even though this performance doesn’t feature jazz.  Then, an a capella rendition of the tune by the original Straight No Chaser in a live 2009 concert at the Angel Orensanz Theatre in New York.  Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page.  Yes … it IS jazz and answers the who, what when, where and why of the song that has played with people’s heads for generations and beyond.

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS 2022 … and hoping that you enjoy our little MOJ celebration!

Straight No Chaser was a group of college guys singing just for fun back in the 90s.  Their career skyrocked and, as often happens, personnel changed … but these are the 10 who started it all.

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

Dreams Of Christmas

by | Dec 24, 2021 | Holiday

Arguably, the greatest Christmas movie ever made is Irving Berlin’s star-studded White Christmas.  The topmost video is the grand finale from that motion picture, guaranteed to catapult you into the Christmas spirit … in case you’re not already there.  Below that are performances by young Joey Alexander and The Swingle Singers in a medley from one of their two spirit-inspiring Christmas albums.  Finally I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

Joey Alexander was already an accomplished piano genius at the tender age of 14 in this performance of My Favorite Things.  Clearly, jazz is one of his favorite things … and his music is one of mine! 

The Incredible Swingle Singers take a step back from their usual jazz interpretations of classical music to perform a Christmas Medley in a more traditional fashion.

The Christmas Show

by Fred Masey | Jazz Scene Podcast