Delilah / Beautiful Old Ladies – Ellis Marsalis

The Marsalis family’s musical gifts all flow from the “headwaters’ … an internationally renowned piano player named Ellis.   Sons Wynton, Branford, Delfaeyo and Jason have all become famous in their own right, with Wynton and Branford each standing with one foot in jazz and the other in classical music.  In the video, Ellis Marsalis is joined by Andrew Baham on trumpet, Derek Douget on sax, Gerald Watkins at the drums and Jason Stewart playing bass.  The tune is Delilah, recorded in New Orleans at The Jazz and Heritage Center December 15, 2018.  Below that is Beautiful Old Ladies, a tribute to older women from Ellis’s Whistle Stop album, featuring Branford Marsalis on soprano sax, Robert Hurst playing bass, Jeff Watts on drums and, of course, Ellis at the piano.

Not Easy Being Green

I had never really listened to Benny Green until I came across some old Art Blakey Jazz Messenger’s recordings and focused my ears past the drums.  It has been said that that “those who can’t do teach” … well, Benny Green teaches but is equally gifted as a performer, evidenced by the videos below.  Topmost, Tempus Fugit is an uptempo Bud Powell composition, recorded at New York’s Lincoln Center, that features a trio of Green at the piano, David Wong on bass and Aaron Kimmel playing drums.  Lower left is Me And My Baby.   Lower right something called Cupcake.  Both offer the trio of Benny playing piano, Ben Wolfe on bass and Carl Allen on drums.

This is Me And My Baby, a comfortably toe-tapping tune that takes Benny Green’s trio out of the concert hall and into a more relaxed clublike atmosphere.

Cupcake is a more laidback piece than the first two, keeping you in that same easy going setting.  It’s a clever arrangement that is sure to capture your attention.

Houston: A Person Worth Listening To

Silk and cement … that’s the way I would describe Houston Person’s tenor voice.  After more than half-a-century, he can still touch you or growl at you during the same musical passage and I’ve always liked what he had to say.  In 2017 Houston appeared in Spain at the San Javier International Jazz Festival with his sextet, Jim Rotondi (t), Dena DeRose (p), D.J. Foster (b) Marc Miralta (dr).  The two videos are from that performance:  The topmost cooks comfortably with the popular 1966 tune Sunny, while the video below it is a wonderfully soulful treatment of the familiar standard Since I Fell For You.  Finally, Person treats our ears and our hearts to the wonderfully gentle But Beautiful, audio from his album The Art And Soul Of Houston Person.

But Beautiful

by Houston Person | The Art And Soul Of Houston Person

C-Jam Blues – Ella Fitzgerald & Duke Ellington

Sometimes referred to as “The First Lady of Song,” Ella Fitzgerald was the most popular female jazz singer in the United States for more than half a century.  She first met Duke Ellington in the mid-1930’s, while she was performing at Harlem’s legendary Savoy Ballroom with Chick Webb and His Orchestra. The two would remain friends and collaborators for the rest of their lives.  Here, Duke and Ella team up to perform Ellington’s C-Jam Blues (also known as “Duke’s Place”) during their 1966 European tour.

The Genius Of Bill Evans

The legendary pianist Bill Evans is a great way to begin any New Year!  “Re: Person I Knew” is an original composition, recorded at the Molde Jazz Festival in Norway during August 1980, and was Evans’ last performance before his passing only five weeks later. It was also his last trio, and consisted of Bill Evans (p) Marc Johnson (b) and Joe La Barbera (dr).

On March 19, 1965, a much earlier version of the Bill Evans Trio stopped by the BBC studios in London to play a couple of sets on Jazz 625, a popular TV program hosted by the British trumpeter Humphrey Lyttelton. From that performance, the second video features an obviously younger Evans along with Chuck Israels (b) and Larry Bunker (dr) playing the Victor Young standard “My Foolish Heart”.

The Virtuosity of Eddie Daniels

Eddie Daniels recorded Slipped Disc during a “Benny Rides Again” tribute to Benny Goodman in 1992. The group was made up of Gary Burton (vb),  Makoto Ozone (p), Marc Johnson (b), Martin Richards (d) and of course Eddie Daniels (c).

Stompin’ At The Savoy was recorded in October of 2012 ‘upstairs’ at Vitello’s in LA.  Joe La Barbera (d), Tom Warrington (b) and Tom Ranier (p) provided a familiar rhythm section since they often head East to perform with Daniels in NY.

The Enduring Freddie Hubbard

God Bless The Child has been interpreted a thousand ways … but I’ll bet you never heard it quite like this (Above)!  In 1991, at Internationale Jazzwoche Burghausen in Germany,  Freddie Hubbard and his quintet dazzled the audience with an arrangement that was both reverent and softly-swinging.  Freddie was joined by Don Braden on tenor, Benny Green at the piano, Jeff Chambers on base and Louis Hayes playing drums.  Earlier, in 1967 (Below), Hubbard teamed up with Kenny Drew (piano), Niels-Henning Ørsted Pedersen (bass), and Alex Riel (drums) to perform an original tune named Birdlike at the Molde Jazz Festival in Norway.  You can bet the ‘Bird’ referenced here had a horn but no feathers!

Sweet Georgia Brown / This Masquerade – Gene Harris

Gene Harris had the unique ability of combining traditional jazz piano with the blues and creating an absolutely distinctive style that set him apart from every other pianist.  Every time you hear Gene play is just like the first time!   The old chestnut Sweet Georgia Brown is from a 1998 performance at The International Jazz Festival in Bern, Switzerland. The quartet combines Gene Harris with Jim Mullen on guitar, Andrew Clayndert on bass and Martin Drew at the drums.

This Masquerade was recorded at a live 1994 performance for PBS in San Diego.  It features a quartet made up of Gene Harris at the piano, Ron Eschete on 7-string guitar, Luther Hughes playing bass, and Paul Humphrey on drums.

Slow Freight – Junior Mance & Ray Bryant

Very few things are as addictive as salted peanuts … betcha’ can’t eat just one!  That’s why they employed two pianos and twenty golden fingers to perform the super bluesy Ray Bryant composition, Slow Freight.  The tune was recorded in 1993 for a Japanese TV special and features both Junior Mance and Ray Bryant on pianos, Bob Cranshaw on bass and Alan Dawson playing drums.

Stan Kenton’s West Side Story

In 1961 The Stan Kenton Orchestra recorded a spectacular jazz album of music from West Side Story that rivaled even the soundtrack of the movie and the Broadway play.  Kenton West Side Story was one of the first ‘mellophonium‘ albums, featuring the newly-developed trumpet/French horn hybrid instrument and won Stan his first Grammy Award in 1962 for Best sound track LP and Best large ensemble jazz LP. Here are three songs from that album:

Kenton’s beautifully mellow rendition of Maria is music from the album itself.  Prologue [on the left] and Cool [on the right] are videos recorded during a live 1961 performance of the album material.