Days Of Auld Lang Syne

by | Dec 31, 2021 | Holiday, Lighter Side

Since our first posts five years ago, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and somewhat confusing, I thought we could all use a few lighter moments, maybe even a grin or two. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  Where did they come from?

The Peanuts Gang is always great fun and we launch into the New Year by partying with them, even though this performance doesn’t feature jazz.  Then, an a capella rendition of the tune by the original Straight No Chaser in a live 2009 concert at the Angel Orensanz Theatre in New York.  Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page.  Yes … it IS jazz and answers the who, what when, where and why of the song that has played with people’s heads for generations and beyond.

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS 2022 … and hoping that you enjoy our little MOJ celebration!

Straight No Chaser was a group of college guys singing just for fun back in the 90s.  Their career skyrocked and, as often happens, personnel changed … but these are the 10 who started it all.

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

Dreams Of Christmas

by | Dec 24, 2021 | Holiday

Arguably, the greatest Christmas movie ever made is Irving Berlin’s star-studded White Christmas.  The topmost video is the grand finale from that motion picture, guaranteed to catapult you into the Christmas spirit … in case you’re not already there.  Below that are performances by young Joey Alexander and The Swingle Singers in a medley from one of their two spirit-inspiring Christmas albums.  Finally I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

Joey Alexander was already an accomplished piano genius at the tender age of 14 in this performance of My Favorite Things.  Clearly, jazz is one of his favorite things … and his music is one of mine! 

The Incredible Swingle Singers take a step back from their usual jazz interpretations of classical music to perform a Christmas Medley in a more traditional fashion.

The Christmas Show

by Fred Masey | Jazz Scene Podcast

The Most Wonderful Time Of The Year

by | Dec 10, 2021 | Big Band, Vocal

Big name?  No.      Big sound? It’s the Marines!    This is The Third Marine Aircraft Wing Band with,    It’s The Most Wonderful Time Of The Year.

The Muppets probably aren’t found in any jazz lexicon but they are as full of Christmas joy and spirit as Old St. Nick himself! They undeniably help make this The Most Wonderful Time Of The Year!

All Blues / Joshua – Miles Davis

by | Dec 3, 2021 | Quartet/Quintet

In October 1964, Miles Davis appeared in concert at the Teatro dell’Arte in Milan Italy with a dream quintet including himself on trumpet, Wayne Shorter on sax, Herbie Hancock at the piano, Ron Carter playing bass and Tony Williams on drums. It doesn’t get better than that!  This was the era of Miles I have always preferred … when he was still innovating and not just experimenting.  Even as he evolved, one thing that never changed was his adherence to his statement, “Don’t play the notes that are there.  Play the notes that are not there.”  The two cuts below are from that live 1964 concert … a Miles Davis original All Blues (upper) and a Miles Davis-Victor Feldman tune called Joshua (bottom).

Carmen McRae In Montreal

by | Nov 27, 2021 | Vocal

Carmen McRae is considered one of the most influential jazz vocalists of the 20th century, mostly remembered for her behind-the-beat phrasing and ironic interpretation of lyrics. In other words, when she sang a song, she owned it. The videos below were recorded in 1988 at the International Jazz Festival in Montreal, reputed to be the largest jazz festival on the planet.

 

Of all the songs composed by Thelonious Monk, ‘Round Midnight may be the prettiest melody Monk ever wrote. Carmen sings both the original Jon Hendricks and later Bernie Hanighen lyrics … accompanied by Eric Gunnison on piano, Scott Collie bass, Marc Police playing drums and Clifford Jordan [“Blowing his brains out”] on tenor sax. The Warren & Dubin standard I only Have Eyes For You features the same group but with McRae accompanying herself on piano.

The Virtuosity of Eddie Daniels

by | Nov 19, 2021 | Quartet/Quintet

Eddie Daniels recorded Slipped Disc during a “Benny Rides Again” tribute to Benny Goodman in 1992. The group was made up of Gary Burton (vb),  Makoto Ozone (p), Marc Johnson (b), Martin Richards (d) and of course Eddie Daniels (c).

Stompin’ At The Savoy was recorded in October of 2012 ‘upstairs’ at Vitello’s in LA.  Joe La Barbera (d), Tom Warrington (b) and Tom Ranier (p) provided a familiar rhythm section since they often head East to perform with Daniels in NY.

Hot House – Charlie Parker & Dizzy Gillespie

by | Nov 12, 2021 | Quartet/Quintet

This performance of Hot House is from a February 24, 1952 broadcast on the pioneering DuMont Television Network.  Broadcasting on the Earl Wilson Show ‘Stage Entrance’, Charlie Parker plays with Dizzy Gillespie in the only footage capturing “Bird” in a true live performance … a historic TV broadcast of the founding fathers of bebop playing together.  It is one of only two known sound films of Parker playing and the only one of him playing live, rather than synching to a prerecorded track.

The quintet playing on this rare video includes Parker on alto saxophone, Gillespie on trumpet, Sandy Block playing bass, Charlie Smith on drums and Dick Hyman at the piano.

Killer Joe / Autumn Leaves – Benny Golson

by | Nov 7, 2021 | Quartet/Quintet

Born in 1929, saxophonist Benny Golson is one of the last surviving links to the Golden Age of modern jazz, ushered in by the likes of Charlie Parker, Dizzy Gillespie, Bud Powell, Kenny Clarke and others in the early 1940s. Benny is a multi-talented, internationally famous jazz legend whose talents include composer, arranger, lyricist, producer and world renowned tenor saxophonist.

The video is from the Ramsey Lewis Legends of Jazz T.V. series and features Benny Golson on sax, Willie Pickens at the piano, Larry Gray on bass and Leon Joyce Jr. on the drums playing Killer Joe, a jazz standard written by Golson himself.  The audio track is another standard that is perfect for the season … Autumn Leaves.  It features another quintet with Benny on tenor, Curtis Fuller on trombone, Ray Bryant at the piano, Tommy Bryant playing bass, and Al Harewood on drums.

Autumn Leaves

by Benny Golson | Gone With Golson

Locksley Wellington ‘Slide’ Hampton

by | Oct 30, 2021 | Big Band, Orchestral, Septet/Octet

If some of the video images look as though they were reversed, they weren’t.  It’s only that Slide Hampton has the trombone slung over his right shoulder instead of his left.  As a child, he acquired a trombone set up for left handed musicians and continued to play it for the rest of his life … even though he was right handed!  In 1971, Slide was invited to Italy by Franco Cerri, one of the greatest Italian jazz guitarists of the time.  He was featured on an episode of the Italian TV variety show “No Network” and the result was the topmost video Night Never Come, which also appeared on his 1975 album Jazz From Italy with the Slide Hampton Quartet.

The Lower video is Side’s Blues.  It’s part of an 85th birthday celebration for Slide on April 22, 2017 at Dizzy’s Club Coca-Cola.  It’s a Slide Hampton Original featuring Slide Hampton (trombone) with: Sam Dillon (tenor saxophone); Frank Basile (baritone saxophone); Marshall Gilkes & Ryan Keberle (trombones); Tony Kadleck & Fabien Mary (trumpets); David Wong (bass) and Charles Ruggiero (drums).

The two audio cuts below are both from Hampton’s album “Something Sanctified” recorded in 1960. His Octet was comprised of Slide Hampton (tb, b-horn, arr), Charles Greenlee (tb, b-horn), Richard Williams & Hobart Dotson (tp), George Coleman (ts), Jay Cameron (bs,b-cl), Larry Ridley (b) and Pete La Roca (ds).  In 1962 a revised ensemble, maintaining the same full-throated sound, toured the U.S. and Europe featuring the horns of Booker Little, George Coleman and Freddie Hubbard.

On The Street Where You Live

by Slide Hampton Octet | Somethin' Sanctified

Milestones

by Slide Hampton Octet | Somethin' Sanctified

The Enduring Freddie Hubbard

by | Oct 22, 2021 | Quartet/Quintet

God Bless The Child has been interpreted a thousand ways … but I’ll bet you never heard it quite like this (Above)!  In 1991, at Internationale Jazzwoche Burghausen in Germany,  Freddie Hubbard and his quintet dazzled the audience with an arrangement that was both reverent and softly-swinging.  Freddie was joined by Don Braden on tenor, Benny Green at the piano, Jeff Chambers on base and Louis Hayes playing drums.  Earlier, in 1967 (Below), Hubbard teamed up with Kenny Drew (piano), Niels-Henning Ørsted Pedersen (bass), and Alex Riel (drums) to perform an original tune named Birdlike at the Molde Jazz Festival in Norway.  You can bet the ‘Bird’ referenced here had a horn but no feathers!