The Softer Side of Earl Klugh

by | Jul 9, 2023 | Septet/Octet, Smooth Jazz

Generally know for his ability to play beautiful melodies and spin soft solos, Take It From The Top is one of Earl Klug’s more up-tempo arrangements –– swinging quietly and still maintaining his trademark mellow sound.  It was originally recorded for BET on Jazz on The Jazz Channel which launched in 1996 with the emphasis on smooth jazz, and has undergone several metamorphoses since.

Wishful Thinking, recorded in 2018 during a weekend of jazz at the Broadmoor, features Earl on guitar, Al Turner on bass, Tom Braxton playing sax, David Lee at the keyboards, and Ron Otis on drums.

Since You’re Gone adds the amazing George Benson to an already mellow mix of musicians –– the way smooth jazz ought to be played. Arguably, two of the greatest guitarists of the modern era in a rare appearance together.

Chelsea Bridge – Joe Henderson & Kenny Drew

by | Jun 30, 2023 | Quartet/Quintet

Chelsea Bridge is yet another jazz standard written by the wonderfully prolific Billy Strayhorn.  The tune was originally recorded by Duke Ellington in 1941 –– fast forward to 1968 and the Molde Jazz Festival in Norway, and an impressionistic interpretation of the impressionistic song by Joe Henderson and the Kenny Drew Trio.  Sometimes soft, sometimes swinging, this most creative arrangement features Joe on tenor, Kenny Drew at the piano, Niels-Henning Orsted Pedersen (NHOP) on bass, and Albert “Tootie” Heath playing drums.

Pop Music’s Favorite Jazz Pianist

by | Jun 25, 2023 | Quartet/Quintet, Smooth Jazz, Video

After recording more than 80 albums, and collecting 3 Grammy awards, plus 5 Gold Records, Ramsey Lewis remained a major figure in contemporary jazz until his death just last year at age 87.

While his award-winning 1965 recording of “The In Crowd” established him on the pop charts, his Sun Goddess album remains one of his most sought after by pop music and jazz fans alike.  Both of these selections are live performances of tunes from that album –– beginning with the video of Stevie Wonder’s Living for the City (topmost).

This is Sun Goddess, the title song from the album.  It features Ramsey on piano, Henry Johnson playing guitar, Chuck Webb on bass, Steve Cobb on drums and Mike Logan at the keyboards.

Jazz at Trinity Church – NYC

by | Jun 18, 2023 | Solo/Duo

On May 7, 2023 NEA Jazz Master pianist Kenny Barron and eight-time Grammy-winning bassist Christian McBride went to church –– to play, not to pray.  That’s gospel!  As part of Trinity’s music series, in association with Jazz House Kids, the dynamic duo played practically nonstop for more than an hour, to the delight of a packed houseful of fans and supporters.

The top-tune is Billy Strayhorn’s Isfahan, while below that, McBride performs a few finger gymnastics on the more familiar Body and Soul.

The Legendary Buddy Rich

by | Jun 11, 2023 | Big Band

“The Jet Song” from West Side Story never sounded quite like this. On August 20, 1982 at the Frank Sinatra Concert for the Americas, at age 64, Buddy Rich performed what may have been one of the greatest drum solos by one of the greatest drummers ever. Wincing from chest pains, which caused him to go to the hospital afterword, he gave his usual flawless performance––once again demonstrating his fierce life force and love for the music.

This performance of “Hawaiian War Chant” was recorded on January 5, 1987. Just a few months later, on April 2, 1987 Buddy Rich died of heart failure following surgery for a malignant brain tumor. He was 69 and maintained his unparalleled, life-long excellence right to the end. It’s hard to believe Buddy was self-taught and didn’t read music!

More Than Hard Times – David “Fathead” Newman

by | Jun 3, 2023 | Quartet/Quintet, Vocal

Hard Times

by David "Fathead" Newman | Fathead

With a strong background in R&B, and a close friendship with Ray Charles, it was only natural for saxophonist David Newman to be introduced to the world by Charles himself, through his first album––Fathead. For most of his career, Newman remained best known for his solo on Hard Times, one of the featured songs from that debut album.

Red Top is a wonderfully straight ahead jazz tune written by Lionel Hampton, performed by David “Fathead” Newman. Normally, I list the accompanying personnel, but this time, I couldn’t track anyone down––not even the singing drummer. On Newman’s Chillin’ album, everyone sounds so precisely the same that I will risk a guess, and list the group that appears on the album. Both the video and recording are circa 1998, so it may be a relatively safe bet. I’m guessing that in addition to “Fathead” on tenor, John Hicks played piano, Steve Novosel was on bass, Winard Harper on drums, and Bryan Carrott played vibes.

The second video is the familiar Blue Bossa and features “Fathead” Newman and Houston Person on dual tenor saxes, along with the Rein deGraaff Trio. It was also recorded in 1998, when they were entering their twilight years but still going strong!

Teacher, Musician, Legend – Barry Harris

by | May 27, 2023 | Trio

Barry Harris is part of an exceptional group of Detroit-bred jazz musicians, including Tommy Flanagan and Donald Byrd, who rose through the extraordinary arts education program in the public school system during the 1930s and 1940s.  He took piano lessons from his mother at the age of four––a church pianist, she asked him if he was interested in playing church music or jazz.  Fortunately for us, he chose jazz.

In his teens, he learned bebop largely by ear, imitating solos by Bud Powell, who along with Thelonious Monk was a strong influence on his playing.  Early on, he developed an interest in passing the torch through education.  Barry began teaching his musical theories as early as 1956, tutoring young, promising talent––all the while performing professionally with the likes of Miles Davis, Max Roach, and Lee Konitz. He has carried on the teaching tradition throughout his life.

Still going strong in 2017 at the age of 88, his arrangement of A Nightingale Sang In Berkeley Square at Dizzy’s in New York is as unique as Barry Harris himself.

Also at Dizzy’s, Blues In Bb features the trio of Barry on piano, Leroy Williams on drums and Ray Drummond playing bass.

Big Band Mulligan

by | May 19, 2023 | Big Band

Gerry Mulligan fronting a big band is a long way from his pianoless quartet of the early 1950s with trumpeter Chet Baker … still historically regarded as one of the best cool groups in jazz.  Out Back Of The Barn [left] features Gary Teller on tenor trading fours and more with Mulligan, while Song For Strayhorn [right] offers a captivating piano solo by Harold Danko.

Although the original quartet  lasted fewer than two years, it had a profound effect upon jazz that extends even to this day.  It was comprised of Gerry Mulligan on baritone sax and Chet Baker on trumpet, with a rhythm section of either Larry Bunker or Chico Hamilton playing drums, and either Joe Mondragon or Bob Whitlock playing bass … depending upon the session.

Walkin' Shoes

by Gerry Mulligan | Complete Recordings

Transitions – Jon Hendricks/LH&R

by | May 14, 2023 | Vocal Group

Vocalese is a technique by which a jazz singer adapts the human voice to an instrument. In 1957, Dave Lambert, Jon Hendricks and Annie Ross –– LH&R –– applied the style beyond the usual intimacy of a small combo, to full big band arrangements … with special emphasis on music of the Count Basie Orchestra. Lambert, Hendricks and Ross’ 1961 treatment of Four (Above) is a classic example.

From 1962 to 1964, Yolande Bavan replaced Ross and they became Lambert, Hendricks and Bavan. After the group disbanded in 1966, Jon Hendricks continued to perform into the mid-1980s, with the ultimate incarnation of Jon Hendricks and Company, consisting of his wife Michele, Daughter Judith and vocalist Bob Gurland. Their 1982 rendition of Count Basie’s Jumpin’ At The Woodside (Below) testifies to Hendricks’ enduring excellence and dedication to this unique musical genre.

Battle Of The Saxes

by | May 5, 2023 | Septet/Octet

It’s July 1979 at the North Sea Jazz Festival and five of the world’s greatest tenor saxophone players take the stage.  Illinois Jacquet, Arnett Cobb, Dexter Gordon, Buddy Tate and Budd Johnson perform one of the most sensational sax battles in anyone’s memory.  To complete the perfection, behind them are Hank Jones on piano, Gene Ramey playing bass and Gus Johnson on drums.

Flyin’ Home was written back in 1939 by Lionel Hampton and Benny Goodman. Within a very few years it became a jazz standard recorded by just about everybody.

After blowing the roof off the place for more than an hour, they gave the crowd their one more once with a mellow encore tune called The Hague’s Blues.

Ten years later, I had the pleasure of interviewing Illinois Jacquet, after living for more than twenty years in Paris, and on the eve of his Grammy Award winning album “Jacquet’s Got It!” … his first album since returning to America.  I updated my interview and moved it forward from our Jazz Scene Podcasts page to share with you this week.  When I interviewed him on the phone, I engaged an open friendly voice that pulled you in, much the same way he played his horn.

This Is Illinois Jacquet

by Fred Masey | Podcast #006