That Ain’t Right – Fats Waller & Ada Brown

In a scene from the 1943 film “Stormy Weather” Fats Waller and Ada Brown perform with legendary dancer Bill “Bojangles” Robinson, drummer Zutty Singleton, bassist Slam Stewart, Trumpeter Benny Carter and singer Lena Horne, just to mention a few.  The film is considered one of the best Hollywood musicals with an African-American cast. It was viewed as a primary showcase of some of the top Black performers of the time, during an era when actors and singers of color rarely appeared in lead roles in mainstream movie productions,

June Christy and Friends

How High The Moon is the top video in more than one way.  Besides the fabulous June Christy doing the vocal, two other legendary singers don’t utter a solitary note!  Instead, Mel Torme is on drums and Nat ‘King’ Cole plays piano, which of course was his original musical calling.  Lower left is June in her prime with That Old Feeling and on the lower right she is featured with the Stan Kenton Orchestra Just A-Sittin’ And A-Rockin’.  Christy, of course, was the replacement chanteuse for the incredible Anita O’Day after she left the Kenton band … one of the few singers who could have filled O’Day’s stylish ‘pumps’ fronting that powerful, creative Orchestra.

Movin’ Wess

While most often listed as a saxophonist, I prefer the sound of Frank Wess on the flute. Though the tune is nameless, Flauta Jazz uses the same chords as Ellington/Strayhorn Take The ‘A’ Train.  Sound Familiar?

The Very Thought Of You is a jazz and pop standard, first recorded and published in 1934 with music and lyrics by Ray Noble. Frank Wess applies his own magic touch along with big band backing.

Shelly Is The Manne!

The first song is from Shelly Manne’s Check Mate album, based upon the T.V. show (1960-1962) of the same name …  it’s called The Isolated Pawn.

Shelly Manne and his Men are comprised of Russ Freeman on piano, Richie Kamuca on tenor, Conte Candoli playing trumpet, Monte Budwig at the bass and, of course, Shelly Manne himself on drums.  Shelly has been called “the most musical drummer who ever lived” and virtually any of his solos will bear that out.

The second tune is Speak Low, from the 1943 Broadway play One Touch of Venus and features the same ensemble.  Both performances were recorded live in 1962 for Jazz Scene U.S.A. at Shelly’s Manne Hole in Los Angeles, CA.

Cool Water – Stan Kenton & Tex Ritter

Cool Water is a supplement to this week’s initial Stan Kenton post.  It is from the album Ritter made with Kenton’s Orchestra that convinced him it was time to move from Hollywood to Nashville. At the conclusion of the recording session, however, Tex received a standing ovation from the entire orchestra..  Overall this wasn’t the world’s worst idea but the public never bought it, and the album was removed from print.  As a result, today it is a rarity.

Cool Water

by Stan Kenton & Tex Ritter | Stan Kenton! Tex Ritter!

Artistry In Rhythm / Tiare – Stan Kenton

Stan Kenton’s Artistry In Rhythm was first recorded and released in 1944. It is one of several songs closely associated with this prolific composer, arranger, bandleader and very underrated pianist.

Like Artistry, Tiare features the high powered Kenton Orchestra and is part of a 1972 London concert. Kenton preferred his bands to not swing, instead employing elements of the popular ballroom and classical concert hall.

Big Bands, Big Sound – Jimmy Smith

This 1994 version of Down By The Riverside features Jimmy Smith together with Kenny Burrell and the Carnegie Hall Jazz Band. It is a live performance of his 1966 rendition on the album “Dynamic Duo” with Wes Montgomery doing the guitar chores.

“Peter And The Wolf” has always been one of my favorite Jimmy Smith Albums … and the Finale – Parade and Peter Plays Some Blues, for me, captures the essence of the other 5 movements.  The album only recently made it to CD and download.  I tried for several years to, at least, obtain the vinyl and finally discovered a single used copy in a little record shop in Detroit for the unheard of price of $3.72!  I had even called Rudy Van Gelder at Van Gelder Studios in Englewood Cliffs, New Jersey only to learn that the session tapes had been lost.  I’m glad they found them!

Finale - Parade / Peter Plays Some Blues

by Jimmy Smith & Oliver Nelson | Peter And The Wolf

Mary Lou Williams – Pianist’s Pianist

Mary Lou Williams was one of the few female jazz pianists to achieve fame during the middle of the 20th Century.  She was also a much sought after composer, arranger and mentor. Mary Lou wrote hundreds of compositions and arrangements, and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for such bandleaders as Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, and Dizzy Gillespie. Three of her compositions were scored for a Carnegie Hall concert played by the New York Philharmonic Orchestra in 1946!

The top video, Willow Weep For Me, is a popular 1932 standard from The Mary Lou Williams Collection 1927-59 and features her trio. The bottom two offerings, The Man I Love (1978) on the left and Mary Lou Plays Some Blues (1980) on the right are live solo performances recorded toward the end of her fabulous career..

Late Lament / Rider – Keith Jarret

Late Lament has become something of a standard that was first popularized by Paul Desmond.  The Jarret rendition isn’t quite as mellow as Desmond’s and features the gold standard of trios, with each member in clear communication with the other.  Keith Jarret is probably the most ‘athletic’ piano player ever to caress a keyboard. He gets a real workout with Rider, which also features Gary Peacock on bass and Jack Dejohnette on drums.  Sometimes I wonder how Keith can make so many moves and still maintain contact with the piano!

Autumn Leaves – Chet Baker & Paul Desmond

Chet Baker and Paul Desmond are not a pairing you hear everyday, which is why I wanted to share them here even though the audio-video synchronization seems a bit off.  The addition of Bob James on keyboards, Ron Carter playing contrabass and Steve Gadd’s drums round out a combo with a sound that swirls the Autumn leaves to new heights … and is irresistible if your toes or fingers tend to tap!