Edward Kennedy Ellington Part 2

On his first trip to Africa, Duke Ellington wrote a piece of African music for the First International Festival of Art in Senegal, entitled La Plus Belle Africaine. The video (above) was later recorded at the Ellington Orchestra’s Norwegian concert in 1969. My three part interview with Mercer Ellington (below) took place a few years ago … back in my radio days.

As son of one of the most important and prolific composers of the 20th Century, not to mention his prowess as an arranger, musician and bandleader, it now fell to Mercer to continue and enhance Duke’s legacy. While their relationship was sometimes contentious, Mercer’s love and respect are evident, even as he struggled to emerge from a giant shadow and establish his own identity. I was privileged to sit down for an extended interview with Mercer Ellington in his Manhattan apartment, with a big pot of coffee and a New York size platter of Danish pastries.  For two hours I received an intimate look at the father through the eyes of his son … revealing many of The Duke’s opinions, philosophies, and foibles. I hope you’ll find my visit with Mercer as fascinating and fun as I did.

C-Jam Blues – Ella Fitzgerald & Duke Ellington

Sometimes referred to as “The First Lady of Song,” Ella Fitzgerald was the most popular female jazz singer in the United States for more than half a century.  She first met Duke Ellington in the mid-1930’s, while she was performing at Harlem’s legendary Savoy Ballroom with Chick Webb and His Orchestra. The two would remain friends and collaborators for the rest of their lives.  Here, Duke and Ella team up to perform Ellington’s C-Jam Blues (also known as “Duke’s Place”) during their 1966 European tour.

Shades Of Black – Duke Ellington

On Nov. 2, 1969 a legendary concert was held at Tivoli Gardens in Copenhagen, Denmark.  At that time, Duke Ellington was celebrating his 70th birthday and had been leading his orchestra for 44 years.  His band featured such jazz icons as  trumpeters Cootie Williams and Cat Anderson, trombonist Lawrence Brown, altoist Harry Carney, Paul Gonsalves on tenor and Rufus ‘Speedy’ Jones on drums.

Here are three of my favorites from that concert, celebrating the Duke’s African roots.  The uppermost video is a haunting, very Ellington piece called “La Plus Belle Africaine,” At the lower left is “Black Butterfly” with a tender Johnny Hodges solo that takes you soaring with the butterfly itself … lower right is “Black Swan” featuring a duel between Duke’s piano and Wild Bill Davis’ Hammond organ..

Happy Reunion – Duke Ellington & Paul Gonsalves

Happy Reunion was a frequent concert feature for Gonsalves in the Ellington band’s later years.  Here, Paul was at the end of his career and no longer anywhere near his prime.  Still, if you take into account the close, enduring friendship between these men, and the fact that they even died only 4 months apart, this rare collaboration with just the two of them, makes for a tender and most memorable moment.

The story behind this performance seems to be that Paul Gonsalves, who had a long history of alcohol and drug abuse, had been under the weather and was late for a rehearsal with the full band. The usual Ellington strategy with a wayward musician was to call upon him for one solo after another. This video was recorded the next afternoon as the legendary tenor man again shows up late and is greeted by Ellington with, “Stinky, you juiced again?” At the end of the classic duo’s number, Gonsalves requests four kisses … an Ellington specialty. It’s a happy reunion and everything is forgiven, as always.

Five Faces Of Harlem Nocturne

Harlem Nocturne was written in 1939 by Earle Hagen and Dick Rogers for the Ray Noble Orchestra, of which they were members at the time.  It quickly became a jazz standard and has since been recorded by nearly 100 artists!  Here are just 5 different versions, including the very first recording of the tune on Columbia Records by Ray Noble.  Then there was a recording by The Viscounts that ran up the Billboard charts, not once but twice … in 1959 and again in1966.  Lyrics were eventually added and in 1963 Mel Torme painted a lonely picture of nighttime in New York.  While many of the others smack of a certain “stripperesque” quality, the fourth arrangement imparts a certain elegance we’ve learned to expect from Duke Ellington.  Finally, a treatment of Harlem Nocturne by Illinois Jacquet that makes all the hairs on the back of my neck stand at full attention!

Harlem Nocturne

by Illinois Jacquet | Swing's The Thing

Take The ‘A’ Train – Duke Ellington

The ‘A’ train is the storied New York City subway renowned as the preferred means of transportation to Harlem. Here’s a segment from the film “Reveille with Beverly” (1943) featuring the famous Blanton-Webster edition of the Ellington Orchestra, with Ivie Johnson’s vocal.