The Count Basie Quartet

by | Aug 30, 2024 | Quartet/Quintet

Most of us are used to hearing the Count Basie big band, and when you’re a musician in an orchestra of that size, it’s easy to get lost in the power of the other 15 or so instruments … even if it’s your orchestra!  As a result, Basie himself became, arguably, one of the most underrated piano players in jazz.  In fact, few of his fans even realize that he has recorded with a trio, quartet, and even a septet. Twenty Minutes After Three (above), Untitled Blues (below left), and Squeeze Me (below right) are a testimonial to The Count’s actual keyboard prowess. His sidemen are drummer Sonny Payne, bassist Norman Keenan, and Freddie Green on guitar, retaining the trademark Basie sound even in a small combo. The recording was done in 1968 as part of the Jazz Casual series on National Educational Television (NET now PBS).

Joe Williams and Count Basie Together

by | Feb 11, 2022 | Big Band, Vocal

On March 20, 1981 the great Joe Williams joined the Count Basie Orchestra for a star-studded concert in New York at Carnegie Hall, celebrating the fiftieth anniversary of Basie’s illustrious career.  Also on board were Sarah Vaughan, Tony Bennett and George Benson.  The concert later became a television special and eventually a performance DVD … Going To Chicago Blues is one of three songs Joe contributed to the performance that evening.  Posting the audio cut of Smack Dab In The Middle from his album The Greatest – Count Basie Plays, Joe Williams Sings Standards, was irresistible.  I double dog dare you to keep your feet still!

Smack Dab In The Middle

by Joe Williams & Count Basie | The Greatest

The Incomparable Joe Williams

by | Apr 17, 2021 | Big Band, Vocal

Above, Joe Williams sings Alright, Okay, You Win, an old chestnut from his Count Basie days at the Ella Awards in December of 1990.  Then, at the end of the evening in a wonderful mayhem, all the singers plus honoree Frank Sinatra join in a reprise of the tune … more fun than anyone ought to be allowed to have.  It sure must have been a blast to be in that room, that night!  Below, simply some down and dirty blues as Count Basie’s “number one son” Joe Williams [here in his prime] sings Five O’Clock In The Morning on television’s Judy Garland Show.

Old Blue Eyes On Stage

by | Sep 11, 2020 | Big Band, Vocal

In 2003 a concert was held for Dismas House in St. Louis Missouri, the first halfway house in the country.  It featured The Rat Pack … Frank Sinatra, Dean Martin and Sammy Davis Jr. performing at their relaxed, professional finest!  The Count Basie Orchestra, led by Quincy Jones, provided much of the accompanying music.

I’ve chosen to highlight Sinatra in this video and selected Get Me To The Church On Time and Luck Be A Lady Tonight from the concert, because their performances are so very, very Sinatra.  Old Blue Eyes’ ability to make a song his own is one of the elements that makes him so appealing and these tunes so enjoyable.  Now … someone tell me that Frank is not actually jazz or that he doesn’t swing and I’ll be glad to send you some polka records!

Winter Wonderland / My Favorite Things – Tony Bennett

by | Dec 13, 2019 | Big Band, Vocal

Tony Bennett makes you want to slip on your galoshes and follow him into the snow with this rendition of Winter Wonderland.  It features the Count Basie Orchestra and is certain to add Holiday spring to anyone’s step!

My Favorite Things is a classic song swung by a classic performer with a classic band.  While the tune was written for a Broadway play, not as a Christmas song, the season wouldn’t be complete without it.

WNEW Radio – A New York Institution

by | Jul 5, 2019 | Lighter Side, Stuff

Once upon a time there was a Pop-Jazz radio station in New York City.  It was the station that invented the music and news format as well as the very concept of “DJ” personalities.  This iconic station was called WNEW-AM.  During its 58 year history it developed a nearly cult-like following, becoming the radio home for millions of listeners, entertaining them with air talent that were the very essence of class and decorum … personalities who redefined the image of what a Disc Jockey was supposed to be.

I wish I could say that legacy WNEW went on to live happily ever after, but in 1992 the music died.  The station jingles below were only some that were used on a regular basis between 1958 and 1966 to reinforce the station sound.

Metropolitan Radio Jingle

In the style of Count Basie

In the style of Dave Brubeck

In the style of Charlie Barnet

In the style of Erroll Garner

In the style of Stan Kenton

A Count Basie Trilogy

by | Aug 31, 2018 | Big Band

This trilogy is from the Show Of The Week T.V. series, recorded in London.  The Count Basie Orchestra for this session consists of Sonny Cohn, Al Aarons, Wallace Davenport, Phil Guilbeau, trumpet; Al Grey, Henderson Chambers, Grover Mitchell, trombone; Bill Hughes, bass trombone; Marshall Royal, Bobby Plater, Eric Dixon, reeds; Eddie “Lockjaw” Davis, tenor sax; Charlie Fowlkes, baritone sax; Count Basie, piano; Freddie Green, guitar; Norman Keenan, acoustic double bass; Rufus ‘Speedy’ Jones, drums.

April In Paris

Count Basie and His Orchestra in a live 1965 performance of this classic tune.  It’s exciting to hear his signature arrangement one more once, just as he recorded it on Verve in 1955.

 

Li’l Darlin’

Here’s a jazz standard written by Neal Hefti for The Count Basie Orchestra.  Introduced as an instrumental by The Basie Band in 1957, Lambert, Hendricks and Ross added lyrics a year later.

Jumpin’ At The Woodside

Eddie “Lockjaw” Davis delivers an outrageous solo in this 1965 live performance … also featuring Rufus Jones on drums, Freddie Green on guitar and the rest of the Basie Band in its prime!

Li’l Darlin’ – Count Basie / Lambert, Hendricks and Ross

by | Aug 18, 2017 | Audio, Big Band, Vocal Group

Listen carefully to “Li’l Darlin'” both by the Count Basie Orchestra, and by Lambert, Hendricks and Ross with Joe Williams.  The first thing that struck me when I heard these two versions of the song, is that you almost have to listen twice to tell which is the instrumental and which is the vocal.  That’s how precise LH&R’s style and phrasing was!  Here they are side-by-side.  What do you think?

Li'l Darlin'

by Count Basie Orchestra | Basie

Li'l Darlin'

by Lambert, Hendricks and Ross | Sing Along With Basie