It’s Christmas!

Arguably, the greatest Christmas movie ever made is Irving Berlin’s star-studded White Christmas.  The video (above) is the grand finale from that motion picture, guaranteed to catapult you into the Christmas spirit … in case you’re not already there.  Bing Crosby and Rosemary Clooney appeared in full-throated splendor, while Vera Ellen––whose real strength was in her dancing––had her singing dubbed by a young lady named Trudy Stevens; the only exception was the “Sisters” duet, where Rosie Clooney sang both parts! Below (left) is Snow, another Irving Berlin tune specially written for the picture. Below (right) is the classic restaurant scene from A Christmas Story, where Ralphie and his family discover ‘Chinese turkey.’

Just (below), I have brought The Christmas Show forward from our Jazz Scene Podcast page … featuring songs for the season by Maynard Ferguson, Tony Bennett, The Swingle Singers, Mel Torme, Count Basie, The Gene Harris Quartet, Lou Rawls, The Manhattan Transfer, Kenny G, Billy Taylor, Carol Sloan, plus a few of my own thoughts about the magic of Christmas. Finally, at the (bottom) Kenny G takes a stroll down memory lane with clips from five of the best traditional holiday movies ever. There’s good reason they are viewed continually by millions every year … nothing compares, period! With Hollywood icons like Burgess Meredith and Jimmy Stewart in the background of Kenny’s gently nostalgic performance of Have Yourself a Merry Little Christmas, the experience is nothing less than pure emotional magic.

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Admittedly, except for “The Christmas Show,” much of what you hear here may not be jazz … but IT’S CHRISTMAS! May you enjoy every minute of this uniquely wonnnderful time of year, and have the Merriest of all Christmases with the ones you love!

Fred

Although not a jazz musician himself, jazz musicians dug Fred Astaire and the feeling was mutual.  His instruments were his feet and his voice … and his performances encompassed every type of music, from Vivaldi to Fats Waller. During his seven decades as dancer, actor, singer, musician, and choreographer, Fred was everything people wanted to be: smooth, suave, dapper, debonair, intelligent, witty, and wise. He worked with jazz bands whenever he could; with this mutual love affair in mind, plus his limitless talent and creativity, we felt Fred Astaire had to be included among the greats at Mark of Jazz.

For openers, here he is in 1940 with Eleanor Powell, one of his many dance partners during the Golden Age of Hollywood.

From the 1951 movie “Royal Wedding” here is Astaire dancing with a hat rack! It’s amazing how this great dancer can take the simplest prop and do something magical with it. Well before that, in 1937, he dazzled movie goers with his drum scene in “A Damsel in Distress.”

Finally, one of the more fun-loving routines called Too Hot To Handle … with his most frequent dance partner, Ginger Rogers. This is Fred and Ginger flirting a bit as they grace the stage in the 1935 film “Roberta.”

Symphony In Black – Duke Ellington

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.

3 Shades of Blue

3 Shades of Blue

by Dion Graham, Nar. | Book - Print and Audio

“3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool” is a superb book by renowned biographer James Kaplan. It chronicles the story of how jazz arrived at the pinnacle of American culture in 1959 … following the sometimes difficult paths of three legendary artists––Davis, Coltrane, and Evans––who came together to create the most iconic jazz album of all time, Kind of Blue.  It’s a book about music, business, the towns that gave jazz a place to call home, and the challenges faced during the journeys of three musical giants as they climbed to the mountaintop of 1959 and beyond.

Above is an excerpt from the “3 Shades of Blue” audio book. Below are a pair of tunes in their entirety, So What and All Blues, from the historic Kind of Blue Album … featuring Miles Davis (t), Cannonball Adderley (as), Paul Chambers (b), Jimmy Cobb (d), John Coltrane (ts), and Bill Evans (p) alternating with Wynton Kelly (p).

The Very Classic Carmen

With her behind-the-beat phrasing and ironic interpretation of lyrics, Carmen McRae is considered one of the most influential jazz vocalists of the 20th century.  Her heartfelt rendition of Monk’s ‘Round Midnight in 1962 (above) was only a precursor of the greatness to come.  Carmen is joined here by pianist Norman Simmons, bassist Victor Sproles, and drummer Walter Perkins. 

Nearing the end of her career in 1990, she performed one of my personal favorites –– On Green Dolphin Street –– in Tokyo (below left) at the Good Day Club, together with Eric Gunnison (p), Scott Colley (b), and Mark Pulice (d). 

In 1980, during what some say was her “prime” (never figured how anyone can determine that, especially with the great ones), McRae paints some vivid word pictures (below right) with Miss Otis Regrets; she makes you feel like you personally missed a lunch date, but fortunately, we don’t have to miss Carmen’s impassioned performance of the Cole Porter tune.

Another Auld Lang Syne

Since our first posts back in 2017, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and more than a little hectic, I thought we could all use a few gentler moments to ring in 2023.

In the video, Diana Krall quietly wonders What Are You Doing New Years Eve … while you can close your eyes and see the snowy evening and crackling fire as Ray Charles tries to make the case for Betty Carter to stick around because, Baby It’s Cold Outside

Baby It's Cold Outside

by Ray Charles & Betty Carter | Ray Charles and Betty Carter

Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  It’s a jazzy adventure that answers questions about the tune that has played with people’s heads for generations.  Speaking of generations, we even have a nostalgic visit with Fay Wray … the lady who monkeyed around with that big ape in the ORIGINAL 1933 classic King Kong!

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS NEW YEAR … and hoping that you thoroughly enjoy our little MOJ celebration!

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

Dreams Of Christmas

Arguably, the greatest Christmas movie ever made is Irving Berlin’s star-studded White Christmas.  The topmost video is the grand finale from that motion picture, guaranteed to catapult you into the Christmas spirit … in case you’re not already there.  Below that are performances by young Joey Alexander and The Swingle Singers in a medley from one of their two spirit-inspiring Christmas albums.  Finally I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

Joey Alexander was already an accomplished piano genius at the tender age of 14 in this performance of My Favorite Things.  Clearly, jazz is one of his favorite things … and his music is one of mine! 

The Incredible Swingle Singers take a step back from their usual jazz interpretations of classical music to perform a Christmas Medley in a more traditional fashion.

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Hot House – Charlie Parker & Dizzy Gillespie

This performance of Hot House is from a February 24, 1952 broadcast on the pioneering DuMont Television Network.  Broadcasting on the Earl Wilson Show ‘Stage Entrance’, Charlie Parker plays with Dizzy Gillespie in the only footage capturing “Bird” in a true live performance … a historic TV broadcast of the founding fathers of bebop playing together.  It is one of only two known sound films of Parker playing and the only one of him playing live, rather than synching to a prerecorded track.

The quintet playing on this rare video includes Parker on alto saxophone, Gillespie on trumpet, Sandy Block playing bass, Charlie Smith on drums and Dick Hyman at the piano.

A Day With Lady Day

God Bless The Child was written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded in May 1941 by Billie and released in 1942. Her version of the song was honored with the Grammy Hall of Fame Award in 1976.

After being heard by producer John Hammond, who liked her voice, Holiday signed a contract with Brunswick Records in 1935. Collaborations with Teddy Wilson produced the standard What a Little Moonlight Can Do.

Billie Holiday’s best-selling record Strange Fruit was a sombre blues account of racism in the South. In 1939 Time Magazine derided the song as propaganda for the NAACP. ironically, 60 years later Time selected it as ‘song of the century’!