SCJME Meets The NY Voices

The South Carolina Jazz Masterworks Ensemble is a powerful 18 piece orchestra, comprised of the most outstanding jazz musicians, soloists, arrangers, and bandleaders from across the Carolinas. The group was created to perform the original American art form at the highest artistic level … and they consistently succeed in their mission, concert after amazing concert!  A few weeks ago, we had the pleasure of attending yet another in their regular series of performances, as they were joined by the New York Voices.   Although the quality is marginal, having been recorded from the audience with my iPhone, I couldn’t help but share a few bits and pieces of that musical evening here at The Mark of Jazz. It was much too enjoyable to simply leave the echoes hanging in the air over row ‘G’ seat 15!

The top video is the 1936 Louis Prima tune, Sing, Sing, Sing, followed by 3 audio segments, including a SC Jazz Masterworks Ensemble instrumental of a 1959 Frank Foster original, from the Count Basie album Chairman Of The Board.  The bottom video features everyone––including the audience––and closed the concert with the mildly raucous, Smack Dab in the Middle.

Symphony In Black – Duke Ellington

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.

The Irresistible Peggy Lee – Pt. 2

(Upper left) is an early Peggy Lee, in 1943 with the Benny Goodman Orchestra offering a classic rendition of Why Don’t You Do Right? She joined the Goodman band in August 1941 and made her first recording, singing “Elmer’s Tune.”  Peggy stayed with Benny for two years, having replaced Helen Forrest … she left in ’43 to become a housewife and mother, but fate and her talent told her the best was yet to come. (Upper right) finds Peggy Lee on the Frank Sinatra Show in 1957, singing a duet with Frank … Nice Work If You Can Get It. See if you notice a little ‘spark’ between them, just a touch beyond mere performance.

(Below) Peggy’s eventual trademark –– the original 1958 version of –– Fever.  I took the liberty of adding some video from several of her incarnations as a legendary performer … singer, songwriter, actress, and composer.

The Christmas Show

Apologies for a long absence of new posts on our website.  Other obligations have caused me to temporarily divert time and resources elsewhere, but I intend to resume regular music posts in the spring, if not before.  Meanwhile, in the spirit of the season, and with gratitude for your hanging in there with me at the Mark Of Jazz, I have brought The Christmas Show forward from our Jazz Scene Podcast page. I’ll try to be timely in re-posting our New Years program as well. May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

The Christmas Show

by Fred Masey | Jazz Scene Podcast 017

Sun Valley Serenade

The Glenn Miller Orchestra appeared in only two movies, the first of which was “Sun Valley Serenade” in 1941.  Chatanooga Choo-Choo (top) and a colorized version of In The Mood (lower) are both from that film.  “Chattanooga Choo-Choo” features a lot more than just the band, with performances by the Nicholas Brothers, The ModernairesDorothy Dandridge, and skating star Sonja Henie.  The song, which was nominated for a best song Oscar, was inducted into the Grammy Hall of Fame in 1996, and was awarded the first Gold Record for sales of 1.2 million.

“In The Mood” was one of the best known tunes of the 1940s and was the biggest hit of Glenn Miller’s career … helping to make him the top bandleader in the world!  By the way, the other movie that featured the Miller Band was called “Orchestra Wives” the following year, in 1942.

The Legendary Buddy Rich

“The Jet Song” from West Side Story never sounded quite like this. On August 20, 1982 at the Frank Sinatra Concert for the Americas, at age 64, Buddy Rich performed what may have been one of the greatest drum solos by one of the greatest drummers ever. Wincing from chest pains, which caused him to go to the hospital afterword, he gave his usual flawless performance––once again demonstrating his fierce life force and love for the music.

This performance of “Hawaiian War Chant” was recorded on January 5, 1987. Just a few months later, on April 2, 1987 Buddy Rich died of heart failure following surgery for a malignant brain tumor. He was 69 and maintained his unparalleled, life-long excellence right to the end. It’s hard to believe Buddy was self-taught and didn’t read music!

Big Band Mulligan

Gerry Mulligan fronting a big band is a long way from his pianoless quartet of the early 1950s with trumpeter Chet Baker … still historically regarded as one of the best cool groups in jazz.  Out Back Of The Barn [left] features Gary Teller on tenor trading fours and more with Mulligan, while Song For Strayhorn [right] offers a captivating piano solo by Harold Danko.

Although the original quartet  lasted fewer than two years, it had a profound effect upon jazz that extends even to this day.  It was comprised of Gerry Mulligan on baritone sax and Chet Baker on trumpet, with a rhythm section of either Larry Bunker or Chico Hamilton playing drums, and either Joe Mondragon or Bob Whitlock playing bass … depending upon the session.

Rat Pack Rides Again!

It was 1965 in St. Louis and The Rat Pack performed Birth Of The Blues live as only Frank Sinatra, Dean Martin and Sammy Davis Jr. could.  However, you may notice one new member of the group for this particular performance … Johnny Carson!  Actually, he held up his end pretty well and his voice wasn’t terrible either.  Great song, fast company and some unforgettable shtick.

We Need A Little Christmas

‘Tis the season to be snowy!  New York Voices is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that came before, such as Lambert, Hendricks and Ross, Singers Unlimited, Manhattan Transfer and, of course, The Four Freshmen, they have learned from the best and taken their musical form to new levels.  I couldn’t resist adding some visuals to their marvelous rendition of the Sammy Cahn – Jule Styne tune, Let It Snow … written in July 1945!

Marshmallow World may not be jazz, but it is definitely Christmas … and these two characters are definitely Dean Martin and Frank Sinatra (in a 1967 TV special).

Finally, I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Joe Williams and Count Basie Together

On March 20, 1981 the great Joe Williams joined the Count Basie Orchestra for a star-studded concert in New York at Carnegie Hall, celebrating the fiftieth anniversary of Basie’s illustrious career.  Also on board were Sarah Vaughan, Tony Bennett and George Benson.  The concert later became a television special and eventually a performance DVDGoing To Chicago Blues is one of three songs Joe contributed to the performance that evening.  Posting the audio cut of Smack Dab In The Middle from his album The Greatest – Count Basie Plays, Joe Williams Sings Standards, was irresistible.  I double dog dare you to keep your feet still!