Unsquare Dance – Dave Brubeck

Unsquare Dance is a song written by Dave Brubeck in 7/4 time … a most unusual time signature that seems to be as much fun to play as it is to hear!  Brubeck recorded the video for PBS broadcast in 2001, live with the London Symphony Orchestra.  His son Chris appears at the piano as well.  Below that is the original 1961 recording of Unsquare Dance by Dave and his quartet.  If you listen closely at the end, drummer Joe Morello sighs relief from the intensity of the tune with a quiet laugh and a “Yaaa!”

Unsquare Dance

by Dave Brubeck Quartet | Time Further Out

Night Life / Ol’ Man River – Maynard Ferguson

Maynard Ferguson was the poster boy for musical evolution … from playing high notes that only dogs could hear with the Kenton Orchestra to his own big bands in the fifties and sixties, to popular tunes and disco stylings during the 1970s and beyond.  Beneath it all was always a foundation of solid jazz but my favorite period was the Ferguson orchestra between 1959 and approximately 1965, featuring Willie Maiden with his untamed tenor solos and unusually creative arrangements that fit Maynard’s powerful ensemble to a tee!  Then there were the compositions and occasional injection of Slide Hampton’s talents on the tuba and flugelhorn, along with his renowned prowess with the trombone.  Rufus “Speedy” Jones on drums rounded out the band’s driving sound, as he did in the latter half of the decade with the Basie and Ellington orchestras.

Night Life

by Maynard Ferguson | A Message From Birdland

Night Life is a low key Slide Hampton arrangement that features a more mellow Maynard on the uncommon valve trombone rather than playing dog-whistle notes on his trumpet.  A Message From Birdland was the second jazz album I ever bought and the one that got me hooked on Ferguson big bands for life.  Ol’ Man River is an arrangement that I suspect would make Jerome Kern and Oscar Hammerstein proud.  They would most certainly take notice right from the solo baritone sax lead-in by Frank Hittner.  As the tune rolls on, you can almost hear the paddle wheel churning up the water!

Eric’s Gale / Moonlight In Vermont – Houston Person

As one of the unsung heroes of the tenor sax, Houston Person’s role in life seems to be as a show stopper and spotlight stealer, whether performing live or recorded.  Eric’s Gale is one of those occasions.  His silk and cement style added to the likes of Lonnie Smith on organ, Ron Carter at the bass and Grady Tate on drums makes you want to say “Wow!” and play it again, just to make sure Houston really did that.

Eric's Gale

by Houston Person, Eric Gale | In A Jazz Tradition

Moonlight In Vermont is a standard but Houston Person‘s incredible solo is anything but!  It may be Joey’s album but, that evening, Person was once again a thief in the night.  In 1993 at The Five Spot Cafe in New York, he joined Joey DeFrancesco at the organ, Paul Bollenback with his guitar and Byron “Wookie” Landham playing drums to make a statement that teases legendary status. Personally, I’ve always liked what Houston has had to say.

Moonlight In Vermont

by Houston Person, Joey DeFrancesco | Live At The 5 Spot

The Sidewinder

The Sidewinder is a tune born in minutes, destined to last a lifetime!  It became one of the defining recordings of the soul jazz genre … a jazz standard that set the tone for an entirely new style of funky jazz that is a driving force even today.

The session was being recorded at Rudy Van Gelder’s famous Englewood Cliffs, New Jersey studio.  Although the album was essentially finished, the musicians felt they needed one more song.  Lee Morgan suddenly disappeared into the washroom and emerged about twenty minutes later, passing around a sheet of music with notes on it that turned out to be Sidewinder!

That original date included Lee Morgan playing trumpet, Joe Henderson on sax, Barry Harris at the piano, Bob Crenshaw on bass, and Billy Higgins playing drums.  The album they recorded that day became Blue Note’s best-selling record ever, breaking the previous sales records roughly ten times over!  In addition to the original, two other compelling arrangements of the title tune are presented here by Gene Harris and The Turtle Island String Quartet.

Cool Water – Stan Kenton & Tex Ritter

Cool Water is a supplement to this week’s initial Stan Kenton post.  It is from the album Ritter made with Kenton’s Orchestra that convinced him it was time to move from Hollywood to Nashville. At the conclusion of the recording session, however, Tex received a standing ovation from the entire orchestra..  Overall this wasn’t the world’s worst idea but the public never bought it, and the album was removed from print.  As a result, today it is a rarity.

Cool Water

by Stan Kenton & Tex Ritter | Stan Kenton! Tex Ritter!

The Trumpet of Blue Mitchell

Blue Mitchell was the complete trumpet player, with a direct, lightly swinging sound that fit right in with Blue Note records’ musical mindset of the 1960s. That sound comes through loud and clear on “Hi-Heel Sneakers” as he is joined by Junior Cook on tenor sax, Chick Corea piano, Gene Taylor on bass and Al Foster playing drums.

Hi-Heel Sneakers

by Blue Mitchell | Down With It

Mitchell often tends to be overlooked today, perhaps because he spent most of his career as a much sought after side man. Given that he led his own group for only a short period of time, he never really had the chance to stand out in the public eye, despite his considerable talent. Listening to “Park Avenue Petite” it’s easy to hear where he got the nickname “Blue”. Here he’s joined by Wynton Kelly at the piano, Sam Jones on bass and Philly Joe Jones on drums.

Park Avenue Petite

by Blue Mitchell | Blue Soul

Mr. Pastorius / Eighty One – Miles Davis

Miles Davis and his band recorded Mr. Pastorius on October 18, 1989 at Chelsea Studios in New York City.  The tune was written by Marcus Miller as a tribute to bassist Jaco Pastorius and features Miles on trumpet, Marcus Miller on bass, Kenny Garret playing alto sax, Ricky Wellman drums and Adam Holzman on Keyboards.

Eighty-One is from the 1965 Miles Davis album E.S.P.  Call it hard bop, post bop or modal jazz … by any other name, it still features the solid sound of Miles’ trumpet and some of the top musicians in jazz. Wayne Shorter plays tenor, Herbie Hancock is at the piano, Ron Carter is on double bass and Tony Williams plays drums.  It was recorded during one of my favorite periods of Davis’ several evolutions. 

Harlem Nocturne – Sam “The Man” Taylor

Three weeks ago, I posted Five Faces of Harlem Nocturne and had several inquiries as to why I left out the original 1955 hit recording by Sam “The Man” Taylor. Sam was a jazz and blues player who set the standard for tenor sax solos in both rock ‘n roll and rhythm and blues … and became one of the most requested session sax players in New York during the 1950s.  Since I’ve always considered this to be the definitive version in the first place, I have no excuse.  None whatsoever.  Here to bail me out is Sam “The Man” with The Sixth Face of Harlem Nocturne.

Five Faces Of Harlem Nocturne

Harlem Nocturne was written in 1939 by Earle Hagen and Dick Rogers for the Ray Noble Orchestra, of which they were members at the time.  It quickly became a jazz standard and has since been recorded by nearly 100 artists!  Here are just 5 different versions, including the very first recording of the tune on Columbia Records by Ray Noble.  Then there was a recording by The Viscounts that ran up the Billboard charts, not once but twice … in 1959 and again in1966.  Lyrics were eventually added and in 1963 Mel Torme painted a lonely picture of nighttime in New York.  While many of the others smack of a certain “stripperesque” quality, the fourth arrangement imparts a certain elegance we’ve learned to expect from Duke Ellington.  Finally, a treatment of Harlem Nocturne by Illinois Jacquet that makes all the hairs on the back of my neck stand at full attention!

Harlem Nocturne

by Illinois Jacquet | Swing's The Thing

A Dynamic Duo from Charles Mingus

Charles Mingus was an American jazz double bassist, pianist, composer and bandleader, and truly one of the most creative musicians in the business, right down to the titles of his tunes!  Who else could have come up with names like “Don’t Be Afraid, The Clown’s Afraid Too” or “The Shoes of the Fisherman’s Wife Are Some Jive Ass Slippers”?  The latter composition is featured in this post.  A major proponent of collective improvisation, Mingus was a man ahead of his time.  Whether big band or small, one listen to his orchestrations and arrangements is all the proof anyone needs.

Celia is a Mingus original from his quintet’s live 1972 performance in Berlin.  It features Charles Mingus on bass, Joe Gardner on trumpet, Hamiet Bluiett playing barry, John Foster at the piano, and Roy Brooks on drums.

The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers

by Charles Mingus | Let My Children Hear Music