Suite for Flute and Jazz Piano was performed on the Johnny Carson Show in 1984, by Hubert Laws and Claude Bolling … with John Goldsby on bass and Jean Luc Dayan on drums.
Shades of Light is a Hubert Laws original, featuring Laws on flute, David Budway playing piano, Rob Mullins at the keyboards, John Leftwich on bass and Ralph Penland on drums.
Combine four of the top drummers in jazz: Louis Bellson, Philly Jo Jones, Shelly Manne, and Irv Cottler –– with the flying feet of the multi-talented Caterina Valente –– and you have the formula for a truly unique performance on 1964’s popular Hollywood Palace television show (top). Then (bottom), Caterina and Ella Fitzgerald are joined by (believe it or not) Perry Como, in a spirited scat version of Al Jolson’s 1920’s swinging hit Avalon. Vintage television!
Roy Hargrove was known as one of the premier players in jazz for the past quarter-century. As an incisive trumpeter, doubling on flugelhorn, Roy was discovered by Wynton Marsalis in the 1980s. He embodied the brightest promise of his jazz generation, both as a young steward of the hard bop tradition and a savvy bridge to both hip-hop and R&B. His assertive sound embodied a tone that could evoke either burnished steel or silk and satin. Here we have both.
The topmost video I’m Not So Sure, recorded in 2007 at the New Morning in Paris, features Roy Hargrove on trumpet, Justin Robinson on alto sax, Gerald Clayton playing piano, Danton Boller at the bass, and Montez Coleman on drums. It’s funky beat is guaranteed to treat your feet! Below that to the left, Top of My Head moves all your parts with some straight ahead bop and features Roy adding a bit of vocal. The performance was for a public radio gig … and along with Hargrove on trumpet and Robinson on alto, Tadataka Unno played piano, Ameen Saleem played bass, and Quincy Phillips was at the drums. Finally, at the lower right, silk and satin are served well as flugelhorn replaces trumpet and Chivas replaces cement in the very mellow What a Wonderful World, recorded by the quartet in 1999. Roy Hargrove takes up the flugel, Mulgrew Miller is on piano, Pierre Boussaguet plays bass, and Alvin Queen is at the drums.
I have only two words for you … Samara Joy. Samara is a marvelous young jazz singer from a musical family in the Bronx New York, who has an incredibly bright future and might even out-Ella Ella one of these days! Samara’s album “Linger Awhile,” was released in September 2022, winning the award for Best Jazz Vocal Album, and she also won Best New Artist at the 2023 Grammy Awards.
The first tune (top) is the Billy Strayhorn tune Lush life … one of my perennial favorites. Next (middle left) listen to her impeccable phrasing on Can’t Get Out of This Mood, followed by Lady Be Good (middle right) as she channels Ella and adds a few ear-popping twists of her own. Finally Samara’s poignant video of Guess Who I Saw Today (bottom), a song originally composed for the Broadway musical revue New Faces of 1952. She was a new face on the jazz scene in 2021, now at the tender age of 24, if she stays on the straight-and-narrow this chanteuse is going places! Currently, she is touring the globe.
Again, please forgive the long absence of new posts on our website. Other obligations have caused me to temporarily divert my time and resources to a different endeavor, but I intend to resume regular music posts in the spring, with occasional random postings before that whenever possible. Meanwhile, continuing in the spirit of the season, and with gratitude for your continuing interest in the Mark Of Jazz, I have brought Days of Auld Lang Syne forward from our Jazz Scene Podcast page … my way of wishing you a healthy and HAPPY NEW YEAR! May 2024 bring you all the peace, joy, and success you could wish for.
Apologies for a long absence of new posts on our website. Other obligations have caused me to temporarily divert time and resources elsewhere, but I intend to resume regular music posts in the spring, if not before. Meanwhile, in the spirit of the season, and with gratitude for your hanging in there with me at the Mark Of Jazz, I have brought The Christmas Show forward from our Jazz Scene Podcast page. I’ll try to be timely in re-posting our New Years program as well. May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!
From 1949 to 1978, The George Shearing Quintet was a household name and a staple in anyone’s record collection. Between George’s “Locked Hands” style of playing and the addition of vibes to the group, their sound was unique. The original group was comprised of Margie Hyams (vibes), Chuck Wayne (guitar), later replaced by Toots Thielemans, John Levy (bass), Denzil Best (drums), and of course Shearing himself (piano). The quintet underwent several changes through the years, until finally it was disbanded, in favor of trio, duo, and solo performances … until toward the end of his career Shearing made several recordings with major vocalists such as Mel Torme, Nat Cole (Pick Yourself Up – bottom), Nancy Wilson, Peggy Lee and others.
Move (above) was one of the earlier quintets after Joe Roland had replaced Margie Hyams on vibes; the tune is one of the less mellow arrangements for which the group became known. The Duke (below) is a tune written by Dave Brubeck as a nod to the great Duke Ellington. It’s a live performance with Neil Swainson accompanying Sir George Shearing on bass.
George Shearing was a British born pianist who led a popular jazz group that took the country by storm for many years. Born blind, the youngest of nine children, he started learning to play at the age of three … and went on to compose more than 300 titles during his illustrious career, including the jazz standard Lullaby of Birdland (Uppermost video). He had multiple albums on the Billboard charts during the 1950s, 60s, 80s, and even the 1990s.
Shearing emigrated to the U.S. and founded the first George Shearing Quintet in 1949, which saw a number of permutations over the years and finally led to solo and trio performances later in his career. He drew upon classical music and the records of Teddy Wilson and Fats Waller for his influences, eventually developing a harmonically complex style––mixing swing, bop and modern classical into his playing. His technique became known as Shearing’s Voicing … a type of double melody block chord, with an additional fifth part that doubles the melody an octave lower. This style of playing is also known as Locked Hands.
Henry Mancini’s Dreamsville, like the video above, was recorded in 1992 at the Munich Philharmonie … with Neil Swainson on bass.
George goes solo with John Williams at the Boston Pops with his performance of Look At That Face. The picture quality is a bit compromised, but the music is near perfect!
The Glenn Miller Orchestra appeared in only two movies, the first of which was “Sun Valley Serenade” in 1941. Chatanooga Choo-Choo (top) and a colorized version of In The Mood (lower) are both from that film. “Chattanooga Choo-Choo” features a lot more than just the band, with performances by the Nicholas Brothers, The Modernaires, Dorothy Dandridge, and skating star Sonja Henie. The song, which was nominated for a best song Oscar, was inducted into the Grammy Hall of Fame in 1996, and was awarded the first Gold Record for sales of 1.2 million.
“In The Mood” was one of the best known tunes of the 1940s and was the biggest hit of Glenn Miller’s career … helping to make him the top bandleader in the world! By the way, the other movie that featured the Miller Band was called “Orchestra Wives” the following year, in 1942.
A wonderfully natural improviser, Wes Montgomery’s octave playing was more like the sound of the jazz frontline saxophone and trumpet, rather than that purely of a guitarist. He had a double-jointed thumb that enabled him to play up and down strokes effortlessly –– he chose not to use a plastic pick because he felt it got in the way. As a jazz musician, his personal habits were as unique as his playing in that he didn’t drink or do drugs. In fact, at one point some of his fellow musicians even called him Reverend Montgomery.
The first two videos were recorded in Belgium in 1965. John Coltrane’s Impressions (top) features Montgomery on guitar, Arthur Harper on bass, Jimmy Lovelace on drums, and Harold Mabern playing piano.
Here’s That Rainy Day (left) features the same group as above … however, Four On Six (below) was recorded in England with Rick Laird on bass, Jackie Dougan playing drums, and Stan Tracey on piano.
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