Soft Winds / Cakewalk – Oscar Peterson & Joe Pass

In the simplest terms … Oscar Peterson plays more notes per measure than are able to be played with only 10 fingers and 88 keys.  But, he plays them just the same and makes it look easy!  Joe Pass is his perfect complement, as you’ll hear in both Cakewalk, also called ‘Noreen’s Nocturne’ (The top tune) and Soft Winds (The bottom one).  Notice the red circles on the music sheet … that’s what Peterson’s chart typically looks like and, if you are familiar with Oscar, you know how it sounds.

He is joined on both songs by Dave Young on bass, Martin Drew playing drums and of course the Pass magic on guitar.  Are these guys having fun, or what??

The Glenn Miller Orchestra Scandinavia

The Glenn Miller Orchestra Scandinavia, based in Stockholm Sweden, began operations July 1st 2010 with permission and authorization from Glenn Miller Productions in New York.  The band is led by Jan Slottenäs and, arguably, offers the finest reproduction of the original Glenn Miller sound anywhere.

Moonlight Serenade (The video above) became Glenn Miller’s signature song … opening and closing each performance of the band.  Below, Perfidia (Spanish for “perfidy”, meaning faithlessness, treachery or betrayal) is a throwback to the 1940s, replete with a vocal group that does The Modernaires proud.  In The Mood (Just below that) is a familiar tune for anyone who has ever seen a World War II movie!  While a frequently requested dance number for the Miller Band, it became closely associated with the war and the 40s era itself.    GMO Scandinavia primarily performs in Sweden, Norway, Denmark and Finland.  These videos were recorded at the Vasterås Concert Hall in Sweden, during 2015.

Doodlin’ / Airegin – Lambert, Hendricks & Ross

It’s no mystery why The Doodlin’ Song is so infectious when sung by Dave Lambert, Jon Hendricks and Annie Ross.  Many have performed it, but Lambert, Hendricks & Ross (Later Lambert, Hendricks & Bavan) own the franchise!

What do you get when you spell “Nigeria” backwards?  Would you believe Airegin, with some incredible scat singing by Dave and Jon!  Annie lays back here but discretely chimes in to round out the rich sound of these masters of Vocalese.

Cleo Laine, On Her Own

Born in a London suburb, Cleo Laine showed early singing talent, which was nurtured by her Jamaican father and English mother. She gained recognition in both jazz and pop, becoming known for her scat singing, evidenced here in Crazy Rhythm.

In Don’t Talk about me When I’m Gone Cleo uses her more than 3 octave vocal range to subtle advantage. Her big break came when she met composer, saxophonist  Sir John Dankworth in the 50s … they remained a team for most of her career..

Monk’s Dream – Mulgrew Miller

Recorded at the Tuscia in Jazz Festival, Ronciglione, Italy in 2006, Mulgrew Miller pays an exceptional tribute to Thelonious Monk by not wasting a single note in this memorable performance of Monk’s original tune.  Mulgrew is joined here by Buster Williams playing bass and Jimmy Cobb on drums.

Ron Carter – Mr. Bass Man

The Golden Striker is a tune by John Lewis of MJQ.  This arrangement has Ron Carter on double bass, Mulgrew Miller on piano and Bobby Broom playing guitar. The trio was recorded at Jazz Sous Les Pommiers in Caen France, June 3, 2011..

Want to hear an amazing bass line?  Here’s My Funny Valentine with Ron Carter performing the jaw-dropping bass chores, Art Farmer guesting on trumpet, Billy Higgins on drums and Cedar Walton playing piano at Sweet Basil in 1990.

D&E Blues / Monterey Mist – Modern Jazz Quartet

The Modern Jazz Quartet performed and recorded jazz, off and on, for some 45 years between 1952 and 1997.  As with any group of musicians there were occasional personnel changes but the core group remained for most of that time.  The personnel probably most frequently identified with MJQ are John Lewis at the piano, Milt Jackson on vibes, Percy Heath playing bass and Connie Kay on drums.  These are the artists on both D&E Blues, written by John Lewis and Monterey Mist, a Milt Jackson composition.

D&E Blues, the tune on top, offers the texture and tempo we have become accustomed to with this group … easy going, smooth and relaxing.  Monterey Mist, on the other hand, provides a seriously cooking contrast by MJQ that has the recipe to make even the casual jazz listener sit up and smile!

Bill Evans – Debby And The Prince

When you say the word “piano” you might as well say “Bill Evans” because they are one in the same. The only criticism I’ve heard of Bill is that he didn’t have “chops” … obviously uttered by someone who hadn’t heard Someday My Prince Will Come.

Forming the trio on Waltz For Debby, as well as on ‘Prince’ is Bill Evans playing piano, Larry Bunker on drums and Chuck Israels on bass.   Waltz for Debby is one of those tunes almost as closely associated with Evans as the word “piano’!

Night Life / Ol’ Man River – Maynard Ferguson

Maynard Ferguson was the poster boy for musical evolution … from playing high notes that only dogs could hear with the Kenton Orchestra to his own big bands in the fifties and sixties, to popular tunes and disco stylings during the 1970s and beyond.  Beneath it all was always a foundation of solid jazz but my favorite period was the Ferguson orchestra between 1959 and approximately 1965, featuring Willie Maiden with his untamed tenor solos and unusually creative arrangements that fit Maynard’s powerful ensemble to a tee!  Then there were the compositions and occasional injection of Slide Hampton’s talents on the tuba and flugelhorn, along with his renowned prowess with the trombone.  Rufus “Speedy” Jones on drums rounded out the band’s driving sound, as he did in the latter half of the decade with the Basie and Ellington orchestras.

Night Life

by Maynard Ferguson | A Message From Birdland

Night Life is a low key Slide Hampton arrangement that features a more mellow Maynard on the uncommon valve trombone rather than playing dog-whistle notes on his trumpet.  A Message From Birdland was the second jazz album I ever bought and the one that got me hooked on Ferguson big bands for life.  Ol’ Man River is an arrangement that I suspect would make Jerome Kern and Oscar Hammerstein proud.  They would most certainly take notice right from the solo baritone sax lead-in by Frank Hittner.  As the tune rolls on, you can almost hear the paddle wheel churning up the water!