Christmas With Dean Martin, Frank Sinatra & Seal

The earliest known recorded version of Santa Claus Is Comin’ To Town was by banjoist Harry Reser and his band on October 24, 1934.  This 2017 version has British singer-song writer Seal performing a duet with Ol’ Blue Eyes himself, through the miracle of modern technology.  It’s seamless, it swings, it’s great!

It’s A Marshmallow World is an excerpt from Dean Martin’s star-studded 1968 Christmas Special, featuring Dean and a few of the fetchingly beautiful girls he likes to surround himself with … constantly.  While Deano is largely thought of as a pop crooner, he is a talented, versatile entertainer [a member of the ‘Rat Pack’] and a performer who definitely adds to the many colors of Christmas!

Just Call Her Deedles

You’d Be So Nice To Come Home To is from a live 2005 Seattle (DVD) concert entitled “Deedles Is My Name”.  Diane Schuur is backed by Maynard Ferguson and his powerful Big Bop Nouveau Band, although many of the songs feature the more intimate setting of a quartet.  It’s fascinating to hear Diane trade riffs with Maynard, mimicking his exuberant, high-flying sound.

Billy Joel’s New York State Of Mind, featuring Diane together with the sensuous sax of Stan Getz, was first released as a 45 RPM single and on her “Deedles” album with Dave Grusin in 1984… then again on her “Best Of” album in 1995.  Below you’ll hear the original 45 release, nostalgic clicks, pops and all.  By the way if you ever wondered where Diane Schuur’s nickname “Deedles” came from, it was an affectionate name her mother called her as a child and it just sort of stuck!

New York State Of Mind

by Diane Schuur | Original 45 RPM Single

The Wonderful World of Satchmo

If the world ends someday, this song will be the credits.  What A Wonderful World was first recorded and popularized by Louis Armstrong in 1967.  Although there have been many recordings by other significant performers, Satchmo’s rendition continues to stand above the others.  This arrangement is a mellow jazz instrumentation rather than the more common version with strings.  While it isn’t really a jazz tune, I defy anyone to tell me it shouldn’t be included here.

In 1965 The Cold War was raging and the Berlin Wall stood strong, not to keep people out, but to keep people in!  On March 22nd, despite the political tensions and human oppression, the ambassador of jazz Louis Armstrong, gave a legendary concert in East Berlin at the Friedrichsstadt Palast.  The bottom two videos, Mack The Knife and When The Saints Go Marching In are just two of the powerful performances from that evening.

In A Mellow Mood – Dianne Reeves

Through the years, the definitive version of One For My Baby (And One More For The Road) has been associated with Frank Sinatra … but Dianne Reeves gives ‘Old Blue Eyes’ a run for his money on this one.  It’s from her 2008 appearance at the Jazzopen Music Festival in Stuttgart, Germany.  Her band is comprised of Peter Martin on piano, Peter Sprague playing guitar, James Genus on bass, and Kendrick Scott on drums.  Even with all of the energy Reeves typically puts into her performances, she has a lower, slower gear … and I’ve selected two of my more mellow favorites from her live concerts.

Stormy Weather was taken from Dianne’s 2012 performance at Jazzwoche Burghausen, also Germany.  It’s a jazz/pop standard that she infuses with anything but a standard feeling … featuring Peter Martin at the piano, Romero Lubambo on guitar, Reginald Veal on bass, and Terreon Gully playing drums behind the vocal instrumentation of Ms. Reeves.

Old Blue Eyes On Stage

In 2003 a concert was held for Dismas House in St. Louis Missouri, the first halfway house in the country.  It featured The Rat Pack … Frank Sinatra, Dean Martin and Sammy Davis Jr. performing at their relaxed, professional finest!  The Count Basie Orchestra, led by Quincy Jones, provided much of the accompanying music.

I’ve chosen to highlight Sinatra in this video and selected Get Me To The Church On Time and Luck Be A Lady Tonight from the concert, because their performances are so very, very Sinatra.  Old Blue Eyes’ ability to make a song his own is one of the elements that makes him so appealing and these tunes so enjoyable.  Now … someone tell me that Frank is not actually jazz or that he doesn’t swing and I’ll be glad to send you some polka records!

Cleo Laine, On Her Own

Born in a London suburb, Cleo Laine showed early singing talent, which was nurtured by her Jamaican father and English mother. She gained recognition in both jazz and pop, becoming known for her scat singing, evidenced here in Crazy Rhythm.

In Don’t Talk about me When I’m Gone Cleo uses her more than 3 octave vocal range to subtle advantage. Her big break came when she met composer, saxophonist  Sir John Dankworth in the 50s … they remained a team for most of her career..

September Song / 2:19 Blues – Wynton Marsalis & Sarah Vaughan

To open we have three musical icons, Wynton Marsalis and Sarah Vaughn teaming up to present the classic September Song The third legendary artist is John Williams conducting the Boston Pops Orchestra … or is that four musical icons? 

Next Wynton is in Marciac France with his Septet in another live performance.  2:19 Blues was recorded in 2015 and features Marsalis doubling on trumpet and handling vocals … together with Walter Blanding and Victor Goines playing saxophones, Sam Chess on trombone, Dan Nimmer at the piano, Carlos Henriquez with his bass, and Jason Marsalis on drums.  It’s down and dirty blues at its best!

Minnie The Moocher – Cab Calloway & ‘Betty Boop’

Cab Calloway was one of the most colorful and popular entertainers of the 30s and 40s.  Calloway hit the big time with “Minnie the Moocher” (1931) … a number one song that sold more than a million copies. The tune’s famous call-and-response “hi-de-hi-de-ho” chorus was first improvised when Cab couldn’t remember a lyric and it became his signature phrase for the rest of his career.  His abundant scat-singing was perfected with coaching from none other than Louis Armstrong, the master of non-lyric lyrics.

Move over Michael Jackson because Cab Calloway was more than just a singer and bandleader.  His ‘dance’ moves, including early moonwalking, were so popular with the crowd that he became a regular at Harlem’s Cotton Club.  Cab’s moves were accurately captured on film for a 1932 ‘Betty Boop’ cartoon, as demonstrated in the video below!  Michael J. may have popularized such gyrations during the 60s and 70s but Calloway came first!

Frank and Ella Perfect Together

Frank Sinatra said Ella Fitzgerald was the best singer (male or female) he ever heard and the only one who made him nervous to sing with, because he had to be up to her standards. Two legends and only one word to describe them:  Respect!   Frank even lets Ella dominate their performances to showcase her greatness.  He was always the gentleman. Talent like Frank and Ella are extinct now and nobody comes close to them … not then, not now. 

It was 1967 and both singers were in their prime on That’s Why The Lady Is A Tramp!  At one point they respectfully bow to each other, since hugging was not yet a public possibility … still they managed it, lyrically.

Frank may have met his match on Moonlight In Vermont and he knew it.  You can tell by the way he looks at her while they’re singing.  They sound so perfect, I wish they had made an album together.

What Are You Doing New Years Eve – Diana Krall & Seth MacFarlane

When you find two people who ask the eternal question with such passion, with such tenderness and longing, is it fair to keep them apart?  Rather than posting two videos, I thought I would at least join them lyrically as best I could into one … and ask Diana Krall and Seth MacFarlane to convey my sincerest wishes for a most healthy, happy and prosperous New Year!  By the way, What Are You Doing New Years Eve?