Byrd In Hand

Cristo Redentor

by Donald Byrd | A New Perspective

Donald Byrd was considered one of the finest hard bop trumpeters of the post-Clifford Brown era. He recorded prolifically as both a leader and sideman from the mid-’50s into the mid-’60s and established a reputation as a solid stylist, with a clean tone and clear articulation. Toward the end of the 1960s, Byrd experimented with funk, fusion, and even dipped a toe into the waters of gospel. Jazz purists utterly despised it, but enraptured fans regard it as some of the most innovative, enduring work of its kind.

Cristo Redentor is reflective of his father’s ministerial influence, and features Byrd on trumpet, Hank Mobley on tenor sax, Herbie Hancock playing piano, Lex Humphries at the drums, Butch Warren on bass, Donald Best on vibes, and Kenny Burrell playing guitar –– talk about a stellar lineup!  (Below) the video is Stevie Wonder’s You’ve Got It Bad Girl, with Donald Byrd playing flugelhorn and trumpet; Fonce Mizell, trumpet; Allan Barnes, tenor and flute; Nathan Davis, soprano sax; Kevin Toney, electric piano; Larry Mizell, synthesizers; Barney Perry, electric guitar; Henry Franklin, electric bass; Keith Killgo, drums, and Ray Armando, congas and percussion –– all recorded live at Montreux on July 5th, 1973.

 

SCJME Meets The NY Voices

The South Carolina Jazz Masterworks Ensemble is a powerful 18 piece orchestra, comprised of the most outstanding jazz musicians, soloists, arrangers, and bandleaders from across the Carolinas. The group was created to perform the original American art form at the highest artistic level … and they consistently succeed in their mission, concert after amazing concert!  A few weeks ago, we had the pleasure of attending yet another in their regular series of performances, as they were joined by the New York Voices.   Although the quality is marginal, having been recorded from the audience with my iPhone, I couldn’t help but share a few bits and pieces of that musical evening here at The Mark of Jazz. It was much too enjoyable to simply leave the echoes hanging in the air over row ‘G’ seat 15!

The top video is the 1936 Louis Prima tune, Sing, Sing, Sing, followed by 3 audio segments, including a SC Jazz Masterworks Ensemble instrumental of a 1959 Frank Foster original, from the Count Basie album Chairman Of The Board.  The bottom video features everyone––including the audience––and closed the concert with the mildly raucous, Smack Dab in the Middle.

Sun Valley Serenade

The Glenn Miller Orchestra appeared in only two movies, the first of which was “Sun Valley Serenade” in 1941.  Chatanooga Choo-Choo (top) and a colorized version of In The Mood (lower) are both from that film.  “Chattanooga Choo-Choo” features a lot more than just the band, with performances by the Nicholas Brothers, The ModernairesDorothy Dandridge, and skating star Sonja Henie.  The song, which was nominated for a best song Oscar, was inducted into the Grammy Hall of Fame in 1996, and was awarded the first Gold Record for sales of 1.2 million.

“In The Mood” was one of the best known tunes of the 1940s and was the biggest hit of Glenn Miller’s career … helping to make him the top bandleader in the world!  By the way, the other movie that featured the Miller Band was called “Orchestra Wives” the following year, in 1942.

Transitions – Jon Hendricks/LH&R

Vocalese is a technique by which a jazz singer adapts the human voice to an instrument. In 1957, Dave Lambert, Jon Hendricks and Annie Ross –– LH&R –– applied the style beyond the usual intimacy of a small combo, to full big band arrangements … with special emphasis on music of the Count Basie Orchestra. Lambert, Hendricks and Ross’ 1961 treatment of Four (Above) is a classic example.

From 1962 to 1964, Yolande Bavan replaced Ross and they became Lambert, Hendricks and Bavan. After the group disbanded in 1966, Jon Hendricks continued to perform into the mid-1980s, with the ultimate incarnation of Jon Hendricks and Company, consisting of his wife Michele, Daughter Judith and vocalist Bob Gurland. Their 1982 rendition of Count Basie’s Jumpin’ At The Woodside (Below) testifies to Hendricks’ enduring excellence and dedication to this unique musical genre.

Rat Pack Rides Again!

It was 1965 in St. Louis and The Rat Pack performed Birth Of The Blues live as only Frank Sinatra, Dean Martin and Sammy Davis Jr. could.  However, you may notice one new member of the group for this particular performance … Johnny Carson!  Actually, he held up his end pretty well and his voice wasn’t terrible either.  Great song, fast company and some unforgettable shtick.

We Need A Little Christmas

‘Tis the season to be snowy!  New York Voices is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that came before, such as Lambert, Hendricks and Ross, Singers Unlimited, Manhattan Transfer and, of course, The Four Freshmen, they have learned from the best and taken their musical form to new levels.  I couldn’t resist adding some visuals to their marvelous rendition of the Sammy Cahn – Jule Styne tune, Let It Snow … written in July 1945!

Marshmallow World may not be jazz, but it is definitely Christmas … and these two characters are definitely Dean Martin and Frank Sinatra (in a 1967 TV special).

Finally, I have brought The Christmas Show forward from our Jazz Scene Podcast page.  May you enjoy every minute of this musical Christmas card and have the Merriest of all Christmases with the ones you love!

The Christmas Show

by Fred Masey | Jazz Scene Podcast

My Way – The Three Tenors

The Three Tenors?  Jazz?  Well, when you add Frank Sinatra to the mix and understand the musical reverence they have for him, it begins to make sense.  In July 1994, José Carreras, Plàcido Domingo, and Luciano Pavarotti, together with conductor Zubin Mehta and The L.A. Philhrmonic, performed “A Tribute to Hollywood” medley at their legendary concert at the Los Angeles Dodger Stadium.  Old Blue Eyes was in attendance and his reaction to the trio’s uniquely tender rendition of My Way demands that I share this with you.

The Glenn Miller Orchestra Scandinavia

The Glenn Miller Orchestra Scandinavia, based in Stockholm Sweden, began operations July 1st 2010 with permission and authorization from Glenn Miller Productions in New York.  The band is led by Jan Slottenäs and, arguably, offers the finest reproduction of the original Glenn Miller sound anywhere.

Moonlight Serenade (The video above) became Glenn Miller’s signature song … opening and closing each performance of the band.  Below, Perfidia (Spanish for “perfidy”, meaning faithlessness, treachery or betrayal) is a throwback to the 1940s, replete with a vocal group that does The Modernaires proud.  In The Mood (Just below that) is a familiar tune for anyone who has ever seen a World War II movie!  While a frequently requested dance number for the Miller Band, it became closely associated with the war and the 40s era itself.    GMO Scandinavia primarily performs in Sweden, Norway, Denmark and Finland.  These videos were recorded at the Vasterås Concert Hall in Sweden, during 2015.

Doodlin’ / Airegin – Lambert, Hendricks & Ross

It’s no mystery why The Doodlin’ Song is so infectious when sung by Dave Lambert, Jon Hendricks and Annie Ross.  Many have performed it, but Lambert, Hendricks & Ross (Later Lambert, Hendricks & Bavan) own the franchise!

What do you get when you spell “Nigeria” backwards?  Would you believe Airegin, with some incredible scat singing by Dave and Jon!  Annie lays back here but discretely chimes in to round out the rich sound of these masters of Vocalese.

Manhattan Transfer Christmas

SNOWFALL

A live performance of the arrangement from their best selling “The Christmas Album”.  It’s a rich blend of mellow harmonies that smoothly combine all four voices into one as only The Manhattan Transfer can do.

SANTA CLAUS IS COMING TO TOWN

A swingin’ start to the Christmas season that celebrates the upbeat mood, magic and merriment of the jolly old elf … as if he is just around the corner.  Actually, he is!