Jammin’ with Cozy Cole

Cozy Cole was a free-wheeling drummer who made his mark in the world of jazz with some of the top bands of the 1930s and 40s. He continued to perform into the 70s in a variety of settings, alongside names like Jonah Jones, Stuff Smith, and Cab Calloway.  Because of his aggressive style, Cole is often cited as an influence by many of our contemporary rock drummers.

In my “What About Dat” page here at Mark of Jazz, I talk about one music genre crossing over to another. There is probably no better example than Cozy Cole’s 1958 hit recordings of Topsy Part 1 that made it to #27 on the Billboard Hot 100, and Topsy Part 2 that made it all the way to #3 … #1 on the Billboard Rhythm & Blues Chart, staying atop the latter for six weeks!  The original version of both tunes can be heard below, with a wonderfully laid back after hours jam session inbetween.  It begins with some simple blues, culminating with Coleman Hawkins joining Cole and the quartet for a captivating rendition of Lover Man (Where Can You Be).  The players are Cozy Cole (d), Coleman Hawkins (ts), Johnny Guarnieri (p), Barry Galbraith (g), and Milt Hinton (b).

 

Symphony In Black – Duke Ellington

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.

The Joy of Samara

I have only two words for you … Samara Joy.  Samara is a marvelous young jazz singer from a musical family in the Bronx New York, who has an incredibly bright future and might even out-Ella Ella one of these days!  Samara’s album “Linger Awhile,” was released in September 2022, winning the award for Best Jazz Vocal Album, and she also won Best New Artist at the 2023 Grammy Awards.

The first tune (top) is the Billy Strayhorn tune Lush life … one of my perennial favorites.  Next (middle left) listen to her impeccable phrasing on Can’t Get Out of This Mood, followed by Lady Be Good (middle right) as she channels Ella and adds a few ear-popping twists of her own.  Finally Samara’s poignant video of Guess Who I Saw Today (bottom), a song originally composed for the Broadway musical revue New Faces of 1952She was a new face on the jazz scene in 2021, now at the tender age of 24, if she stays on the straight-and-narrow this chanteuse is going places!  Currently, she is touring the globe.

Pop Music’s Favorite Jazz Pianist

After recording more than 80 albums, and collecting 3 Grammy awards, plus 5 Gold Records, Ramsey Lewis remained a major figure in contemporary jazz until his death just last year at age 87.

While his award-winning 1965 recording of “The In Crowd” established him on the pop charts, his Sun Goddess album remains one of his most sought after by pop music and jazz fans alike.  Both of these selections are live performances of tunes from that album –– beginning with the video of Stevie Wonder’s Living for the City (topmost).

This is Sun Goddess, the title song from the album.  It features Ramsey on piano, Henry Johnson playing guitar, Chuck Webb on bass, Steve Cobb on drums and Mike Logan at the keyboards.

Another Auld Lang Syne

Since our first posts back in 2017, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and more than a little hectic, I thought we could all use a few gentler moments to ring in 2023.

In the video, Diana Krall quietly wonders What Are You Doing New Years Eve … while you can close your eyes and see the snowy evening and crackling fire as Ray Charles tries to make the case for Betty Carter to stick around because, Baby It’s Cold Outside

Baby It's Cold Outside

by Ray Charles & Betty Carter | Ray Charles and Betty Carter

Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  It’s a jazzy adventure that answers questions about the tune that has played with people’s heads for generations.  Speaking of generations, we even have a nostalgic visit with Fay Wray … the lady who monkeyed around with that big ape in the ORIGINAL 1933 classic King Kong!

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS NEW YEAR … and hoping that you thoroughly enjoy our little MOJ celebration!

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

A Backward Glance

Every year, year after year, we sing the words but almost no one knows what they mean.  A bit of research indicates that Auld Lang Syne roughly translates to “Times gone by” or “Sake of old times.”   So, rather simply, when we raise our glasses on New Years Eve and drink to those thrilling days of yesteryear, the song actually fits!

While it’s okay to look back, be careful not to stare.  Remember we are celebrating “out with the old and in with the new” not the other way around.  Here, Kenny G and his soprano sax accompany an historical retrospective, to which I’ve added a look of time travel at the open, to welcome the changing of the calendar … and wish you a happy, healthy, prosperous New Year!

The Nutty Squirrels Got Jazz

Wel-l-l, it’s not exactly your everyday sound, although they do swing a sort of traditional scat.  No, they’re not exactly Mel Torme or Ella Fitzgerald — or even Barry Fitzgerald — but the unique jazz stylings of The Nutty Squirrels are guaranteed to bring a smile to your face and provide a slightly skewed break from the everyday pressures and tensions of life. I thought an adventure into the bazaar might be just the ticket to tickle your silly hormones … and these guys can actually be addictive in a ‘kids of all ages’ kind of way.

The video, Uh-Oh is a kicky little tune to which I added some visuals just for the fun of it.  You’ll hear Charlie Parker’s familiar Yardbird Suite just below that. Both selections feature Don Elliott on vocals, trumpet, vibes and other instruments, plus Alexander “Sascha” Burland on vocals. Among the New York based session musicians are Cannonball Adderley on alto sax, Bobby Jaspar on flute and Sam Most playing clarinet.

 

Yardbird Suite

by The Nutty Squirrels | Bird Watching

Sharky’s Machine

Sharky’s Machine is a brutal, hard-boiled crime drama starring Burt Reynolds as a burned-out Atlanta cop transferred to the absolute slime hole of Atlanta’s vice department, after a drug deal turns sour.  It’s a very different role for Reynolds from the more lovable, buffoonish roles we have come to know.  The soundtrack that drives the movie is superb, featuring Randy Crawford, Manhattan Transfer, The Crusaders, Sarah Vaughan, Joe Williams, Chet Baker, Peggy Lee and more!

In the top video I’ve combined the opening title sequence for the movie (1981) with a live performance of Street Life, by singer Randy Crawford and The Crusaders in 2003 at Montreux … including founder Joe Sample on piano and Ray Parker, Jr. on guitar.  This is followed by two tunes from the soundtrack album, 8 To 5 I Lose by Joe Wiliams and My Funny Valentine by the very sultry Julie London.  Topping things off is The Manhattan Transfer with, arguably, the most outstanding version they’ve recorded of Route 66.  So, take a listen and get your kicks!

8 To 5 I lose

by Joe Williams | Soundtrack From Sharky's Machine

My Funny Valentine

by Julie London | Soundtrack From Sharky's Machine

D-Day – Danny Boy

On June 6th 1944, 76 years ago, a bunch of mostly American and Brit kids saved the world from Nazism and preserved the freedom we, now, seem so ready to relinquish. Danny Boy seemed the right mood and Glenn Miller the right orchestra for a salute to all those heroic members of The Greatest Generation who so willingly made the ultimate sacrifice for liberty and justice for all.

What Are You Doing New Years Eve – Diana Krall & Seth MacFarlane

When you find two people who ask the eternal question with such passion, with such tenderness and longing, is it fair to keep them apart?  Rather than posting two videos, I thought I would at least join them lyrically as best I could into one … and ask Diana Krall and Seth MacFarlane to convey my sincerest wishes for a most healthy, happy and prosperous New Year!  By the way, What Are You Doing New Years Eve?