It’s Christmas!

Arguably, the greatest Christmas movie ever made is Irving Berlin’s star-studded White Christmas.  The video (above) is the grand finale from that motion picture, guaranteed to catapult you into the Christmas spirit … in case you’re not already there.  Bing Crosby and Rosemary Clooney appeared in full-throated splendor, while Vera Ellen––whose real strength was in her dancing––had her singing dubbed by a young lady named Trudy Stevens; the only exception was the “Sisters” duet, where Rosie Clooney sang both parts! Below (left) is Snow, another Irving Berlin tune specially written for the picture. Below (right) is the classic restaurant scene from A Christmas Story, where Ralphie and his family discover ‘Chinese turkey.’

Just (below), I have brought The Christmas Show forward from our Jazz Scene Podcast page … featuring songs for the season by Maynard Ferguson, Tony Bennett, The Swingle Singers, Mel Torme, Count Basie, The Gene Harris Quartet, Lou Rawls, The Manhattan Transfer, Kenny G, Billy Taylor, Carol Sloan, plus a few of my own thoughts about the magic of Christmas. Finally, at the (bottom) Kenny G takes a stroll down memory lane with clips from five of the best traditional holiday movies ever. There’s good reason they are viewed continually by millions every year … nothing compares, period! With Hollywood icons like Burgess Meredith and Jimmy Stewart in the background of Kenny’s gently nostalgic performance of Have Yourself a Merry Little Christmas, the experience is nothing less than pure emotional magic.

The Christmas Show

by Fred Masey | Jazz Scene Podcast

Admittedly, except for “The Christmas Show,” much of what you hear here may not be jazz … but IT’S CHRISTMAS! May you enjoy every minute of this uniquely wonnnderful time of year, and have the Merriest of all Christmases with the ones you love!

Power of the Pen –– Sound of the Horn

Terence Blanchard is jazz royalty—trumpet player, bandleader, film score composer, and recording artist, all rolled into one. Terence is an alumnus of the Berklee College of Music, the premier institute of the performing arts, along with such notables as Quincy Jones, Diana Krall, as well as any number of other Grammy-winning engineers, producers, and instrumentalists across various musical genres. His close ties to Berklee revolve around teaching and mentoring rather than merely as an alumnus … that and similar educational involvements, in addition to his film scoring, may be the reason Blanchard hasn’t exactly become a household name.

In the early ‘90s Terence gained attention as a soloist, performing on Spike Lee’s Do the Right Thing and Mo’ Better Blues. He went on to score all of Lee’s subsequent films, including the Hurricane Katrina documentary, When the Levees Broke. Levees was originally part of the musical score, evocatively performed by Terence in the following video along with a forty piece orchestra!

The song I Cover the Waterfront was written by Johnny Green and Edward Heyman in 1933; it was inspired by Max Miller’s 1932 novel of the same name and a subsequent 1933 film. The Terence Blanchard rendition from his 1994 album, The Billie Holiday Songbook, features Terence on trumpet, Bruce Barth at the piano, Troy Davis playing drums, and Chris Thomas on bass.

I Cover the Waterfront

by Terence Blanchard | Billie Holiday Songbook

Sing Soweto is a New Orleans jazz and bop track released in 1991 on the album titled Terence Blanchard. The Soweto Uprising (or Rebellion) was a 1976 protest in South Africa, where thousands of Black students were killed in a march against the requirement they be instructed only in the Afrikaans language, which they strongly associated with the apartheid government. Blanchard’s trumpet and subtle chorus on the video (below) capture the pain of the struggle.

The Annual New Year’s Show

While it’s okay to look back, be careful not to stare. Remember we are celebrating “out with the old” and “in with the new.” To set the mood for The Holiday, I’ve brought Days of Auld Lang Syne forward from our Jazz Scene Podcast page. It features everything from a peek at the great dance bands of the 30s and 40s, to my interview with Fay Wray –– the lady who did all that screaming in the classic horror film “King Kong” –– and, at last, a reasonable explanation of just what the heck Auld Lang Syne actually means. All this is to offer my sincerest wishes for a most Happy, Healthy, and Prosperous New Year!

Days Of Auld Lang Syne

by Fred Masey | Podcast #018

First, I’ve blended together some wintry pictures to accompany the spirited New York Voices rendition of the classic Let It Snow … written by Sammy Cahn and Jule Styne during a heatwave in July 1945! Next, Kenny G returns with Auld Lang Syne as the background for an historical retrospective, to which I’ve added an opening door to infinity that signals the perpetual changing of the calendar.

Jammin’ with Cozy Cole

Cozy Cole was a free-wheeling drummer who made his mark in the world of jazz with some of the top bands of the 1930s and 40s. He continued to perform into the 70s in a variety of settings, alongside names like Jonah Jones, Stuff Smith, and Cab Calloway.  Because of his aggressive style, Cole is often cited as an influence by many of our contemporary rock drummers.

In my “What About Dat” page here at Mark of Jazz, I talk about one music genre crossing over to another. There is probably no better example than Cozy Cole’s 1958 hit recordings of Topsy Part 1 that made it to #27 on the Billboard Hot 100, and Topsy Part 2 that made it all the way to #3 … #1 on the Billboard Rhythm & Blues Chart, staying atop the latter for six weeks!  The original version of both tunes can be heard below, with a wonderfully laid back after hours jam session inbetween.  It begins with some simple blues, culminating with Coleman Hawkins joining Cole and the quartet for a captivating rendition of Lover Man (Where Can You Be).  The players are Cozy Cole (d), Coleman Hawkins (ts), Johnny Guarnieri (p), Barry Galbraith (g), and Milt Hinton (b).

 

Symphony In Black – Duke Ellington

In September 1935, Paramount Pictures released a nine-minute movie that was particularly remarkable for the times … Symphony In Black: A Rhapsody of Negro Life.  It was one of the earliest cinematic explorations of African-American culture made for a mass audience.  It features Duke Ellington and his orchestra performing ‘The Duke’s’ first extended composition, “A Rhapsody of Negro Life”.   Just as noteworthy, it stars Billie Holiday in her first filmed performance.

The film represents a landmark in musical, cultural, and entertainment history and is a member of the first generation of non-classically arranged orchestral scores.   Perhaps most significantly, Symphony In Black is one of the first films written by an African-American, describing African-American life, to achieve wide distribution.

The Joy of Samara

I have only two words for you … Samara Joy.  Samara is a marvelous young jazz singer from a musical family in the Bronx New York, who has an incredibly bright future and might even out-Ella Ella one of these days!  Samara’s album “Linger Awhile,” was released in September 2022, winning the award for Best Jazz Vocal Album, and she also won Best New Artist at the 2023 Grammy Awards.

The first tune (top) is the Billy Strayhorn tune Lush life … one of my perennial favorites.  Next (middle left) listen to her impeccable phrasing on Can’t Get Out of This Mood, followed by Lady Be Good (middle right) as she channels Ella and adds a few ear-popping twists of her own.  Finally Samara’s poignant video of Guess Who I Saw Today (bottom), a song originally composed for the Broadway musical revue New Faces of 1952She was a new face on the jazz scene in 2021, now at the tender age of 24, if she stays on the straight-and-narrow this chanteuse is going places!  Currently, she is touring the globe.

Pop Music’s Favorite Jazz Pianist

After recording more than 80 albums, and collecting 3 Grammy awards, plus 5 Gold Records, Ramsey Lewis remained a major figure in contemporary jazz until his death just last year at age 87.

While his award-winning 1965 recording of “The In Crowd” established him on the pop charts, his Sun Goddess album remains one of his most sought after by pop music and jazz fans alike.  Both of these selections are live performances of tunes from that album –– beginning with the video of Stevie Wonder’s Living for the City (topmost).

This is Sun Goddess, the title song from the album.  It features Ramsey on piano, Henry Johnson playing guitar, Chuck Webb on bass, Steve Cobb on drums and Mike Logan at the keyboards.

Another Auld Lang Syne

Since our first posts back in 2017, Mark Of Jazz has treated entrance into the New Year nostalgically, even reverently.   With the current state of the world so uncertain and more than a little hectic, I thought we could all use a few gentler moments to ring in 2023.

In the video, Diana Krall quietly wonders What Are You Doing New Years Eve … while you can close your eyes and see the snowy evening and crackling fire as Ray Charles tries to make the case for Betty Carter to stick around because, Baby It’s Cold Outside

Baby It's Cold Outside

by Ray Charles & Betty Carter | Ray Charles and Betty Carter

Finally I have brought my Days Of Auld Lang Syne podcast forward from our Jazz Scene Podcast page. Auld Lang Syne is a song we all know and nearly always sing to say goodbye to the old year and welcome in the new … but what do those words mean?  It’s a jazzy adventure that answers questions about the tune that has played with people’s heads for generations.  Speaking of generations, we even have a nostalgic visit with Fay Wray … the lady who monkeyed around with that big ape in the ORIGINAL 1933 classic King Kong!

Here’s wishing you a HAPPY, HEALTHY and PROSPEROUS NEW YEAR … and hoping that you thoroughly enjoy our little MOJ celebration!

Days Of Auld Lang Syne

by Fred Masey | Jazz Scene Podcast

A Backward Glance

Every year, year after year, we sing the words but almost no one knows what they mean.  A bit of research indicates that Auld Lang Syne roughly translates to “Times gone by” or “Sake of old times.”   So, rather simply, when we raise our glasses on New Years Eve and drink to those thrilling days of yesteryear, the song actually fits!

While it’s okay to look back, be careful not to stare.  Remember we are celebrating “out with the old and in with the new” not the other way around.  Here, Kenny G and his soprano sax accompany an historical retrospective, to which I’ve added a look of time travel at the open, to welcome the changing of the calendar … and wish you a happy, healthy, prosperous New Year!

The Nutty Squirrels Got Jazz

Wel-l-l, it’s not exactly your everyday sound, although they do swing a sort of traditional scat.  No, they’re not exactly Mel Torme or Ella Fitzgerald — or even Barry Fitzgerald — but the unique jazz stylings of The Nutty Squirrels are guaranteed to bring a smile to your face and provide a slightly skewed break from the everyday pressures and tensions of life. I thought an adventure into the bazaar might be just the ticket to tickle your silly hormones … and these guys can actually be addictive in a ‘kids of all ages’ kind of way.

The video, Uh-Oh is a kicky little tune to which I added some visuals just for the fun of it.  You’ll hear Charlie Parker’s familiar Yardbird Suite just below that. Both selections feature Don Elliott on vocals, trumpet, vibes and other instruments, plus Alexander “Sascha” Burland on vocals. Among the New York based session musicians are Cannonball Adderley on alto sax, Bobby Jaspar on flute and Sam Most playing clarinet.

 

Yardbird Suite

by The Nutty Squirrels | Bird Watching