Jumpin’ Blues / Greensleeves – Kenny Burrell

Kenny Burrell and Jimmy Smith were a “dynamic duo” on many jazz recordings throughout the years, mostly albums headlined by Jimmy.  Jumpin’ Blues, recorded at NYC Town Hall in February of 1985, can be found on Smith’s blockbuster album Midnight Special.  It features Kenny Burrell on guitar, Jimmy Smith playing  the Hammond B-3, Grady Tate on drums and adds Stanley Turrentine on tenor sax to add yet another dimension to the already potent trio.

Greensleeves was recorded 20 years earlier in 1965 and netted Gil Evans a Grammy Award nomination in 1966 for Best Instrumental Arrangement.  The album itself was nominated for Best Instrumental Jazz Performance.  Burrell is on guitar, with Roger Kellaway on piano, Grady Tate at the drums, Willie Rodriguez on conga and Joe Benjamin playing double bass.  The tune starts out like a lamb, as you would expect, and morphs into a very swinging lion before all is said and done!

 

Here’s To The People / I’m An Old Cowhand – Sonny Rollins

For nearly 70 years, Sonny Rollins has been one of the most influential saxophonists in jazz. Like Miles Davis, he has experimented with many different sounds and evolved through several stylistic periods … but I prefer his more straight ahead stuff the most, as exemplified here.

Here’s To The People is an original tune, recorded live in 1992 at the Philharmonic Hall in Munich, Germany. Sonny’s sextet includes Clifton Anderson on trombone, Mark Soskin at the piano, Jerome Harris on electric guitar, the great Bob Cranshaw on electric bass, and Yoron Israel playing drums. If you like a driving tenor sax, this one’s for you!

I’m An Old Cowhand incorporates Rollins and a couple of the most innovative collaborators in jazz, with a highly creative effort that will take you back to the cowboy movies of your kidhood. Listen for Shelly Manne on drums and Ray Brown on bass escorting you across musical lines to the days of Bob Steele, Lash LaRue and Johnny Mack Brown!

Two Tenors – John Coltrane & Stan Getz

Ballads.  Put your feet up on a rainy Sunday afternoon and let the music wash away the week.  In a rare appearance together, John Coltrane and Stan Getz were actually supposed to be playing Autumn In New York … but it’s the one tune they don’t play!  The medley they do play consists of Autumn Leaves, What’s New and Moonlight In Vermont.  Besides Coltrane and Getz on tenors, Wynton Kelly is at the piano, Paul Chambers is on bass and Jimmy Cobb plays the drums.

Unsquare Dance – Dave Brubeck

Unsquare Dance is a song written by Dave Brubeck in 7/4 time … a most unusual time signature that seems to be as much fun to play as it is to hear!  Brubeck recorded the video for PBS broadcast in 2001, live with the London Symphony Orchestra.  His son Chris appears at the piano as well.  Below that is the original 1961 recording of Unsquare Dance by Dave and his quartet.  If you listen closely at the end, drummer Joe Morello sighs relief from the intensity of the tune with a quiet laugh and a “Yaaa!”

Unsquare Dance

by Dave Brubeck Quartet | Time Further Out

Soft Winds / Cakewalk – Oscar Peterson & Joe Pass

In the simplest terms … Oscar Peterson plays more notes per measure than are able to be played with only 10 fingers and 88 keys.  But, he plays them just the same and makes it look easy!  Joe Pass is his perfect complement, as you’ll hear in both Cakewalk, also called ‘Noreen’s Nocturne’ (The top tune) and Soft Winds (The bottom one).  Notice the red circles on the music sheet … that’s what Peterson’s chart typically looks like and, if you are familiar with Oscar, you know how it sounds.

He is joined on both songs by Dave Young on bass, Martin Drew playing drums and of course the Pass magic on guitar.  Are these guys having fun, or what??

Ron Carter – Mr. Bass Man

The Golden Striker is a tune by John Lewis of MJQ.  This arrangement has Ron Carter on double bass, Mulgrew Miller on piano and Bobby Broom playing guitar. The trio was recorded at Jazz Sous Les Pommiers in Caen France, June 3, 2011..

Want to hear an amazing bass line?  Here’s My Funny Valentine with Ron Carter performing the jaw-dropping bass chores, Art Farmer guesting on trumpet, Billy Higgins on drums and Cedar Walton playing piano at Sweet Basil in 1990.

D&E Blues / Monterey Mist – Modern Jazz Quartet

The Modern Jazz Quartet performed and recorded jazz, off and on, for some 45 years between 1952 and 1997.  As with any group of musicians there were occasional personnel changes but the core group remained for most of that time.  The personnel probably most frequently identified with MJQ are John Lewis at the piano, Milt Jackson on vibes, Percy Heath playing bass and Connie Kay on drums.  These are the artists on both D&E Blues, written by John Lewis and Monterey Mist, a Milt Jackson composition.

D&E Blues, the tune on top, offers the texture and tempo we have become accustomed to with this group … easy going, smooth and relaxing.  Monterey Mist, on the other hand, provides a seriously cooking contrast by MJQ that has the recipe to make even the casual jazz listener sit up and smile!

Akiko Tsuruga & Lioness

Lioness is a collective of six very jazzy ladies from New York City, whose mission is to inspire and educate by sharing music created by past and present women of jazz.  Most members of the band have been headlining artists at Dizzy’s Club … saxophonists Lauren Sevian and Alexa Tarantino have also worked extensively with the Jazz at Lincoln Center Orchestra with Wynton Marsalis.  Their music has been called “post-bop” but to me it’s just wonderfully surprising and needs no other label than cool!

While the exciting organist Akiko Tsuruga more or less drives the ensemble with her Hammond B-3, watching the most able Lauren Sevian deftly handle the huge baritone sax is a sight to see … and most especially to hear!  Akiko is front and center in the second video in a live performance with a very funky quartet, which includes the incomparable Lou Donaldson on alto.

Funky Girl by Lioness features Akiko Tsuruga on organ, Lauren Sevian on the barry, Alexa Tarantino playing alto, Jenny Hill on tenor, Amanda Monaco, guitar and Sylvia Cuenca on drums,

On Alligator Bogaloo we hear Akiko Tsuruga at the Hammond, Randy Johnston on guitar, Fukushi Tainaka on drums and Lou Donaldson playing alto. The tune is from Lou’s 1967 album of the same name.

Eric’s Gale / Moonlight In Vermont – Houston Person

As one of the unsung heroes of the tenor sax, Houston Person’s role in life seems to be as a show stopper and spotlight stealer, whether performing live or recorded.  Eric’s Gale is one of those occasions.  His silk and cement style added to the likes of Lonnie Smith on organ, Ron Carter at the bass and Grady Tate on drums makes you want to say “Wow!” and play it again, just to make sure Houston really did that.

Eric's Gale

by Houston Person, Eric Gale | In A Jazz Tradition

Moonlight In Vermont is a standard but Houston Person‘s incredible solo is anything but!  It may be Joey’s album but, that evening, Person was once again a thief in the night.  In 1993 at The Five Spot Cafe in New York, he joined Joey DeFrancesco at the organ, Paul Bollenback with his guitar and Byron “Wookie” Landham playing drums to make a statement that teases legendary status. Personally, I’ve always liked what Houston has had to say.

Moonlight In Vermont

by Houston Person, Joey DeFrancesco | Live At The 5 Spot