The Virtual Patrice Rushen

In 2020, in the middle of a worldwide pandemic, pianist Patrice Rushen together with a trio of jazz giants doffed their masks and socially distanced in order to bring you a virtual jazz concert in a salute to The 25th Annual Central Avenue Jazz Festival in Los Angeles.  It’s a bit strange not hearing any cheers or applause … but the artistry and energy of the performers leaves no doubt that a live audience would have torn down the house!  The first song is Home Light, an original tune by Ernie Watts.  The bottom video is Shorty’s Portion, written by Patrice herself.

Both performances from the concert feature the dazzling Patrice Rushen at the piano, Reggie Hamilton on bass, Ernie Watts playing sax and Marvin “Smitty” Smith on drums.

Workin’ With The Miles Davis Quintet

Green Dolphin Street is from the landmark album Kind of Blue, which has been regarded by many critics as Davis’s masterpiece and one of the greatest jazz albums of all time.  It is a studio recording cut in 1959 featuring saxophonists John Coltrane and Julian “Cannonball” Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb.

The Dave Brubeck composition In Your Own Sweet Way is part of the album Workin’ With The Miles Davis Quintet.  Although recorded in 1956, it wasn’t released until January 1960.  Miles, of course, played trumpet, John Coltrane was on tenor sax, Paul Chambers on base, and Philly Joe Jones played drums.  To my ear, these were Miles Davis’ finest years.

On Green Dolphin Street

by Mies Davis | Kind Of Blue

In Your Own Sweet Way

by Miles Davis | Workin' With The Miles Davis Quintet

Blue And Bluesy – Joe Temperley

Although Joe Temperley’s name recognition is not as great as Gerry Mulligan or Pepper Adams, he is generally regarded to be one of the top ten greatest baritone sax players of all time.  Joe performed with everyone from Duke Ellington to Wynton Marsalis, and was an original member ofJazz At Lincoln Center”.  For 25 years, the baritone saxophone chair of the Jazz at Lincoln Center Orchestra was held by this ‘son of Scotland’, until his passing in 2016.  Temperley posted tons of credits to his Curriculum Vitae, especially with big bands: Thad Jones, Mel Lewis, Woody Herman, Buddy Rich, Clark Terry and — most notably — the Duke Ellington Orchestra.  Blue And Bluesy places him in a more intimate small group setting … in front of a large group audience!

2021 Jazz Masters Virtual Concert

On April 22, 2021, the National Endowment for the Arts, in collaboration with SFJAZZ, presented a virtual tribute concert celebrating the 2021 NEA Jazz Masters. Topsy, originally written for the Country Basie Orchestra is performed in the top video. It featured Wynton Marsalis on trumpet, Dan Nimmer playing piano, Vince Giordano on both guitar and bass, and Jason Marsalis playing drums.  For more background and the complete concert, click the link above.

Below is the Irving Berlin standard Cheek To Cheek, swung by Dee Dee Bridgewater, backed by the SFJAZZ High School All Stars Big Band. Yes, High School!

Straight, No Chaser / We’ll Be Together Again – Chick Corea – Pt. 2

Chick Corea and his Freedom Band played a 2010 concert in Marciac, France.  Two weeks ago I posted Part 1 from that landmark concert with a performance so compelling that I had to offer two more attention getting tunes.  Add trumpeter Roy Hargrove and Straight, No Chaser is a Thelonious Monk composition that really allows The Freedom Band to stretch out … while the old standard We’ll Be Together Again takes on new meaning with a potent sax solo by the great Kenny Garrett.

Steps – Chick Corea Freedom Band – Pt. 1

Christian McBride’s amazing opening bass solo flows into Chick Corea’s unmatched piano prowess on the tune called Steps.  Not to be outdone, Keith Jarrett’s sax soliloquy communicates the passion personified by drummer Roy Haynes, much to the delight of their audience and fellow musicians.  I’ve never been a particularly huge fan of jazz fusion but Chick and this 2010 concert in Marciac, France have captured enough of my attention to inspire a deeper dive into that genre.  Although Chick Corea left us in February (2021), his musical legacy has made an indelible mark on the international jazz scene.

Slow Freight – Junior Mance & Ray Bryant

Very few things are as addictive as salted peanuts … betcha’ can’t eat just one!  That’s why they employed two pianos and twenty golden fingers to perform the super bluesy Ray Bryant composition, Slow Freight.  The tune was recorded in 1993 for a Japanese TV special and features both Junior Mance and Ray Bryant on pianos, Bob Cranshaw on bass and Alan Dawson playing drums.

Two Of A Kind / Dat Dere – Art Blakey

Drummer Art Blakey and the 1989 version of his Jazz Messengers (with trumpeter Brian Lynch, tenor saxophonist Javon Jackson, trombonist Frank Lacy, pianist Geoff Keezer and bassist Buster Williams) celebrated the leader’s 70th birthday by welcoming back several notable alumni: trumpeters Freddie Hubbard and Terence Blanchard, altoists Jackie McLeanand Donald Harrison, tenors Wayne Shorter and Benny Golson, pianist Walter Davis Jr. and trombonist Curtis Fuller.  The opening song of that all star  performance was Two Of A Kind … and that set the tone for the next couple of hours.

The lower video features the original Jazz Messengers in 1961 with the slightly comedic Bobby Timmons tune Dat Dere … featuring Blakey on drums, the great Lee Morgan playing trumpet, Wayne Shorter on tenor sax, Bobby Timmons playing piano and Jymie Meritt on bass.

Oscar, Carmen and Dex

When it comes to sharing the spotlight, Oscar Peterson is the poster boy.  For example, at the Bern Jazz Festival in 1988 Oscar added several numbers by the incredible Carmen McRae … such as “Sometimes I’m Happy”.  Peterson played piano, naturally, while Dave Young was on bass and Martin Drew on drums to round out the trio.  In a more intimate setting back in 1969, the trio had Sam Jones playing drums and Bobby Durham on bass, and shared the spotlight with yet another superstar in the person of Dexter Gordon.  The tune is an uptempo arrangement of “You Stepped Out Of A Dream”.