Gettin’ Dizzy

by | Jun 30, 2024 | Big Band, Quartet/Quintet

John Birks Gillespie got the name “Dizzy” because of his offhand manner and outlandish antics. He got the unusual-looking bent-bell trumpet in 1953, when someone accidentally fell on his trumpet stand backstage. Gillespie liked the sound of the altered instrument so much that his trumpets were specially made in that configuration from then on. More than a jazz trumpet virtuoso, bandleader, composer, educator and singer, he was a civil rights advocate who participated in marches and protests … and even ran for president as a write-in candidate in 1964!

No More Blues (top) was taken from a 1966 BBC television show, and features Dizzy on trumpet, James Moody on alto, Kenny Barron at the piano, Chris White on bass, and Rudy Collins playing drums. In the (middle) we have Dizzy with the United Nations Orchestra playing Tin Tin Deo in 1989 at the Royal Festival Hall in London. Also included in the mix are such notables as trombonist Slide Hampton, saxophonists James Moody & Paquito D’Rivera, trumpet player Arturo Sandoval, and guitarist Ed Cherry. Finally (bottom) is a tune called Brother K. It was named by Gillespie in1968 as a response to the assassinations of Martin Luther King, Jr. and Robert F. Kennedy that year.

Dexter Gordon Takes Belgium

by | Jun 23, 2024 | Quartet/Quintet

Dexter Gordon filmed 3 concerts in 1964 while living in Europe … Holland, Switzerland and Belgium. Body and Soul is from the Belgium session, and particularly highlights his classic style and silky tone.

“Long tall Dexter” was an early influence on both John Coltrane and Sonny Rollins,  as well as many other greats.  As above, accompanying Dex on  Lady Bird are George Gruntz on piano, Guy Pedersen on bass, and Daniel Humair playing drums.

A Horn Named Shirley

by | Jun 15, 2024 | Orchestral, Quartet/Quintet, Trio

Shirley Horn was both a jazz singer and pianist.  She formed her first jazz trio at the age of 20, and collaborated with many legendary musicians, including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis, and others. She was most noted for her ability to accompany herself with near-incomparable musical independence on the piano as she sang.  This was an ability described by arranger Johnny Mandel as “like having two heads.”  Her rich, lush voice, a smoky contralto, was once described by noted producer and arranger Quincy Jones as “like clothing, as she seduces you with her voice.”

The video above is Nice and Easy, recorded in concert at the 1990 International Bern Jazz Festival in Switzerland … and, as the title indicates, it swings comfortably.  Below [left] Shirley  performs an uptempo Just In Time, at the 1992 Newport Jazz Festival in Newport, Rhode Island … while below [right] she eases back with a haunting rendition of How Insensitive.

Finally, [bottom-most] Shirley Horn reaches for your heartstrings and tugs a bit with a quiet look at life, as she performs Here’s to Life at the 1994 North Sea Jazz Festival in the Netherlands.  She is backed by the Metropole Orchestra and a sea of lush strings.

The Sweet and Swingin’ Sonny Stitt

by | Jun 9, 2024 | Quartet/Quintet, Sextet

Sunny Stitt is often compared with the great Charlie Parker. No wonder … he speaks “Bird!” Everything Happens to Me was recorded in Tivoli, in 1971, with Art Blakey on drums and Al McKibbon on bass.

During a 1964 memorial tribute to Parker in Berlin, Sonny Stitt, J.J. Johnson (tb), Howard McGhee (t), Walter Bishop Jr. (p), Tommy Potter (b), and Kenny Clarke (d), play his composition My Little Suede Shoes.

Lover Man [Oh Where Can You Be] has become a standard … laid back and mellow. Sonny is joined once again by Walter Bishop, Tommy Potter, and Kenny Clarke. More Sonny Stitt … March 15,2019. Compare his Lover Man solos.

Jammin’ with Cozy Cole

by | May 17, 2024 | Audio, Quartet/Quintet, Video

Cozy Cole was a free-wheeling drummer who made his mark in the world of jazz with some of the top bands of the 1930s and 40s. He continued to perform into the 70s in a variety of settings, alongside names like Jonah Jones, Stuff Smith, and Cab Calloway.  Because of his aggressive style, Cole is often cited as an influence by many of our contemporary rock drummers.

In my “What About Dat” page here at Mark of Jazz, I talk about one music genre crossing over to another. There is probably no better example than Cozy Cole’s 1958 hit recordings of Topsy Part 1 that made it to #27 on the Billboard Hot 100, and Topsy Part 2 that made it all the way to #3 … #1 on the Billboard Rhythm & Blues Chart, staying atop the latter for six weeks!  The original version of both tunes can be heard below, with a wonderfully laid back after hours jam session inbetween.  It begins with some simple blues, culminating with Coleman Hawkins joining Cole and the quartet for a captivating rendition of Lover Man (Where Can You Be).  The players are Cozy Cole (d), Coleman Hawkins (ts), Johnny Guarnieri (p), Barry Galbraith (g), and Milt Hinton (b).

 

Topsy Part 1

by Cozy Cole | Cozy Cole Hits

Topsy Part 2

by Cozy Cole | Cozy Cole Hits

Billy Taylor – America’s Jazz Ambassador

by | May 5, 2024 | Quartet/Quintet, Stuff

Musician, composer, teacher and all around jazz ambassador, Dr. Billy Taylor’s musical career is legendary. More than just an avid spokesman for “America’s Classical Music”, he fought for the recognition of Black musicians as key contributors to the American music scene … promoting jazz as a commentary against racial prejudice. Despite being one of the most remarkable jazz pianists of all time, the recipient of honors and awards worldwide, through it all, Billy always managed to remain a true gentleman of honor and humility.

The top video is The Way You Look Tonight, at a 1997 Anniversary Concert with Dr. Taylor accompanied by his trio, plus Stanley Turrentine and Gary Burton. In the center is my updated 1989 interview with Billy, brought forward from our Jazz Scene Podcast Page. Finally, bottom most is a light Bossa-Nova rendition of Here’s That Rainy Day … recorded in 2001 with Billy Taylor (p), Chip Jackson (b), and Winard Harper (d), joined by jazz violinist John Blake, Jr.

Time Out With Billy Taylor

by Fred Masey | Podcast #007

Big Boss Tenor – Houston Person

by | Apr 19, 2024 | Quartet/Quintet, Solo/Duo, Trio

In Texas they have a town they call “Houston.”  New York has a street named “Houston” but they pronounce it “Howstin.”  In jazz, there’s a particularly noteworthy Person, and no matter how you say Houston, he’s been playing his big boss tenor both hot and cool for more than half-a-century!  Houston Person’s musical role seems to be as a show stopper and spotlight stealer, no matter who he plays with … he can touch you and growl at you, equally well, during the same electrifying passage.  I have described his style as silk and cement, and you’ll find examples of both––and everything inbetween––in the three videos below.

Topmost is a 1998 performance of Blues Up and Down with David “Fathead” Newman and the Rein deGraaff Trio.  Below that is a tune who’s name is not listed, and which I can’t seem to identify, but Houston’s duo with John Clayton is comfortably energetic nonetheless.  Finally, At Last is a tune with Emmet Cohen (p), Kyle Poole (d), and Russell Hall (b) that has just enough silk and just enough cement to prove my point.

Recorded live in June of 2023 at the Caffe Lena in Saratoga Springs, NY.  Person and Clayton … a unique duo with a combined swinging sound will find a place in the heart of any jazz fan.

Recorded in 2021 at Emmet’s Place, in Harlem, NYC. The weekly performances are by invitation only … and they entertain only around 8 guests per show.

Fiddlin’ Around With Brown

by | Mar 9, 2024 | Quartet/Quintet

Regina Carter began taking piano lessons at the age of two but, as she grew, so did her need for broader expression.  She eventually switched to violin, because it was more conducive to her creativity.  At first she studied and played classical music … and as a teenager, played in the youth division of the Detroit Symphony Orchestra. While still at school, she was able to take master classes from Itzhak Perlman and Yehudi Menuhin.  Regina was studying classical violin at the New England Conservatory of Music in Boston when she decided to switch to jazz. She has become a master of improvisational jazz violin, though her work draws upon a wide range of musical influences, including Motown, Afro-Cuban, Swing, Bebop and Folk.

Reets and I is an uptempo tune featuring Carter with the Ray Brown Trio –– Ray on Bass, Larry Fuller at the piano, and George Fludas playing drums.

As with the video above, Lady Be Good is from Ray Brown’s 75th birthday concert in 2001. Again, we hear The Trio with, of course, Regina Carter swinging easily on violin.

Jazz and Classical Laws

by | Jan 27, 2024 | Audio, Quartet/Quintet

Suite for Flute and Jazz Piano was performed on the Johnny Carson Show in 1984, by Hubert Laws and Claude Bolling … with John Goldsby on bass and Jean Luc Dayan on drums.

Shades of Light is a Hubert Laws original, featuring Laws on flute, David Budway playing piano, Rob Mullins at the keyboards, John Leftwich on bass and Ralph Penland on drums.

Swan Lake

by Hubert Laws | Studio Trieste

One Part Chivas, One Part Cement

by | Jan 12, 2024 | Quartet/Quintet, Vocal

Roy Hargrove was known as one of the premier players in jazz for the past quarter-century.  As an incisive trumpeter, doubling on flugelhorn, Roy was discovered by Wynton Marsalis in the 1980s.  He embodied the brightest promise of his jazz generation, both as a young steward of the hard bop tradition and a savvy bridge to both hip-hop and R&B.  His assertive sound embodied a tone that could evoke either burnished steel or silk and satin.  Here we have both.

The topmost video I’m Not So Sure, recorded in 2007 at the New Morning in Paris, features Roy Hargrove on trumpet, Justin Robinson on alto sax, Gerald Clayton playing piano, Danton Boller at the bass, and Montez Coleman on drums.  It’s funky beat is guaranteed to treat your feet!  Below that to the left, Top of My Head moves all your parts with some straight ahead bop and features Roy adding a bit of vocal.  The performance was for a public radio gig … and along with Hargrove on trumpet and Robinson on alto, Tadataka Unno played piano, Ameen Saleem played bass, and Quincy Phillips was at the drums.  Finally, at the lower right, silk and satin are served well as flugelhorn replaces trumpet and Chivas replaces cement in the very mellow What a Wonderful World, recorded by the quartet in 1999.  Roy Hargrove takes up the flugel, Mulgrew Miller is on piano, Pierre Boussaguet plays bass, and Alvin Queen is at the drums.