Fantan – Shelly Manne and His Men

Fantan is a Russ Freeman composition … light ‘n easy bebop for lovers of “The West Coast Sound” during the1950s and early 60s. When talking about creative drummers, you have to put Shelly Manne at the top of the list. He was born in New York but after honing his chops with jazz giants from Stan Kenton to Charlie Parker and Dizzy Gillespie, in 1952 Shelly left the New York scene for Los Angeles. It was there that he really came into his own, as a pioneer and lynchpin of the West Coast “cool jazz” sound. Here he is featured with Russ Freeman on piano, Conte Candoli on trumpet, Ritchie Kamuca doing tenor sax duty and Monte Budwig keeping time on bass.

Blues Walk – Lou Donaldson

Blues Walk, from the album of the same name, is a Lou Donaldson original recorded at Town Hall in New York City on February 22, 1985. It features Lou Donaldson on alto sax, Jimmy Smith on the Hammond B-3, Kenny Burrell playing guitar, and Grady Tate on Drums.

Johnny Hartman – The Last Balladeer?

A live performance of Body and Soul by Johnny Hartman, applying his own very personal touch to that old standard.  Though not widely known to the public, it’s easy to see why he was known as a singer’s singer.

Lush Life

by Johnny Hartman | John Coltrane & Johnny Hartman

Johnny Hartman performs the Duke Ellington classic Sophisticated Lady.  He spent most of his career recording solo albums but cemented his musical legacy with John Coltrane and their 1963 album “John Coltrane & Johnny Hartman”.

I Remember Clifford – Art Blakey & The Jazz Messengers

When it comes to talent, it just doesn’t get any better than this.  Recorded in Belgium in 1958, this Benny Golson tribute to Clifford Brown features Lee Morgan (trumpet), Benny Golson (tenor sax), Bobby Timmons (piano), Jymie Merritt (bass), and of course Art Blakey (drums).  It was almost prophetic that Lee Morgan would perish only four years later at a very young age, like Brownie, with a dazzling career cut all too short by tragedy.  Still, both men left behind musical legacies that will live forever in the annals of jazz history.

Joy Spring / Laura – Clifford Brown

Clifford Brown, also known as “Brownie”, is often regarded as the finest jazz trumpet player to ever perform on the American music scene. Certainly he is the benchmark against whom all others are judged.  Brownie died tragically at the age of 25 in a car accident on a rainy night in Pennsylvania, leaving behind a recorded legacy that spans a mere four years. He profoundly influenced later jazz trumpeters including Booker LittleFreddie Hubbard, and the great Lee Morgan.  He was also a composer of note, with two of his compositions, “Joy Spring” and “Daahoud” becoming jazz standards.

Blues in “F” – Wes Montgomery

Did you know that Wes played with his thumb rather than using a pick … and that his thumb was double jointed?  This is Wes in 1965 performing a free swinging blues, before his trademark ‘pop’ sound caught on.  He is accompanied by a group of young Dutch musicians, probably all still in their early twenties.

Bird & The Hawk Just Fakin’ It

One of only two existing pieces of footage of Charlie Parker (alto) in performance. Here he is joined by Coleman Hawkins (tenor), Hank Jones (piano), Ray Brown (bass) and Buddy Rich (drums). This session was recorded in October 1950 in an effort to add video to some previously recorded audio tracks. Bird was smiling because Hawkins, Rich and company were trying to mime their own improvised solos and it wasn’t working out so well. Bird had a good time with it until he got into “trouble” with the producer for laughing at Hawkins.

Route 66 – Natalie Cole & Diana Krall

Hundreds of versions exist of Bobby Troup’s song “[Get Your Kicks on] Route 66,” better known simply as “Route 66.”  He wrote it during a cross-country trip on that highway after World War II … and In 1946 Nat King Cole had a huge hit with Troup’s best known song.  Today it is a jazz standard.

From Warsaw To Saratoga – Stéphane Grappelli

Here’s Grappelli in a rare 1991 live appearance in Warsaw, Poland.  It’s a surprising arrangement of How High The Moon.  Stéphane Grappelli had something very few musicians have … although it’s hard to imagine, like fine wine he got even better with age!

When this recording of Fascinating Rhythm was made Grappelli had been playing with his trio for two years.  Performed in Saratoga, California at the Paul Masson Winery on the 4th of July1982, musicians include the always amazing Stéphane Grappelli (v), Diz Disley (rhythm g), Martin Taylor (g), and Jack Sewing (b).