When you find two people who ask the eternal question with such passion, with such tenderness and longing, is it fair to keep them apart? Rather than posting two videos, I thought I would at least join them lyrically as best I could into one … and ask Diana Krall and Seth MacFarlane to convey my sincerest wishes for a most healthy, happy and prosperous New Year! By the way, What Are You Doing New Years Eve?
It’s classic upon classic! First, Kenny G. takes a walk down memory lane with scenes from classic Christmas movies and his lush arrangement of Have Yourself A Merry Little Christmas. Then a classic clip from the 1967 Bing Crosby television special featuring a duet of White Christmas with Frank Sinatra, as the magic of the holiday season unfolds.
After that, the only thing left to say is MERRY CHRISTMAS! I wish you and yours Christmas rainbows all through the new year!
Since it’s that time of year when we take a critical look back at the past eleven months (don’t stare) I thought you might like to review the top 50 jazz albums of 2019, according to JazzTimes. Let’s see how many selections you agree with.
Tony Bennett makes you want to slip on your galoshes and follow him into the snow with this rendition of Winter Wonderland. It features the Count Basie Orchestra and is certain to add Holiday spring to anyone’s step!
My Favorite Things is a classic song swung by a classic performer with a classic band. While the tune was written for a Broadway play, not as a Christmas song, the season wouldn’t be complete without it.
The Fabulous Baker Boys is a movie about two guys and a girl, that play against one incredible jazz-based soundtrack! Toss in some sibling rivalry and you have a motion picture that feels good no matter how many times you see it.
Michelle Pfeiffer does all of her own singing … and is quite a nice surprise, considering we previously only knew her as a most enjoyable actress. Jeff and Beau Bridges play some of their own piano, although Dave Grusin does most of the keyboard work with the Bridges brothers very convincingly miming it.
Music flows from one end of the story to the other and the plot is a sound one, especially if you happen to have grown up with an obverse brother or sister … or just had a really close best friend. Here’s a small sample.
Like Someone In Love is a jazz standard. Chuck Loeb was a guitarist with one foot anchored in traditional jazz and the other tap dancing its way around the [so called] smooth jazz genre. John Patitucci is an award winning bassist and composer, who was inspired by the likes of Ray Brown and Ron Carter … but who frequently likes to dance to the beat of his own drummer. Put all three together and you have a couple of old friends just noodling on a familiar tune that makes everyone within earshot feel like “dis must be da place!”
As a sort of bonus, I’m including Red Suede Shoes as a sample of Chuck’s smooth jazz virtuosity. Notice the orchestration reaches beyond the usual “death by saxophone” or “death by guitar” sound that seems to dominate the genre.
Her true versatility is on full display as Diana Ross moves seamlessly from R&B to jazz in the 1972 motion picture Lady Sings The Blues … the life story of the legendary Billie Holiday. My Man is one of the featured songs.
Riding atop the power of a big band, with All Of Me Diana shows she can swing with the best of them, in addition to melting your heart with her poignant approach to a ballad.
Give Me A Pig Foot And A Bottle Of Beer is a familiar Billie Holiday song that unquestionably distances Diana Ross far from her original Motown days with The Supremes.
God Bless The Child (That’s Got His Own) has been recorded by several top artists but NOBODY ever did it like Billie Holiday … although Diana comes pretty darn close. Another tune featured in Lady Sings The Blues.
Wesbound was written by Lee Ritenour as a tribute to the late, great guitarist Wes Montgomery. Lee is joined in this video by the very versatile Patrice Rushen playing keyboards and Terry Crews delivering a driving bass.
Ritenour’s guitar stylings are usually considered to be acid or club jazz, which for the uninitiated is a musical genre that combines elements of jazz, soul, funk, and even a smattering of disco. While it is a bit of a departure from our emphasis on more traditional, straight ahead jazz, I think you’re gonna like what you hear. Listen for an ear-popping solo by Patrice!
On March 2nd 2000, The Billy Taylor Trio played this soulful but swinging arrangement of “Body and Soul” live at the Manchester Craftsman’s Guild in Pittsurgh, Pennsylvania. Featured on piano was the great Dr. Billy Taylor, Chip Jackson was on bass and the amazing Winard Harper played drums. Dr. Taylor became the most prominent spokesman for the virtues of jazz and was the first to describe it as “America’s Classical Music”.
From virtually the beginning of his career, Eddie “Lockjaw” Davis achieved one of the main goals of all jazz musicians: to have his own sound. One can always identify “Jaws” within two or three notes. Was he a bop, swing, hard bop or early R&B improviser? Duke Ellington’s phrase of “beyond category” perfectly fit “Jaws” because his highly individual voice always stood apart from everyone else.
S’ Wonderful was recorded in Copenhagen, 1985 with Eddie “Lockjaw” Davis (TS), Niels Jorgen Steen (P), Jesper Lundgaard (b) and Ed Thigpin (d).
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