Akiko Tsuruga & Lioness

by | Feb 28, 2020 | Quartet/Quintet

Lioness is a collective of six very jazzy ladies from New York City, whose mission is to inspire and educate by sharing music created by past and present women of jazz.  Most members of the band have been headlining artists at Dizzy’s Club … saxophonists Lauren Sevian and Alexa Tarantino have also worked extensively with the Jazz at Lincoln Center Orchestra with Wynton Marsalis.  Their music has been called “post-bop” but to me it’s just wonderfully surprising and needs no other label than cool!

While the exciting organist Akiko Tsuruga more or less drives the ensemble with her Hammond B-3, watching the most able Lauren Sevian deftly handle the huge baritone sax is a sight to see … and most especially to hear!  Akiko is front and center in the second video in a live performance with a very funky quartet, which includes the incomparable Lou Donaldson on alto.

Funky Girl by Lioness features Akiko Tsuruga on organ, Lauren Sevian on the barry, Alexa Tarantino playing alto, Jenny Hill on tenor, Amanda Monaco, guitar and Sylvia Cuenca on drums,

On Alligator Bogaloo we hear Akiko Tsuruga at the Hammond, Randy Johnston on guitar, Fukushi Tainaka on drums and Lou Donaldson playing alto. The tune is from Lou’s 1967 album of the same name.

Eric’s Gale / Moonlight In Vermont – Houston Person

by | Feb 21, 2020 | Quartet/Quintet, Trio

As one of the unsung heroes of the tenor sax, Houston Person’s role in life seems to be as a show stopper and spotlight stealer, whether performing live or recorded.  Eric’s Gale is one of those occasions.  His silk and cement style added to the likes of Lonnie Smith on organ, Ron Carter at the bass and Grady Tate on drums makes you want to say “Wow!” and play it again, just to make sure Houston really did that.

Eric's Gale

by Houston Person, Eric Gale | In A Jazz Tradition

Moonlight In Vermont is a standard but Houston Person‘s incredible solo is anything but!  It may be Joey’s album but, that evening, Person was once again a thief in the night.  In 1993 at The Five Spot Cafe in New York, he joined Joey DeFrancesco at the organ, Paul Bollenback with his guitar and Byron “Wookie” Landham playing drums to make a statement that teases legendary status. Personally, I’ve always liked what Houston has had to say.

Moonlight In Vermont

by Houston Person, Joey DeFrancesco | Live At The 5 Spot

Trumpet Summit – Bobby Shew & Company

by | Feb 14, 2020 | Big Band, Orchestral

Thad Jones’ composition Three and One was recorded by The Czech National Symphony Orchestra as part of its “Trumpet Summit” program, with the St. Blaise’s Bigband.  Featured soloists were Bobby Shew, Randy Brecker and Jan Hasenöhrl, as brass and reeds shook the usually classical foundations of the historic Municipal House in Prague.  You might think of them as “The Three Tenors” of jazz … with trumpets!

Phineas Newborn – Only Blues

by | Feb 7, 2020 | Trio

Bud Powell once performed an entire set using only his left hand, after being criticized for relying too much on his right.  In tribute to Bud’s influence, Phineas Newborn performs “Blues For The Left Hand Only”.

“The New Blues” is a laid back blues number also featuring Newborn’s trio, with Al McKibbon on bass and Kenny Dennis playing drums.  Both videos are from the 1962 Jazz Scene TV series, with Oscar Brown, Jr.

Minnie The Moocher – Cab Calloway & ‘Betty Boop’

by | Feb 1, 2020 | Lighter Side, Vocal

Cab Calloway was one of the most colorful and popular entertainers of the 30s and 40s.  Calloway hit the big time with “Minnie the Moocher” (1931) … a number one song that sold more than a million copies. The tune’s famous call-and-response “hi-de-hi-de-ho” chorus was first improvised when Cab couldn’t remember a lyric and it became his signature phrase for the rest of his career.  His abundant scat-singing was perfected with coaching from none other than Louis Armstrong, the master of non-lyric lyrics.

Move over Michael Jackson because Cab Calloway was more than just a singer and bandleader.  His ‘dance’ moves, including early moonwalking, were so popular with the crowd that he became a regular at Harlem’s Cotton Club.  Cab’s moves were accurately captured on film for a 1932 ‘Betty Boop’ cartoon, as demonstrated in the video below!  Michael J. may have popularized such gyrations during the 60s and 70s but Calloway came first!

Poutin’ – Ben Webster and the Oscar Peterson Trio

by | Jan 24, 2020 | Quartet/Quintet

In 1972 two stars collided to make wonderful music together!  Of course, they didn’t do it alone.  The great Ben Webster on tenor and the incomparable Oscar Peterson playing piano were joined in Hannover, Germany by Niels Henning Orsted Pedersen (Aka The Great Dane with the Never-Ending Name) with his  bass, and Tony Inzalaco on drums.  Here is just a sample of the results.  It’s called Poutin’ … but it left the crowd smilin’ and wanting more.

I Got A Heartful Of Music – Benny Goodman Quartet

by | Jan 20, 2020 | Quartet/Quintet

Here is a sort of bonus this week as the same Benny Goodman Quartet — different year, 1937 — plays “I Got A Heartful Of Music”.  Compare it with the 1972 performances.  They haven’t lost much of a step in all those years … and Krupa is nuts!

Avalon / Moonglow – Benny Goodman Quartet

by | Jan 17, 2020 | Quartet/Quintet

This is the Original Benny Goodman Quartet!  Except for guest bassist George Duvivier, it’s the same amazing group, along with the rest of the Benny Goodman Orchestra, that brought down the house with their Carnegie Hall Concert in 1938!  The concert has been described by critics as “the single most important jazz or popular music concert in history … jazz’s ‘coming out’ party to the world of ‘respectable’ music.”  The Quartet, which went on to perform for years to follow, was one of the first integrated jazz groups to achieve popularity during a era of pervasive racial segregation.

In 1972 Timex reunited clarinetist Benny Goodman, pianist Teddy Wilson, vibraphonist Lionel Hampton, drummer Gene Krupa — adding Duvivier on bass — for a television special from Lincoln Center in New York.  Like Timex watches, which were always said to  “keep on ticking”, this timeless group still kept on swinging.  Goodman’s “Avalon” (Top) and the ever popular “Moonglow” (Lower) are here to prove it.

I’ll Remember April / Señor Blues – Phil Woods

by | Jan 10, 2020 | Orchestral, Quartet/Quintet

I’ll Remember April was recorded in 2005 at the Marciac Jazz Festival in France. Phil Woods and his alto are joined by Ben Aronov (piano) Reginald Johnson (bass) Doug Sides (drums) and the lush strings of The Orchestre du Conservatoire National Regional de Toulouse.

Señor Blues is a Horace Silver composition that has become something of a jazz standard.  This recording is from the Legends Of Jazz television series hosted by Ramsey Lewis on PBS in 2006.  This arrangement adds the distinctive sound of David Sanborn to the already solid Phil Woods Quartet.

Frank and Ella Perfect Together

by | Jan 3, 2020 | Vocal

Frank Sinatra said Ella Fitzgerald was the best singer (male or female) he ever heard and the only one who made him nervous to sing with, because he had to be up to her standards. Two legends and only one word to describe them:  Respect!   Frank even lets Ella dominate their performances to showcase her greatness.  He was always the gentleman. Talent like Frank and Ella are extinct now and nobody comes close to them … not then, not now. 

It was 1967 and both singers were in their prime on That’s Why The Lady Is A Tramp!  At one point they respectfully bow to each other, since hugging was not yet a public possibility … still they managed it, lyrically.

Frank may have met his match on Moonlight In Vermont and he knew it.  You can tell by the way he looks at her while they’re singing.  They sound so perfect, I wish they had made an album together.