Akiko Tsuruga & Lioness

by | Feb 28, 2020 | Quartet/Quintet

Lioness is a collective of six very jazzy ladies from New York City, whose mission is to inspire and educate by sharing music created by past and present women of jazz.  Most members of the band have been headlining artists at Dizzy’s Club … saxophonists Lauren Sevian and Alexa Tarantino have also worked extensively with the Jazz at Lincoln Center Orchestra with Wynton Marsalis.  Their music has been called “post-bop” but to me it’s just wonderfully surprising and needs no other label than cool!

While the exciting organist Akiko Tsuruga more or less drives the ensemble with her Hammond B-3, watching the most able Lauren Sevian deftly handle the huge baritone sax is a sight to see … and most especially to hear!  Akiko is front and center in the second video in a live performance with a very funky quartet, which includes the incomparable Lou Donaldson on alto.

Funky Girl by Lioness features Akiko Tsuruga on organ, Lauren Sevian on the barry, Alexa Tarantino playing alto, Jenny Hill on tenor, Amanda Monaco, guitar and Sylvia Cuenca on drums,

On Alligator Bogaloo we hear Akiko Tsuruga at the Hammond, Randy Johnston on guitar, Fukushi Tainaka on drums and Lou Donaldson playing alto. The tune is from Lou’s 1967 album of the same name.

Eric’s Gale / Moonlight In Vermont – Houston Person

by | Feb 21, 2020 | Quartet/Quintet, Trio

As one of the unsung heroes of the tenor sax, Houston Person’s role in life seems to be as a show stopper and spotlight stealer, whether performing live or recorded.  Eric’s Gale is one of those occasions.  His silk and cement style added to the likes of Lonnie Smith on organ, Ron Carter at the bass and Grady Tate on drums makes you want to say “Wow!” and play it again, just to make sure Houston really did that.

Eric's Gale

by Houston Person, Eric Gale | In A Jazz Tradition

Moonlight In Vermont is a standard but Houston Person‘s incredible solo is anything but!  It may be Joey’s album but, that evening, Person was once again a thief in the night.  In 1993 at The Five Spot Cafe in New York, he joined Joey DeFrancesco at the organ, Paul Bollenback with his guitar and Byron “Wookie” Landham playing drums to make a statement that teases legendary status. Personally, I’ve always liked what Houston has had to say.

Moonlight In Vermont

by Houston Person, Joey DeFrancesco | Live At The 5 Spot

Trumpet Summit – Bobby Shew & Company

by | Feb 14, 2020 | Big Band, Orchestral

Thad Jones’ composition Three and One was recorded by The Czech National Symphony Orchestra as part of its “Trumpet Summit” program, with the St. Blaise’s Bigband.  Featured soloists were Bobby Shew, Randy Brecker and Jan Hasenöhrl, as brass and reeds shook the usually classical foundations of the historic Municipal House in Prague.  You might think of them as “The Three Tenors” of jazz … with trumpets!

Phineas Newborn – Only Blues

by | Feb 7, 2020 | Trio

Bud Powell once performed an entire set using only his left hand, after being criticized for relying too much on his right.  In tribute to Bud’s influence, Phineas Newborn performs “Blues For The Left Hand Only”.

“The New Blues” is a laid back blues number also featuring Newborn’s trio, with Al McKibbon on bass and Kenny Dennis playing drums.  Both videos are from the 1962 Jazz Scene TV series, with Oscar Brown, Jr.

Minnie The Moocher – Cab Calloway & ‘Betty Boop’

by | Feb 1, 2020 | Lighter Side, Vocal

Cab Calloway was one of the most colorful and popular entertainers of the 30s and 40s.  Calloway hit the big time with “Minnie the Moocher” (1931) … a number one song that sold more than a million copies. The tune’s famous call-and-response “hi-de-hi-de-ho” chorus was first improvised when Cab couldn’t remember a lyric and it became his signature phrase for the rest of his career.  His abundant scat-singing was perfected with coaching from none other than Louis Armstrong, the master of non-lyric lyrics.

Move over Michael Jackson because Cab Calloway was more than just a singer and bandleader.  His ‘dance’ moves, including early moonwalking, were so popular with the crowd that he became a regular at Harlem’s Cotton Club.  Cab’s moves were accurately captured on film for a 1932 ‘Betty Boop’ cartoon, as demonstrated in the video below!  Michael J. may have popularized such gyrations during the 60s and 70s but Calloway came first!