Harlem Nocturne – Sam “The Man” Taylor

Three weeks ago, I posted Five Faces of Harlem Nocturne and had several inquiries as to why I left out the original 1955 hit recording by Sam “The Man” Taylor. Sam was a jazz and blues player who set the standard for tenor sax solos in both rock ‘n roll and rhythm and blues … and became one of the most requested session sax players in New York during the 1950s.  Since I’ve always considered this to be the definitive version in the first place, I have no excuse.  None whatsoever.  Here to bail me out is Sam “The Man” with The Sixth Face of Harlem Nocturne.

Makin’ Whoopee – Dr. John & Ricki Lee Jones

Combine some blues with pop, add a dash of jazz, stir in a bit of boogie woogie with a smattering of rock and roll — not to mention the occasional touch of Louisiana voodoo — and you have the recipe for Dr. John!  His music is a perfect example of the influence and integration of jazz with other musical styles, or the other way around if you like.  Serve up Ricki Lee Jones as a delicious side dish to provide the Good Doctor with a gentle counterpoint, and it is impossible to keep your feet still whether you usually prefer Led Zeppelin or Miles Davis!